Verified archive entry

240 Bars (Spider Joke)

240 Bars (Spider Joke) is a diss track by The Game targeting Spider Loc. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

Released2006
Annotated13
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

  2. 02

    [Verse 1]

    Multi-line diss block
    03

    Here the break down, Spider Loc is a joke

    04

    Nigga sound like chunk off the goonies, ya life is a movie

    05

    You ain't a factor you a actor, 50 gave you a script

    06

    Went from runnin' with the bloods to a G-Unit Crip

    Block noteUses broken loyalty against the target

    TargetSpider Loc

    MeaningWhat it means: In “You ain't a factor you a actor, 50 gave you a script,” The Game presents Spider Loc as disloyal, abandoned, or unable to keep the support of people who were once close. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The loyalty charge gives the feud a moral frame, portraying conflict with Spider Loc as the consequence of betrayal while suggesting the target lacks a dependable circle.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  3. 07

    What's a G-Unit Crip? Not a gang in L.A

    Multi-line diss block
    08

    Bang on records but nigga won't bang in L.A

    09

    Why the fuck you wake me up?, nigga I'm tired

    10

    You a busta, so I'ma light your ass on fire

    Block noteMakes the rejection unmistakably direct

    TargetSpider Loc

    MeaningWhat it means: In “Why the fuck you wake me up?, nigga I'm tired,” The Game drops any pretense of a subliminal and rejects Spider Loc in blunt, unqualified language. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The direct wording removes plausible deniability: listeners are not left guessing whether Spider Loc is part of the dispute or whether a response is being invited.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  4. 11

    Nigga want my spot so he runnin' wit Buck

    Multi-line diss block
    12

    Keep tryna play The Game and you gon' get fucked

    13

    I heard diss after diss, lil nigga you suck

    14

    Like your baby mama in the third row of my truck

    Block noteMakes the feud personal through family

    TargetSpider Loc

    MeaningWhat it means: In “Like your baby mama in the third row of my truck,” The Game brings a relative or family boundary into the exchange with Spider Loc, moving the dispute beyond music and into private life. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Family references explain why the conflict feels personal: they raise the emotional cost for Spider Loc and make the line more consequential than a routine comparison of rap skill.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  5. 15

    Norvell, I'll whoop your ass in your own hood

    Multi-line diss block
    16

    You so hard, why you ain't put out that song about Suge?

    17

    Trapped in the closet, R. Kelly-ass nigga

    18

    Get swiss-cheesed up, ol' deli-ass nigga

    Block noteImagines the battle as physical destruction

    TargetSpider Loc

    MeaningWhat it means: In “Norvell, I'll whoop your ass in your own hood,” The Game converts lyrical defeat into death, shooting, burial, or bodily harm directed at Spider Loc. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Spider Loc as unable to return for another round.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  6. 19

    T.boz in Belly-ass nigga

    20

    Better ask around, I been the truth since Makaveli passed, nigga

    21

    And I ain't wanna have to do this shit

    22

    I rather be at home listening to the Cam'ron diss

  7. 23

    Dr. Dre said it best "a bitch is a bitch"

    Multi-line diss block
    24

    You a MySpace gangsta, nigga suck my dick

    25

    Your flow is Budweiser, mines is Crystal

    26

    Put the faggot on ice, he gon' be there for a while

    Block noteAttacks the target's ability to rap

    TargetSpider Loc

    MeaningWhat it means: In “Your flow is Budweiser, mines is Crystal,” The Game challenges Spider Loc on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. This goes to the qualification that gives Spider Loc standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  8. 27

    Now watch me put my chest out like 10 OG's

    Multi-line diss block
    28

    I wore this G-Unot shirt to show M.O.P

    29

    I'm gutter, muthafucka

    30

    Tell you "Fuck you" to 50 face and won't st-st-stutter, muthafucka

    Block noteMakes the rejection unmistakably direct

    TargetSpider Loc

    MeaningWhat it means: In “Tell you "Fuck you" to 50 face and won't st-st-stutter, muthafucka,” The Game drops any pretense of a subliminal and rejects Spider Loc in blunt, unqualified language. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The direct wording removes plausible deniability: listeners are not left guessing whether Spider Loc is part of the dispute or whether a response is being invited.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  9. 31

    And now that I put the kids to bed, I tell you a story about a spider caught in his web

    32

    Marvel Williams, a well known Crip

    33

    Not 'cause he put in work, 'cause his brother a snitch

    34

    He belong in G-Unit, I'ma tell you the truth

  10. 35

    50 this nigga's brother tell more than you

    36

    So I'ma break it down like an ounce of glue

    37

    I met the nigga Spider at Aaliyah video shoot

    38

    True, true, he had on no blue

  11. 39

    DMX start laughin', said "this nigga think he better than you"

    40

    So I kicked a freestyle, and in the meanwhile this nigga soakin' up game tryna copy my style

    41

    Gave him a hunnid bars, all he did was smile

    42

    And DMX name me the fuckin' problem child

  12. 43

    Now back to the future, you got a problem now, snoopin' around my hood, get fucked doggy style

    Multi-line diss block
    44

    I'll pull your faggot ass out them G-Unit sneakers and let ya soul burn in hell on the anniversary to Ether

    45

    You G-Unit Crip, used to be a Piru, your name Marvel, all you need now is a Spider-Man suit

    46

    Black Wall Street, bitch, you can't fuck wit my crew

    Block noteUses gendered or sexual humiliation

    TargetSpider Loc

    MeaningWhat it means: In “I'll pull your faggot ass out them G-Unit sneakers and let ya soul burn in hell on the anniversary to Ether,” The Game uses gendered or sexual language to question Spider Loc's masculinity or humiliate the target in front of the audience. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The tactic tries to trigger an emotional reply and damage Spider Loc's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  13. 47

