Verified archive entry

100 Bars (The Funeral)

By The Game · Targeting 50 Cent, G-Unit

100 Bars (The Funeral) is a diss track by The Game targeting 50 Cent and G-Unit. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

Released2006

Annotated8

ExplicitYes

Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

01
[Intro]
02
I'm baack... Haha! Niggas can't fuck with me, man
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Niggas is crazy, dog
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I run this underground rap shit, and the mainstream, nigga!
05
I'ma do like Boo-Boo: diss niggas right when they fuckin' album come out... and kill 'em!
06
[Verse 1]
Multi-line diss block
07
Hear the breakdown, time to separate the men from the boys
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Take it straight to the bank; call it Christopher Lloyd
09
Call it momma's little boy, or 50's little bitch
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The Rotten Apple or the protégé of a snitch
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “Call it momma's little boy, or 50's little bitch,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
11
The protégé of a bitch, nigga softer than a Tae Bo Kick
Multi-line diss block
12
You Billy Blanks on them porno flicks
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With no porno chicks, only porno dicks
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You Ty Lattimore whore with them g-string drawers
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “You Ty Lattimore whore with them g-string drawers,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
15
And so therefore, I declare war
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Outside violator, meet me at four
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Young Buck, stay back; Banks, put this autograph
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A Jorge Posada glove on, and let's play catch!
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[Hook 1]
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(Gunshot) That's for your one platinum plaque
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(Gunshot) That's for the niggas ridin' in the back
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(Gunshot) Tryna reach for that shit on your lap
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(Gunshot) That's for your boss sayin' he write my raps (Gunshot) I'm a killa, Blackwall Gorilla
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That pine-box sealer, G-Unit cap peeler
Multi-line diss block
25
I'm realer, 40 oz. spiller
26
40 Glock killer, 40 Glocc killer!
Block noteTreats the target's persona as fabricated
TargetG-Unit
MeaningWhat it means: In “That pine-box sealer, G-Unit cap peeler,” The Game says G-Unit's public story or image is false rather than a reliable account of who the target is. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
27
[Verse 2]
28
Ask Spider, I be creepin’ and crawlin’
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Spinnin' webs around you niggas
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Stackin' bread around you niggas
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Every time you roll up, the feds around you niggas
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I used to watch everything I said around you niggas
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Twenty niggas on the squad, twenty niggas in the can
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That's twenty witnesses, twenty niggas on the stand
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Goddamn, can someone tell them the street code?!
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The Game is to be sold, and not to be told
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This ain't Dre and Suge or Beans and Hov
38
This is one bullet, one head, and one lost soul
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Wipe my fingerprints off
40
And the gun is tossed in with the fishes
41
Like Q in Juice, I'm comin' for Bishop
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I'm gunnin' for Bishop, I'm the king of this L.A. shit
43
Tell me, homie, is you Blood or Crip?
44
Is you thug or bitch? ‘Cause the ese's say
Multi-line diss block
45
They don't never see holmes runnin' around L.A
46
Fake-ass ghostwriter, get your lil' flow tighter
47
'Fore I put you in the trunk of this fuckin' low-rider
Block noteTreats the target's persona as fabricated
Target50 Cent
MeaningWhat it means: In “Fake-ass ghostwriter, get your lil' flow tighter,” The Game says 50 Cent's public story or image is false rather than a reliable account of who the target is. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
48
Nigga, you ain't nothin' but Hittman in quicksand
49
Got a deal, ‘cause you sucked a couple dicks, and
50
Turned your back on Delany and Jimmy Henchman
51
Just take this as a warning; don't flinch, man!
52
Where your rag? You from 1-9-0? No!
Multi-line diss block
53
You know Pap, do you bang East Coast? No!
54
Have you ever hopped 1-6-4? No!
55
Do the hood feel your wack-ass flow? No!
Block noteUses a pointed question as an accusation
Target50 Cent
MeaningWhat it means: In “Where your rag? You from 1-9-0? No!,” The Game puts 50 Cent's conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The question shifts the burden onto 50 Cent: any answer must accept the premise raised in the lyric or explain why that premise is false.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
56
So sit your lil' ass down somewhere
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'Fore I have them niggas sit yo' ass down somewhere
