Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 19
And I'm on my level now, I'm so beyond haters
20Bout to go and grab the Benz truck, see y'all later
21When I came through the block, you should've seen y'all faces
Block noteWalks into Drake's 6 Man identity and claims the city
TargetDrake
MeaningWhat it means: Meek places himself ‘in the 6,’ repeats Drake's ‘6 Man’ language and says he is beyond the haters watching his return. Why it was said: After Drake had turned Toronto and the number six into central brand markers, Meek's use of them is a territorial reply: he can enter Drake's symbolic home and rap over its vocabulary without conceding the feud.
WordplayDion Waiters supplies the basketball rhyme, while ‘the 6’ and ‘6 Man’ echo Drake's Toronto nickname and his song ‘6 Man.’
ContextMeek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
- 23
I be goin' hard, Westbrook, 4th quarter
24This is hip-hop, you ain't write it, don't record it
25I don't know how they gettin' down 'cross the border
Block noteRestates the ghostwriting charge as a rule of hip-hop
TargetDrake
MeaningWhat it means: Meek says a performer should not record words he did not write and then questions how rappers operate ‘across the border,’ pointing from Philadelphia toward Canadian Drake. Why it was said: This was the core accusation that started their 2015 battle; phrasing it as a principle of the genre lets Meek argue that the dispute concerns authorship standards, not wounded feelings after Drake's hit responses.
ContextMeek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
- 27
Sent them 10 thousand cases, I put in my order
28Call that poppin' bottles when my people can't afford it
29Mixin' D'usse with lemonade when I'm in Georgia
Block noteContrasts Drake's bottle image with community cost
TargetDrake
MeaningWhat it means: Meek says he can order ten thousand cases of liquor but calls conspicuous bottle-popping ugly when people around him cannot afford it. Why it was said: The criticism pushes against luxury as an automatic sign of victory and gives Meek a moral distinction from the polished celebration surrounding Drake's success: money matters less if the display is detached from the neighborhood.
ContextMeek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
- 31
Talkin' loud, say I'm shootin' out with metal objects
32And that chick standin' right beside you, I done popped that
33Made me beat a fan up, I'm feelin' like I'm Artest, woo!
Block noteFlips Views and revives the romantic provocation
TargetDrake
MeaningWhat it means: ‘Views from the projects’ twists Drake's album title into Meek's street vantage point, then Meek claims sexual history with the woman beside his rival. Why it was said: The first phrase says Drake's blockbuster perspective does not own the word ‘views’; the second returns to the personal terrain of their feud, where Nicki Minaj and public relationship jokes had already been used to embarrass Meek.
Wordplay‘Views from the projects’ answers Drake's Views while relocating the camera from Toronto celebrity life to Meek's housing-project origin.
ContextMeek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
- 83
Man I'm all the way up