    My flow blind, baby, I'ma make you do what it do

    48

    Let's take a ride nigga I'ma make room in the coupe

    49

    Put the shovel in the truck, throw you in it too

    50

    Bitch in the passenger side say she hear somebody screamin'

  14. 51

    Turn the music up

    52

    Baby, that's comin' from the speakers

    53

    She said "I ain't trippin', I hear somebody screamin'"

    54

    Had to throw her off so I start singin'

  15. 55

    [Chorus]

    56

    I know you don't love me

    57

    You ain't the same when 50 Cent's in town

    58

    I know you don't love me

    59

    You always talkin' 'bout how Ma$e get down

  16. 60

    I know you don't love me

    Multi-line diss block
    61

    You scream and holla when Spider Loc's around

    62

    Got me fucked up wit them G-Unit Crips

    63

    Tryna run game on me, you punk bitch

    Block noteMakes the confrontation explicit

    TargetSpider Loc

    MeaningWhat it means: In “You scream and holla when Spider Loc's around,” The Game addresses Spider Loc directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing Spider Loc removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  17. 64

    [Verse 2]

    65

    Get yo ass in the trunk

    66

    Prodigy know that I ain't a punk

    67

    Keep these rap niggas in check like a pair of ducks

    68

    Who can flip like I do? Spit like Nas too?

  18. 69

    Rock a Yankee fitted, still throw up Piru?

    70

    Rock a Dodger fitted in the middle of The Bronx

    71

    I shine in any hood like Paul Wall fronts

    72

    Nigga, my flow foolish, sit back while I do this and watch me maneuver through Cedar Block and end up in Hoover

  19. 73

    I spit like a Ruger

    Multi-line diss block
    74

    You spit crap like a rookie dice shooter, snake eyes to the loser

    75

    Nigga, I'm Grand Puba

    76

    Gave 'em somethin' grand Nubian, created G-Unot, 50 tried to sue me and

    Block noteReduces the target to a dismissive caricature

    TargetSpider Loc

    MeaningWhat it means: In “You spit crap like a rookie dice shooter, snake eyes to the loser,” The Game replaces Spider Loc's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Spider Loc is remembered.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  20. 77

    Say he kicked me out the group, nigga, I left

    Multi-line diss block
    78

    Spider, you want my spot? Nigga, clean up my mess

    79

    Dirty ass nigga, 50 give him a check

    80

    And if you sign, put your contract on the internet

    Block noteUses career results as evidence

    TargetSpider Loc

    MeaningWhat it means: In “And if you sign, put your contract on the internet,” The Game turns releases, sales, label standing, or career momentum into a public measurement of Spider Loc's position. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The artist invokes an external scoreboard so listeners can compare Spider Loc's claims with visible results, making status something that can be disproved rather than merely debated.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  21. 81

    I been bangin' for 10 years, motherfucker, I been a vet

    82

    For 500 dollars he'll claim any set

    83

    Give him a 1000 dollars, he'll tat it on his hand, damn

    84

    That's worse than me lyin' sayin' Olivia was a man

  22. 85

    Ya double XL cover look like "Makin' of the band"

    86

    You mad, 'cause I got my own shoe?

    87

    And my nigga take shots for The Game like MJ do?

    88

    Some say it's bullshit 'till I pull quick, empty a full clip

  23. 89

    Get on the horn, tell him "Meet me in the bullpit"

    Multi-line diss block
    90

    Tony Yayo, you old ass coward, 36 and you spit your hottest verse on my album, now, I ain't sayin' that you dope, nigga

    91

    But you better than Spider Loc, nigga

    92

    50 saw the opportunity and thought he could use him

    Block noteCalls the target's toughness an act

    TargetSpider Loc

    MeaningWhat it means: In “Tony Yayo, you old ass coward, 36 and you spit your hottest verse on my album, now, I ain't sayin' that you dope, nigga,” The Game portrays Spider Loc as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. A diss threat depends on the audience believing the speaker will confront the opponent; calling Spider Loc afraid is designed to empty that threat of force.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  24. 93

    I know he don't be listenin' to that wack-ass music

    Multi-line diss block
    94

    You got The West on your back? You a lyin' bastard

    95

    You the reason niggas push mute when they play Madden

    96

    What the hell made you think you could fuck with The Game

    Block noteUses a pointed question as an accusation

    TargetSpider Loc

    MeaningWhat it means: In “You got The West on your back? You a lyin' bastard,” The Game puts Spider Loc's conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The question shifts the burden onto Spider Loc: any answer must accept the premise raised in the lyric or explain why that premise is false.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  25. 97

    When ya claim to fame was Yukmouth chain?

    98

    Take my advice and lay low

    99

    Heard you and your uncle Yayo got ran the fuck outta San Diego

    100

    I give you five shots when the 38 blow

  26. 101

    Leave a hole in your chest the size of a bagel

    Multi-line diss block
    102

    We can do it when you say so

    103

    Wait 'till the Lakers on the road, shoot it out at the Staples

    104

    Open your chest, show the world what you made of, my dick hard, I can't wait 'till the day come

    Block noteUses gendered or sexual humiliation

    TargetSpider Loc

    MeaningWhat it means: In “Open your chest, show the world what you made of, my dick hard, I can't wait 'till the day come,” The Game uses gendered or sexual language to question Spider Loc's masculinity or humiliate the target in front of the audience. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The tactic tries to trigger an emotional reply and damage Spider Loc's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  27. 105

    When I can put the infrared on him

    106

    Let Billboard rest, don't speak on my dead homie

    107

    All you new West Coast niggas, chill, the city is mine, Eazy left it to me in his will

  28. 108

    [Outro: G Magic]