Verified archive entry

Bomb First (My Second Reply)

Bomb First (My Second Reply) is a diss track by 2Pac targeting The Notorious B.I.G., Puff Daddy, Mobb Deep, Nas, Jay-Z and Dr. Dre. The recording also credits Outlawz. The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.

Released1996
Annotated5
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Press Release]

    Multi-line diss block
    02

    In today's music news: the ever-controversial Tupac Shakur has just released another album under the alias "Makaveli." Music insiders are running wild trying to rearrange other artists' street dates in fear of a wipeout in retail inter-chart movement. Although no one knows the exact cause of the new album, resources tell me a number of less fortunate rappers have joined together in conspiracy to assassinate the character of not only Mr. Shakur but of Death Row Records as well. Nas, the alleged ring leader, is furious of 2Pac's – excuse me – Makaveli's verbal assault on Mobb Sleep, Notorious P.I.G., and several other New York rappers. JAŸ-Z, from "Hawaiian Sophie" fame, Big Little whatever, and several other corny-sounding motherfuckers are understandably shaken up by this release. The question everybody wants to know is: why'd they get this nigga started? 2Pac – rather Makaveli – was not available for comment but released this statement:

    Block noteUses career results as evidence

    TargetNas

    MeaningWhat it means: In this extended passage, 2Pac turns releases, sales, label standing, or career momentum into a public measurement of Nas' position. Why it was said: The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute. The artist invokes an external scoreboard so listeners can compare Nas' claims with visible results, making status something that can be disproved rather than merely debated.

    ContextThe record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.

  2. 03

    [Spoken: 2Pac]

    04

    It's not about East or West

    05

    It's about niggas and bitches

    06

    Power and money, ridas and punks

    07

    Which side are you on?

  3. 08

    *Heartbeat* *Gunshots*

    09

    *Encroaching footsteps*

    10

    These niggas is still fuckin' talkin'?

    11

    You niggas still breathin'? Fuckin' roaches

  4. 12

    Aight, it's the RAID on you cockroaches

    13

    Punk motherfuckers, this is it (Makaveli the Don)

    14

    Killuminati Style (All day, up in your ass)

    15

    (Bomb first) (Outlaw Ridahz) Solo shit, bring it!

  5. 16

    [Verse 1: 2Pac]

    17

    Allow me to introduce first: Makaveli the Don

    18

    Hysterical, spiritual lyrics like the Holy Qur'an

    19

    Niggas get shook like 5-0

    20

    My .45 is next to me when we ride, for survival

  6. 21

    Money-makin' plans, pistol close at hand, swollen pockets

    22

    Let me introduce the topic, then we drop it

    23

    Expose snakes ‘cause they breed freely

    24

    See me rise, located worldwide like the art of graffiti

  7. 25

    I think I'm tougher than Nitty, my attitude is shitty

    26

    Colder than a dopefiend's titty, huh, in every city

    27

    You'll find me, look for trouble right behind me

    28

    My Outlaw niggas down to die for me, nah'mean?

  8. 29

    I hit the scene, niggas duckin' from my guillotine stare

    Multi-line diss block
    30

    I'm right there, my every word, a fuckin' nightmare

    31

    Get me high, let me see the sun rise and fall

    32

    This for my dogs, down to die for y'all

    Block noteImagines the battle as physical destruction

    TargetThe Notorious B.I.G.

    MeaningWhat it means: In “This for my dogs, down to die for y'all,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Notorious B.I.G.. Why it was said: The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Notorious B.I.G. as unable to return for another round.

    ContextThe record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.

  9. 33

    Extreme venom, no mercy when we all up in ’em

    34

    Cut ’em down, to Hell is where we send ’em

    35

    My whole team, trained to explode, ride or die

    36

    Murder motherfuckers lyrically, and I'm not gon' cry (Naw)

  10. 37

    Me, a born leader, never leave the block without my heater

    38

    Two big Pits, I call them "my bitch-nigga eaters" (What?)

    39

    And not a whimper until I'm gone

    40

    Thug Life runnin' through my veins so I'm strong (Hahahaha)

  11. 41

    Yeah, bye, bye, bye, let's get high and ride

    Multi-line diss block
    42

    Oh, how do we do these niggas, but I'm not gon' cry

    43

    I'm a Bad Boy Killa, JAŸ-Z die too

    44

    Lookin' out for Mobb Deep, nigga, when I find you

    Block noteMakes the confrontation explicit

    TargetMobb Deep

    MeaningWhat it means: In “Lookin' out for Mobb Deep, nigga, when I find you,” 2Pac addresses Mobb Deep directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute. Naming or plainly addressing Mobb Deep removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.

