Verified archive entry

Armageddon (Invasion, Pt. 3)

Armageddon (Invasion, Pt. 3) is a diss track by Eminem targeting Benzino and The Source. The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

Released2004
Annotated10
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: DJ Green Lantern, Eminem]

    02

    Fucker

    03

    Yeah! Oh, shit

    04

    It's the evil genius, Green Lantern!

    05

    Yeah, ayo, Em (Haha)

  2. 06

    What we call this shit right here? (The Invasion!)

    07

    You have Part One, you got Part Two

    08

    Now it's Part three!

    09

    The final chapter, motherfuckers!

  3. 10

    Armaggedon! Let's go!

  4. 11

    [Verse 1: Eminem]

    Multi-line diss block
    12

    I got a riddle: what's little and talks big

    13

    With midget arms and creamy white fillin' in the middle

    14

    That'll do anything to throw dirt on my name

    15

    If it means walkin' the whole Mediterranean?

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “I got a riddle: what's little and talks big,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  5. 16

    Is it an Albanian, Armenian, Iranian

    Multi-line diss block
    17

    Tasmanian? No! It's Dave, Raymond and, oh

    18

    Osorio, so sorry, woah

    19

    But that was a long time ago

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “Is it an Albanian, Armenian, Iranian,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  6. 20

    When I was just Joe Shmoe rappin' in Joe Blows' basement

    Multi-line diss block
    21

    I apologized for it befo', so

    22

    Either accept it or you don't, and let's move on

    23

    If I ain't shown that I've grown and get the bone

    Block notePoints to a claimed failure or contradiction

    TargetBenzino

    MeaningWhat it means: In “Either accept it or you don't, and let's move on,” Eminem treats the refusal, inability, or contradiction named in the lyric as evidence against Benzino's public position. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. The wording tests Benzino's image against a specific action; the gap between the two is what the audience is being asked to remember.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  7. 24

    Keep lickin' these nuts, you industry mutts

    Multi-line diss block
    25

    Keep walkin' around sniffin' each others' butts

    26

    Or should I say asses? What would be the more politically

    27

    Correct term to use for the masses?

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “Keep lickin' these nuts, you industry mutts,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  8. 28

    [Interlude: Lloyd Banks, Eminem]

    29

    Hold on, hold on, hold up, New York City, man

    30

    It's the kid, Lloyd Banks

    31

    And if you hearin' what I'm hearin' right now

    32

    You know this ain't no regular shit, homie

  9. 33

    This somethin' special, and we gotta bring this back

    34

    Green, come on

    35

    Countdown to Armaggedon! Let's go!

  10. 36

    [Verse 2: Eminem]

    37

    I got a riddle: what's little and talks big

    38

    With midget arms and creamy white fillin' in the middle

    39

    That'll do anything to throw dirt on my name

    40

    If it means walkin' the whole Mediterranean?

  11. 41

    Is it an Albanian, Armenian, Iranian

    42

    Tasmanian? No! It's Dave, Raymond and, oh

    43

    Osorio, so sorry, woah

    44

    But that was a long time ago

  12. 45

    When I was just Joe Shmoe rappin' in Joe Blows' basement

    46

    I apologized for it befo', so

    47

    Either accept it or you don't, and let's move on

    48

    If I ain't shown that I've grown and get the bone

  13. 49

    Keep lickin' these nuts, you industry mutts

    50

    Keep walkin' around sniffin' each others' butts

    51

    Or should I say asses? What would be the more politically

    52

    Correct term to use for the masses?

  14. 53

    The question I ask is: how can I explain this?

    54

    How can I swing this in English language

    55

    If I switch to slang and turn man to mayn

    56

    Do I do it in vain or simply to entertain?

  15. 57

    Am I being real, or am I being fake?

    58

    Am I just a fraud, or am I truly genuine?

    59

    Or am I caught up in this hot water?

    60

    Wody on my daughter, I told ya, I love this culture

  16. 61

    Don't let em' insult ya, I'ma tell ya one more 'gain

    62

    This is the environment that I was brought up in

    63

    But every now and then

    64

    I use my pen to get rid of some frustration

  17. 65

    Or should I say shun?

    Multi-line diss block
    66

    Is it just another one of my subliminal ways of racism, huh?

    67

    Your face is numb, you're stunned, your look is cold

    68

    Like that of a man of seventy-some-years-old

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “Your face is numb, you're stunned, your look is cold,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  18. 69

    And it only gets colder, which Is why I understand

    Multi-line diss block
    70

    And can't be mad at a forty-four-year-old fan

    71

    With a chip on his shoulder, who only owns a half

    72

    Of a magazine and the only way to have it seen

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “And it only gets colder, which Is why I understand,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  19. 73

    Is to put me on the front of it again

    Multi-line diss block
    74

    Only thing that makes him grin is to see me frown

    75

    Papa can't stand me

    76

    Papa needs to take his medication and sit the fuck down

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “Is to put me on the front of it again,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  20. 77

    In his new chair that goes round and round

    Multi-line diss block
    78

    That he bought from new money in his bank account

    79

    That I get him every issue when the thang comes out

    80

    Sit back, and let his puffy clown hair come out

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “Sit back, and let his puffy clown hair come out,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  21. 81

    And let his black side arm wrestle his white side

    Multi-line diss block
    82

    Yell "Apartheid" loud enough that he might slide

    83

    He might find someone dumb enough who might ride

    84

    But ain't nobody over here buyin' two white guys

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “He might find someone dumb enough who might ride,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  22. 85

    Disguised as pro-black, there is no slack

    Multi-line diss block
    86

    For A Harvard college grad in a fitted hat and a hunch back

    87

    Standin' by the clearance coat rack

    88

    In some old slacks and some RSO throwbacks, yeah

    Block noteMakes the confrontation explicit

    TargetBenzino

    MeaningWhat it means: In “Disguised as pro-black, there is no slack,” Eminem addresses Benzino directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s. Naming or plainly addressing Benzino removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.

  23. 89

    [Outro: Eminem]

    90

    Shady in the place to be, see

    91

    And it takes what I got to rock the mic, right!

    92

    Still not gonna cater to these punks

    93

    Fuckin' cocksuckin' pussy lips haters dicks cunts!