Verified archive entry

Back Where I Belong

Back Where I Belong is a diss track by LL Cool J targeting Canibus. The recording also credits Ja Rule. The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

Released2000
Annotated6
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: LL Cool J]

    02

    Yo, yeah, aight after this particular practice run

    03

    I'ma practice both verses, after this, I want you to find a spot

    04

    That's close to when the beat drops to the rewind point, locate point

    05

    You ain't gotta be on that all night, this the soundtrack

  2. 06

    Yo, yeah, check it

    07

    Okay, alright, huh okay

  3. 08

    [Verse 1: LL Cool J]

    09

    The other night I was up at Farmers, politicking with some Bloods

    10

    They told me, "Yo L, in the streets you ain't gettin' no love

    11

    And ever since the X's and the Jigga's came out

    12

    My niggas ain't tryna hear that smooth shit you talk about"

  4. 13

    "What's up with that cat Canibus? Son played you out

    Multi-line diss block
    14

    Why you didn't answer back correctly, fuck was that about?"

    15

    As I sip on some Henny, and try to explain some things

    16

    About the life of a legend, and all the drama it brings

    Block noteUses a pointed question as an accusation

    TargetCanibus

    MeaningWhat it means: In “"What's up with that cat Canibus? Son played you out,” LL Cool J puts Canibus' conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. The question shifts the burden onto Canibus: any answer must accept the premise raised in the lyric or explain why that premise is false.

    ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

  5. 17

    Been gone a long time, had a lot of shit on my mind

    18

    I decided I don't want to reach my goal if it means losing my shine

    19

    Streets is Hip-Hop, and I'm Hip-Hop, so the streets is mine

    20

    Balling as long as you been living, that's a long time

  6. 21

    Hard to stay hungry when your pockets are so fat

    Multi-line diss block
    22

    You hit a hot one in every city on the map

    23

    And niggas keep sleeping and you keep coming back

    24

    You know better than the gat, but niggas still wanna clap

    Block noteTurns the target into a visual punchline

    TargetCanibus

    MeaningWhat it means: In “Hard to stay hungry when your pockets are so fat,” LL Cool J reduces Canibus to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Canibus travel beyond the song itself.

    ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

  7. 25

    [Chorus: Ja Rule]

    26

    It feels so good to be back where I belong

    27

    The streets is where I belong

    28

    They had me locked down much too long

    29

    Hey hey

  8. 30

    It feels so good to be back where I belong

    31

    The streets is where I belong

    32

    They had me locked down much too long

    33

    Hey

  9. 34

    [Verse 2: LL Cool J]

    35

    Some say, "L, that's cool, but, see – times have changed

    36

    Niggas got red bandanas, and the grill in the Range

    37

    That gold shit is dead, niggas rock platinum chains

    38

    Trade O.E. for Henny, Colt 45 for champagne

  10. 39

    Hustling niggas found they way into the game

    40

    Extorting all these so-called ballers with big names

    41

    And you gotta have a squad, 'cause running for delf ain't safe

    42

    I know you living good, but ain't no smile up on our face"

  11. 43

    I'm like a villain, I'm representing on my lyrics

    Multi-line diss block
    44

    And force feed the world, even if they don't want to hear it

    45

    As far as Canibus go, my man is hitting his ex-broad

    46

    I'm getting head from his new piece, while 20 gang-bangers applaud

    Block noteUses a relationship to provoke the target

    TargetCanibus

    MeaningWhat it means: In “As far as Canibus go, my man is hitting his ex-broad,” LL Cool J uses a romantic or sexual relationship to embarrass Canibus and challenge the target's control over a private narrative. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. The reference is designed to provoke an emotional response and make the dispute publicly humiliating, where silence can be portrayed as acceptance.

    ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

  12. 47

    You came up with that bullshit, some heads sucked it up

    Multi-line diss block
    48

    Then you dropped that garbage album and totally fucked it up

    49

    I coulda told ya I knew your mom's from the after-hours spot

    50

    When I used to be up in Canada with the dreads on a black block

    Block noteMakes the feud personal through family

    TargetCanibus

    MeaningWhat it means: In “I coulda told ya I knew your mom's from the after-hours spot,” LL Cool J brings a relative or family boundary into the exchange with Canibus, moving the dispute beyond music and into private life. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. Family references explain why the conflict feels personal: they raise the emotional cost for Canibus and make the line more consequential than a routine comparison of rap skill.

    ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

  13. 51

    Before you dick rode Lost Boyz, for a ticket out to Jersey

    52

    But being the man I am, I tried to show ya mercy

    53

    I coulda told the world the way ya label hates your guts

    54

    And how me and Wyclef, got together to set you up

  14. 55

    And how he gave me half your budget, don't believe me? Look it up

    Multi-line diss block
    56

    Your A&R promotion niggas, they helped me hook it up

    57

    I hate to be responsible, for destroying your career

    58

    A one-hit wonder, huh, no wonder you disappeared

    Block noteUses career results as evidence

    TargetCanibus

    MeaningWhat it means: In “I hate to be responsible, for destroying your career,” LL Cool J turns releases, sales, label standing, or career momentum into a public measurement of Canibus' position. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. The artist invokes an external scoreboard so listeners can compare Canibus' claims with visible results, making status something that can be disproved rather than merely debated.

    ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

  15. 59

    I coulda told the world, you get your lyrics from the internet

    Multi-line diss block
    60

    Then spit 'em word-for-word like you really a rap vet

    61

    How you take metaphors from books, and put 'em in your rhyme

    62

    And how you really from Canada, and you been fronting all this time

    Block noteAttacks the target's ability to rap

    TargetCanibus

    MeaningWhat it means: In “I coulda told the world, you get your lyrics from the internet,” LL Cool J challenges Canibus on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. This goes to the qualification that gives Canibus standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.

    ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

  16. 63

    I heard your second album, that shit is garbage too

    64

    LL Cool J and I did this to you

    65

    On that note he said, "Yo, L, you the man"

    66

    I said "Peace, one love," and drove off in the Lex Land

  17. 67

    [Chorus: Ja Rule]

    68

    It feels so good to be back where I belong

    69

    The streets is where I belong

    70

    They had me locked down much too long

    71

    Hey hey

  18. 72

    It feels so good to be back where I belong

    73

    The streets is where I belong

    74

    They had me locked down much too long

    75

    Hey

  19. 76

    [Outro: LL Cool J]

    77

    Yea nigga, the jig is up, nigga, huh ha

    78

    You know what I'm saying? All that bullshit you was talking

    79

    Don't mean shit, you finished now

    80

    I'm still the man, nigga

  20. 81

    The Vanguard Award is in my motherfucking living room

    82

    You know what I mean? Come get that shit, fuck, what

    83

    Mic still on my arm, nigga, word up

    84

    Both arms, I'ma get another one, nigga

  21. 85

    You know what I'm saying? This LL, you know how I get down

    86

    You should have known, when you did it

    87

    He probably did it to get some fame

    88

    But is this really what you want? Hahahahahahahaha