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In the ground somewhere, outta town somewhere
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Breaking news: body has been found somewhere
60
Now back to the video, look at these silly muh'fuckers
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Y'all some silly muh'fuckers
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"I say, hands up, shorty wanna kick it with me."
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Get that wack shit off BET
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Turn the channel, all Black Lambo, red and black flannel
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Speakers in the trunk, with more humps than a camel
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Man, I'm sayin', I ain't playin', I'm sprayin'
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Any nigga in your clique that ever yelled that shit
68
[Hook 2]
69
(Gunshot) Muh'fucker, that's for Yayo and Buck
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(Gunshot) That's for Hot Rod promotional truck
71
(Gunshot) That's for Kanye, and beefin' with Puff
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(Gunshot) Tell the nigga that's behind you to duck!
73
(Gunshot) I'm a killa, Blackwall Gorilla
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Any clip filler, Mobb Deep cap peeler
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I'm realer, the hollow-tip driller
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The rap Godzilla, the Lloyd Banks killer! (Gunshot)
77
[Verse 3]
78
In the diablo, under the tent
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Nigga, I'm about a dollar, what the fuck is 50 Cent?
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When Jay said it, I ain't know what it meant
81
Now I understand, it's startin' to make sense now the whole world know why I took the I out of G-Unit and replaced it with a mothafuckin' O
82
Remember when you told me meet you on the top, nigga?
Multi-line diss block
83
Check the soundscan, guess who on top, nigga!
84
Fake-ass king of New York, you need to stop, nigga
85
‘Cause you not Big, not Nas, not Jigga
Block noteTreats the target's persona as fabricated
Target50 Cent
MeaningWhat it means: In “Fake-ass king of New York, you need to stop, nigga,” The Game says 50 Cent's public story or image is false rather than a reliable account of who the target is. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
86
Take your steroids, show me what you got, nigga!
Multi-line diss block
87
You ain't had a bitch since Vivica Fox, nigga
88
Last I heard, you sucking on cocks, nigga
89
Nobody know, ‘cause they don't see you on the blocks, nigga
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “Take your steroids, show me what you got, nigga!,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
90
‘Cause you be in the precinct with the cops, nigga
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Your whole staff, with a badge and a Glock nigga
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Mid-town Manhattan, tryna stop niggas
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On the subway, chasing down shop-lifters
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All in the streets, talking 'bout you shot niggas
95
Then you in The New York Times, takin' cop pictures
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I exposed you niggas and put out "Stop Snitchin'"
97
When the last time you seen him with some hot bitches?
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See what he say when you ask him, "Where the hot bitches?"
99
Check the adam's apple, nigga, them is not bitches
100
You're reign on the top was shorter than the legs on a leprechaun; just bow down, nigga, accept the Don
101
Nobody wanna be a hero when the TEC is drawn
102
They're transformers, folding up, like decepticons
103
Niggas bust like pipes when the pressure on
104
See that light flash when the Desert Eagle at your dome
105
Every rapper know, from now I'ma set the tone
106
Niggas real hard body 'til they head is gone
Multi-line diss block
107
Here come them demons
108
‘Cause they know that you dead and gone
109
Some niggas just don't get it 'til you at the throne
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “‘Cause they know that you dead and gone,” The Game converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
110
[Outro]
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Niggas can't fuck with me nigga! 100 Bars, nigga!
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I do 100 bars every mothafuckin' day of the week, nigga!
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That's 700 bars a week, nigga!
114
On this fuckin' underground rap shit, nigga!
115
I can't be fuckin' stopped—period, nigga!
116
The Game, nigga! West Coast Don, Black Wallstreet, nigga!
117
I'm ready to get down when you ready to get down
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Mothafuckas! I'm talkin' to all you niggas!
119
I can't be faded, nigga! Niggas don't want it with me, nigga!
120
It's just me, mothafuckas! And I'm pissed off
121
Got me all on the front of the motherfuckin' mixtape
122
In a fuckin' stripper outfit, nigga, with some G-string's on
123
That ain't me, mothafuckas! This is me, mothafuckas!
124
Yeah! Doctor's Advocate, in stores November 7th
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Cop it when I drop it, nigga!
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G-G-G-G-G, G-G-G-G-G-G-Unot! (Gunshot)
127
G-Unit is now officially over. You can mail back your CD's, apparel, headbands, G-Unit spinner replicas and G-Unit shoes to 1548 South Ardmore Drive, Los Angeles, California, 90743. Thank you, have a nice day!