Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 30
Empty out the cannon hit ya bitch, you the truck and all
31Withdrawal 200 thousand, and then FUCK it off!
32King of the hill, gotta dime bitch cuttin' raw
Block noteReduces the target to a dismissive caricature
Target50 Cent
MeaningWhat it means: In “Empty out the cannon hit ya bitch, you the truck and all,” The Game replaces 50 Cent's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how 50 Cent is remembered.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 38
After the first 48 that bitch smellin' like a skunk
39It's a wrap, I rap, when I wrap the punk
40Throw me in the gang module and tell 'em wrap the bunks
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “Blindfold your bitch toss her in the trunk,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 90
(Drama you should've warned these niggas, I'm bout to kill 'em)
91Yeah, trash bag it, this is crack
92And I know you been fiendin' for this, come get your packs
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “(Drama you should've warned these niggas, I'm bout to kill 'em),” The Game converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 110
Celebrate your death, toast bottles and clap beers
111It's gon' be a cold summer, come through like burr!
112The red Phantom bullshittin, the 25, Steve Kerr
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “Celebrate your death, toast bottles and clap beers,” The Game converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 118
Meet me in the parking lot, license plate Aftermath
119Screamin' out "Fuck 50", wouldn't snitch for half his cash
120If he wasn't such a bitch, nobody would've had to blast
Block noteAttacks the target's street credibility
Target50 Cent
MeaningWhat it means: In “Screamin' out "Fuck 50", wouldn't snitch for half his cash,” The Game links 50 Cent with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The point is to expose a contradiction between 50 Cent's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 138
We on a suicide mission, but we don't give fuck
139Cause if we make it out, bigger house bigger truck
140I'm in a strip club with a Glock, nigga what!?
Block notePoints to a claimed failure or contradiction
Target50 Cent
MeaningWhat it means: In “Don't take your fucking mask off, bitch empty out the cash drawer,” The Game treats the refusal, inability, or contradiction named in the lyric as evidence against 50 Cent's public position. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The wording tests 50 Cent's image against a specific action; the gap between the two is what the audience is being asked to remember.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 142
I ain't gon' do shit but pour champagne on her
143Hit it from the back and watch half of the Laker game on her
144(Don't put that back on, too many cum stains on it)
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “Gimme your bitch, she got a cuter face and bigger butt,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 150
Had a spot in the Jungles till the fuckin Fed's found it
151Momma, your son got a public announcement
152I got 5 million in the walls and the couches
Block noteMakes the feud personal through family
Target50 Cent
MeaningWhat it means: In “Momma, your son got a public announcement,” The Game brings a relative or family boundary into the exchange with 50 Cent, moving the dispute beyond music and into private life. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Family references explain why the conflict feels personal: they raise the emotional cost for 50 Cent and make the line more consequential than a routine comparison of rap skill.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 166
Catch you in the streets fuck you up and hit ya man next
167Come through on some retarded shit, just sprayin' techs
168Where my dogs at? tell 'em I'm crazier then DMX
Block noteMakes the rejection unmistakably direct
Target50 Cent
MeaningWhat it means: In “Catch you in the streets fuck you up and hit ya man next,” The Game drops any pretense of a subliminal and rejects 50 Cent in blunt, unqualified language. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The direct wording removes plausible deniability: listeners are not left guessing whether 50 Cent is part of the dispute or whether a response is being invited.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 310
I wanna fuck the Asian bitch, next time leave your fat friend
311Why the fuck y'all in the Honda all packed in?
312Headed to Inglewood, say wassup to Mack 10
Block noteTurns the target into a visual punchline
Target50 Cent
MeaningWhat it means: In “I wanna fuck the Asian bitch, next time leave your fat friend,” The Game reduces 50 Cent to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of 50 Cent travel beyond the song itself.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 314
L.A. would be a ghost-town if I wanted nigga's dead
315Run with my Goon Squad cause more than half you nigga's Fed's
316It's either that, you ATF or one of 50's friend's
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “It's either that, you ATF or one of 50's friend's,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 326
(Dream-snatcher, that's ME now)
327Take your money lay yo' bitch ass on the beach now
328I can see it, a G-Unit beach towel
Block noteTurns money and possessions into leverage
TargetG-Unit
MeaningWhat it means: In “Take your money lay yo' bitch ass on the beach now,” The Game contrasts financial power or possessions with G-Unit's alleged lack of money, access, or control. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The comparison converts status into material evidence and is meant to make G-Unit's success claims look hollow beside something listeners can picture and measure.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 330
Send some lil' goons by to kick some fuckin' sand on it
331We ain't watchin', go 'head nigga, jam on it
332Damn homie in high school you was the man homie
Block noteQuestions the target's judgment
TargetG-Unit
MeaningWhat it means: In “Damn homie in high school you was the man homie,” The Game characterizes G-Unit as unintelligent, careless, or unable to understand the situation being addressed. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The insult makes the target's decisions part of the evidence: a poor response can be framed not as strategy, but as proof that G-Unit never understood the contest.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 334
But come to Cali you a moose in some quicksand
335(Sink nigga, like a fuckin' boat with bullet-holes in it)
336Buttersoft Banks, you a bitch man
Block noteReduces the target to a dismissive caricature
Target50 Cent
MeaningWhat it means: In “Buttersoft Banks, you a bitch man,” The Game replaces 50 Cent's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how 50 Cent is remembered.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 362
(Yeah... All up in the wood's, what's good!?)
363And I'm the only one you Rap niggas should fear now
364You see a G-Unit poster, you better tear it down
Block noteMakes the confrontation explicit
TargetG-Unit
MeaningWhat it means: In “You see a G-Unit poster, you better tear it down,” The Game addresses G-Unit directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing G-Unit removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
- 378
Get what I came for, stuff it inside the Range doors
379380 bars and get ready for the main course
380(Yo, gimme a couple of them napkins, a salad fork... I'm starvin' nigga!)
Block noteMakes the confrontation explicit
Target50 Cent
MeaningWhat it means: In “No thank you, pass that bitch to Menace,” The Game addresses 50 Cent directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing 50 Cent removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.