Verified archive entry

Body Bags

Body Bags is a diss track by The Game targeting G-Unit. The recording also credits Ini Kamoze. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

Released2007
Annotated4
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: The Game]

    02

    It's murderer (echo)

    03

    Is 07 shit

    04

    We runnin' through summers

    05

    In dual hummers

  2. 06

    And tell them my crew coming for war

  3. 07

    [Verse 1: The Game]

    08

    Ay yooooooooooooooo!

    09

    I can't let the day go without lettin' the K go

    10

    Now watch his face blow, YAYO!

    11

    Heard you hidin' in the big apple

  4. 12

    Better keep hidin' for them Puerto Ricans kidnap you

    13

    9-3 gangsta ties

    14

    Haitans down in Miami (Zoe Pound!)

    15

    Yeah, them Haitins down in Miami

  5. 16

    Fat Joe don't fuck with you, Nas don't like you

    Multi-line diss block
    17

    So who they gon' blame when the long nose snipe you

    18

    Potato on the muzzle, black tape on the grip

    19

    We in the A-Team van with black tape on your bitch

    Block noteMakes the confrontation explicit

    TargetG-Unit

    MeaningWhat it means: In “We in the A-Team van with black tape on your bitch,” The Game addresses G-Unit directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Naming or plainly addressing G-Unit removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  6. 20

    She gonna tell us where you at

    21

    We gonna twist that dro'

    22

    And just wait 'til that rat come out the that hole

    23

    No, the streets ain't safe

  7. 24

    When we see him we gonna eat that face

    25

    No body we gonna beat that case

    26

    Yeah, it's on again, two shots of patron I'm in

    27

    Drive slow and let the motherfuckin' chrome extend

  8. 28

    [Chorus: Ini Kamoze & (The Game)]

    29

    Out in the streets they call it murder (whispering: murder, murder, murder... kill, kill, kill...)

    30

    (You can't fuck with the real!)

    31

    Out in the streets they call it murder (murder, murder, murder... kill, kill, kill...)

    32

    (Nigga, don't cross the real!)

  9. 33

    They call it murd... They call it murd... They call it murd..

    34

    (murder, murder, murder... kill, kill, kill...)

    35

    They call it murd..

    36

    (You can't fuck with the real!)

  10. 37

    They call it murd... They call it murd... They call it murd... They call it murd..

    38

    (Nigga, don't cross the real!)

  11. 39

    [Verse 2: The Game]

    40

    What type of bitch niggas put his hands on kids (Homo!)

    41

    Pull up that black van on his (Nope)

    42

    We don't do the kid slap, we do the kid snatchin'

    43

    Eyewitness news, there's been a kidnappin'

  12. 44

    Feed 'em real good, takin' home to play with Harlem

    Multi-line diss block
    45

    Sit by the phone, just wait it's your daddy callin'

    46

    Naah, we don't get down like that

    47

    But 50's momma we'll put you in the ground like that

    Block noteMakes the feud personal through family

    TargetG-Unit

    MeaningWhat it means: In “Sit by the phone, just wait it's your daddy callin',” The Game brings a relative or family boundary into the exchange with G-Unit, moving the dispute beyond music and into private life. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. Family references explain why the conflict feels personal: they raise the emotional cost for G-Unit and make the line more consequential than a routine comparison of rap skill.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  13. 48

    Cuuuurtisss

    Multi-line diss block
    49

    Tryin' to make peace with Dipset

    50

    But you ain't even address the beef with Jim yet

    51

    It's on now, better call dr. Ben and Russell

    Block noteForces the dispute into a direct contest

    TargetG-Unit

    MeaningWhat it means: In “But you ain't even address the beef with Jim yet,” The Game addresses G-Unit as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for G-Unit.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  14. 52

    Set up a peace treaty or go get some muscle

    Multi-line diss block
    53

    Call the lighty brothers, call all your lil' flunkies

    54

    Call the snitch hotline and get the G-Unit monkeys

    55

    Call the cops, I'm still 100 miles an runnin'

    Block noteAttacks the target's street credibility

    TargetG-Unit

    MeaningWhat it means: In “Call the snitch hotline and get the G-Unit monkeys,” The Game links G-Unit with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation. The point is to expose a contradiction between G-Unit's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.

    ContextThe Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.

  15. 56

    Then call the God and tell him your ass is comin'

  16. 57

    [Chorus: Ini Kamoze & (The Game)]

    58

    Out in the streets they call it murder (murder, murder, murder... kill, kill, kill...)

    59

    (You can't fuck with the real!)

    60

    Out in the streets they call it murder (murder, murder, murder... kill, kill, kill...)

    61

    (Never cross the real!)

  17. 62

    They call it murd... They call it murd... They call it murd..

    63

    (murder, murder, murder... kill, kill, kill...)

    64

    They call it murd..

    65

    (You can't fuck with the real!)

  18. 66

    They call it murd... They call it murd... They call it murd... They call it murd..

    67

    (Never cross the real!)

  19. 68

    [Verse 3: The Game]

    69

    This ain't "Ether", nah, this ain't "Hit 'em up"

    70

    This is a lot of dead bodies, who gonna pick them up

    71

    We just shot the corner

    72

    Who gonna drive the truck

  20. 73

    Fuck the whole G-Unit, who lied to Buck

    74

    Fuck Spider too, now that's for Big Fase

    75

    I know where you countin' your sheeps

    76

    I'll have some Crips waitin'

  21. 77

    YouTube banger, tell me how that clip taste

    78

    You kiss Lakisha in the mouth, tell me how my dick taste

    79

    I got the crown nigga, it's going down nigga

    80

    And Los Angelesss - it's my town nigga!

  22. 81

    I got a place where bodies don't get found nigga

    82

    Where the dead sleep and ghost don't make a sound nigga

    83

    The real 50 Cent, he knew Jimmy Henchmen, the real Jimmy Henchmen

    84

    Look at them niggas flinchin'

  23. 85

    We ain't gonna do shit

    86

    I'll have your crew sit (Nigga!)

    87

    So play like them is toy guns and this is just music

  24. 88

    [Chorus: Ini Kamoze & (The Game)]

    89

    Out in the streets they call it murder (murder, murder, murder... kill, kill, kill...)

    90

    (You can't fuck with the real!)

    91

    Out in the streets they call it murder (murder, murder, murder... kill, kill, kill...)

    92

    (Don't ever cross the real!)

  25. 93

    They call it murd... They call it murd... They call it murd..

    94

    (murder, murder, murder... kill, kill, kill...)

    95

    They call it murd..

    96

    (Niggas can't fuck with the real!)

  26. 97

    They call it murd... They call it murd... They call it murd... They call it murd..

    98

    (Don't fuck with the real!)

  27. 99

    [Outro: The Game]

    100

    It's Blackwall Street nigga!

    101

    Is 07, we can't be fuck with

    102

    Try and die, motherfuckers

    103

    I run the world, it's on!