  12. 45

    Weak motherfuckers don't deserve to breathe

    46

    How many niggas down to die for me? Yay-yay!

    47

    West Coast rida, comin' right behind ya

    48

    Should have never fucked with me

  13. 49

    I want money, hoes, sex, and weed

    50

    I won't rest 'til my road dog's free – bomb first

  14. 51

    [Chorus 1: 2Pac]

    52

    We, bomb first when we ride

    53

    Please, reconsider 'fore you die (Hahahaha)

    54

    We ain't even come to hurt nobody tonight (Uh-uh)

    55

    But it's my life or your life, and I'ma bomb first

  15. 56

    We, bomb first when we ride (Hahahaha)

    57

    Please, reconsider 'fore you die

    58

    We ain't even come to fight tonight (Hah)

    59

    But it's my life or your life (Your life), and I'ma bomb first

  16. 60

    [Verse 2: E.D.I. Mean with 2Pac (2Pac)]

    61

    For so many days, in so many ways, we've been duckin' strays (What?)

    62

    They delivers, but still we some Bad Boy killas (What? What? Killas)

    63

    Got nuttin' to lose, I gots nowhere to go

    64

    I only got one home, see me stranded on Death Row

  17. 65

    With Outlawz, it's Makaveli be the general

    Multi-line diss block
    66

    And I be a soldier on a mission, sent to do what you'll never do

    67

    And that's ride for the cause, yes, I'll die for the cause

    68

    You best believe, if I'ma leave this bitch, yo, I'm dyin' with yours

    Block noteContests who deserves the top position

    TargetThe Notorious B.I.G.

    MeaningWhat it means: In “You best believe, if I'ma leave this bitch, yo, I'm dyin' with yours,” 2Pac turns rank, legacy, or leadership into the issue and argues that The Notorious B.I.G.'s claim to the position is undeserved. Why it was said: The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute. The line identifies the prize behind the feud—control of reputation—and asks whose record supports the title rather than whose claim went unchallenged.

    ContextThe record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.

  18. 69

    Kamikaze, sicker than a muhfuckin' Nazi

    70

    Got a little question for that nigga that made "Paparazzi"

    71

    If you ain't in this rap game, for the motherfuckin' cash, mane

    72

    Then what is your motherfuckin' purpose? None can serve us

  19. 73

    E.D.I. Mean, born worthless

    74

    That's 'til the day, I decided to bomb first, biatch (Biatch!)

  20. 75

    [Bridge: 2Pac]

    76

    Come on, bring it, down with it!

    77

    (We ride)

    78

    Come on, bring it

    79

    (Bomb first when we ride)

  21. 80

    Hey, get that nigga!

  22. 81

    [Verse 3: Young Noble]

    Multi-line diss block
    82

    Your style wack as ever, like you was rockin' patent leather

    83

    Causin' massive terror, y'all niggas lack, you ain't thorough

    84

    Half rapper, half drug kingpin, you're tellin' fairy tales, dunn

    85

    "King of New York", like you the motherfuckin' one?

    Block noteMakes the confrontation explicit

    TargetThe Notorious B.I.G.

    MeaningWhat it means: In “Your style wack as ever, like you was rockin' patent leather,” 2Pac addresses The Notorious B.I.G. directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute. Naming or plainly addressing The Notorious B.I.G. removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.

  23. 86

    But I'm from Jers', we don't play that shit (Jersey)

    87

    From the Clair down to Newark Bricks all my niggas flippin’ chips

    88

    Gettin’ rich, even though it's hard

    89

    Tryna creep through these halls and brawls without scarred by a Revolve'

  24. 90

    With no warning signs, ‘cause yo, my man took five

    91

    Now I'm the youngin with the .9 ready to put in my time

  25. 92

    [Interlude: 2Pac]

    93

    Shoot first, look at their head, burst bleeding

    94

    Don't want to hear no shit this evening, believe me

  26. 95

    [Chorus 2: 2Pac]

    96

    We, bomb first when we ride

    97

    Please, reconsider 'fore you die

    98

    G's, and thug niggas on the rise

    99

    Plan, plot, strategize, but bomb first

  27. 100

    We, bomb first when we ride

    101

    Please, reconsider 'fore you die

    102

    G's, and thug niggas on the rise

    103

    Plan, plot, strategize, and bomb first

  28. 104

    [Segue to "Hail Mary"]

    105

    Let us pray, my nigga

    106

    'Cause we definitely have sinned