Verified archive entry

Another One

Another One is a diss track by Remy Ma targeting Nicki Minaj. Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

Released2017
Annotated5
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    02

    Funkmaster Flex night

    03

    Funkmaster Flex, Funkmaster Flex, Funkmaster Flex

    04

    Remy, not another one

    05

    Why?

  2. 06

    Oh man, oh man, oh man, not again

    07

    Rem!

  3. 08

    [Verse 1]

    Multi-line diss block
    09

    I guess you know now who the head bitch is

    10

    I'm a savage, I be killin' dead bitches

    11

    I bet you wish that you ain't never said shit

    12

    Now they so busy shootin' videos and I'm like nah

    Block noteUses a degrading label to strip status

    TargetNicki Minaj

    MeaningWhat it means: In “I guess you know now who the head bitch is,” Remy Ma replaces Nicki Minaj's chosen public identity with the degrading label in the quoted bar, making contempt—not neutral description—the point of the line. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The insult supplies listeners with a short rival definition of Nicki Minaj; repeating that definition is meant to damage the authority the target brings into the feud.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  4. 13

    Where the fuck is your song? I mean, come on

    14

    You know the pub want some bars, I'm Remy Ma-

    15

    -Rgarito, I ain't sparrin' with you bozos

    16

    My raps too hard and you Miguel Cotto, uh

  5. 17

    I swear to God, this chick a real fraud

    18

    Bet you wonderin' how I know your problems?

    19

    It's a lot of people that you really bothered

    20

    They was sellin' footage and you know I bought it

  6. 21

    This ain't a little L, wait, wait

    22

    You took a Big L, you diggin' in the crates, yeah

    23

    I put you on the bench, you really press

    24

    She was absent, an automatic F

  7. 25

    Waited four days, ma, where you been?

    Multi-line diss block
    26

    I came here in the 'Rari playin' Lil' Kim

    27

    Don't know what made you think that you could fuck with Rem

    28

    But I guess this is what I gotta do to make ya spit

    Block noteRewrites the target's success as a debt

    TargetNicki Minaj

    MeaningWhat it means: In “Don't know what made you think that you could fuck with Rem,” Remy Ma argues that Nicki Minaj benefited from somebody else's access, labor, or protection and now presents that borrowed opportunity as independent success. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. Credit is the pressure point: the line is meant to make Nicki Minaj's current status look ungrateful or incomplete unless the earlier help is acknowledged.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  8. 29

    [Hook]

    30

    Already took a L, now you got another one

    31

    I secure the bag, now I got another one

    32

    I caught the W, now I got another one

    33

    Yo, what's that shit you be sayin', Khaled?

  9. 34

    (Another one)

    35

    Already took a L, now you got another one

    36

    I secure the bag, now I got another one

    37

    I caught the W, now I got another one

  10. 38

    Yo, what's that shit you be sayin', Khaled?

    39

    (Another one)

  11. 40

    [Verse 2]

    41

    Heard you callin' everyone

    42

    Now call 'em back, 'cause I got another one

    43

    Heard you was kiddin', sayin' I ain't havin' none

    44

    But that's okay baby, 'cause now you my son

  12. 45

    They like, "Yo, Rem go in again"

    Multi-line diss block
    46

    My flow cold, her ink froze in the pen

    47

    You gotta go, you gotta go, lil hoe

    48

    I kick a dead horse till it don't move

    Block noteMakes rejection itself the insult

    TargetNicki Minaj

    MeaningWhat it means: In “You gotta go, you gotta go, lil hoe,” Remy Ma depicts Nicki Minaj as unwanted, avoidable, or unworthy of the access and recognition the target expects. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. Withholding attention becomes a status move: the bar suggests Nicki Minaj cannot command interest even when proximity, history, or public reputation should make that attention automatic.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  13. 49

    Don't come around me, now I got the crown, see

    Multi-line diss block
    50

    I beat you with punches in 48, you Ronda Rousey

    51

    The wigs and nose, you a whole clown, B

    52

    I better not ever hear you say anything about me

    Block noteTurns the target into a visual punchline

    TargetNicki Minaj

    MeaningWhat it means: In “The wigs and nose, you a whole clown, B,” Remy Ma reduces Nicki Minaj to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Nicki Minaj travel beyond the song itself.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  14. 53

    I came from behind bars like a bottle girl

    54

    No candy bars, I raise the bar, I'm like a bodybuild

    55

    All blue Maserati, sawed-off lil shottie

    56

    Put blood in your head, leave your whole damn head red, Lil Yachty

  15. 57

    Oh, and if you doubt that, you can catch me outside, bitch, how bout that?

    Multi-line diss block
    58

    When it's dark and hell is hot, I'll DM your ex

    59

    Sittin' here now like, "Who I'ma DM next?"

    60

    I handle these bars like a BMX, Grrr

    Block noteUses a relationship to provoke the target

    TargetNicki Minaj

    MeaningWhat it means: In “When it's dark and hell is hot, I'll DM your ex,” Remy Ma uses a romantic or sexual relationship to embarrass Nicki Minaj and challenge the target's control over a private narrative. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The reference is designed to provoke an emotional response and make the dispute publicly humiliating, where silence can be portrayed as acceptance.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  16. 61

    Get at me dog, DMX

    62

    And I'm waitin' for a bitch to talk outta her neck

    63

    'Cause we got pictures, we got videos, and we got texts

  17. 64

    [Hook]

    65

    Already took a L, now you got another one

    66

    I secure the bag, now I got another one

    67

    I caught the W, now I got another one

    68

    Yo, what's that shit you be sayin', Khaled?

  18. 69

    (Another one)

    70

    Already took a L, now you got another one

    71

    I secure the bag, now I got another one

    72

    I caught the W, now I got another one

  19. 73

    Yo, what's that shit you be sayin', Khaled?

    74

    (Another one)