Bully

1. 01

   Yo, check it out

   Multi-line diss block

   02

   It's fucked up

   03

   'Cause I don't see either one of us budging

   Block noteIntroduces a deadlocked feud

   TargetBenzino

   MeaningEminem says the situation is damaged because neither side appears willing to move, presenting the track as an examination of an escalating stalemate rather than a casual boast.

   WordplayBudging supplies the conflict's physical metaphor: neither opponent yields ground.

   ContextThe opening leads into a first verse centered on Benzino and his magazine influence.

2. 04

   "I'm withholdi-in' my anger, though I'd like to be the strangler

   Multi-line diss block

   05

   Of this punk ass little pussy's puny neck

   06

   It's my right to insist, that he acknowledge my existence

   07

   But he just displays complete lack of respect"

   08

   That's what he says to himself, as he uses his magazines to trash me

   09

   As he sits with both his feet up at his desk

   10

   Smokes a bag of his weed and starts imaginin' things

   11

   And he just can't see that he's maniacally depressed

   12

   And in his jealousy and envy it just whirls him in a frenzy

   13

   As he turns on MTV and sees my face

   14

   He don't exist in this world, so he just twists and he twirls

   15

   Spirals and spins, 'til he hurls himself into a rage

   16

   And it's destroyin' him slowly, 'cause he does not even know me

   17

   Even though he sees me everywhere he goes

   18

   So he just tortures himself, he has no fortune and wealth

   19

   So he extorts someone else to get his dough

   20

   And now he's actin' like a bully, so he tries to push and pull me

   21

   But he knows that he can't fool me so he's mad

   22

   And he has no choice but to scream and raise his voice up at me

   23

   'Cause it annoys him to see that I ain't scared

   Block notePortrays Benzino as jealous, depressed, extortionate, and unable to intimidate him

   TargetBenzino

   MeaningEminem voices a fantasy in which Benzino feels entitled to acknowledgment, then says he uses magazines to attack from a desk. He attributes the behavior to weed, depression, jealousy at Eminem's MTV visibility, lack of wealth, and extorting others. The closing lines call Benzino a bully whose louder threats come from frustration that Eminem remains unafraid.

   WordplayThe opening quoted inner monologue lets Eminem ridicule Benzino's supposed psychology. Whirls/frenzy/MTV/twirls/spirals/rage mimics loss of control; push and pull turns editorial pressure into physical bullying.

   ContextPsychological state, drug use, wealth, and extortion are hostile characterizations inside the song, not verified diagnoses or findings.

3. 24

   You ain't no motherfuckin' bully

   Multi-line diss block

   25

   And I ain't bowin' to no motherfuckin' bully

   26

   I won't allow it, ain't gon' cower to no bully

   27

   I'll be damned if I don't stand up to a bully

   28

   Fight like a man and throw my hands up to a bully

   29

   And I know it must be fuckin' wit' you emotionally

   Block noteChorus refuses submission to a self-styled bully

   TargetBenzino

   MeaningEvery line says the opponent is not a genuine bully, declares that Eminem will neither bow nor cower, promises to stand and fight, and says that refusal must emotionally upset the target.

   WordplayBully is repeated at each line ending like a chant; bow/cower/stand/throw hands moves from submission to resistance.

   ContextThe first chorus follows the Benzino verse, making Benzino its clearest principal addressee even though later repetitions broaden to Ja Rule and Irv Gotti.

4. 30

   Now I'm not tryin' to make no more enemies, no more unfortunately

   Multi-line diss block

   31

   There's so many other motherfuckers there just are

   32

   They just keep houndin' at me now that I'm down with 50

   33

   Suddenly now I got beef with this faggot Ja (Ha-ha-ha-ha)

   Block noteSays alliance with 50 Cent pulled Eminem into the Ja Rule feud

   TargetJa Rule

   MeaningEminem says he is not seeking more enemies but keeps attracting them, then identifies his support for 50 Cent as the reason a conflict with Ja Rule suddenly became his problem.

   WordplayHounding/down with 50/suddenly/beef compresses cause and effect; the final laugh dismisses the seriousness of Ja's challenge.

   ContextJa Rule and 50 Cent had an existing feud. The slur is preserved supplied lyric text and is not editorial terminology.

5. 34

   But his ass is such a puppet, Irv could shove his whole hand up it

   Multi-line diss block

   35

   And just make him say what he wants him to say

   36

   But Suge has Irv on a string, and Irv's so nervous that he

   37

   Says anything to this man to keep him at bay

   38

   So now Ja thinks that he's so tough and Murder Inc.'s the big bad wolf

   39

   And they go huff, and puff, and blow our label down

   40

   But our building's made out of bricks, so you ain't takin' out shit

   Block noteCalls Ja a puppet in a hierarchy controlled by Irv and Suge

   TargetJa Rule

   MeaningEminem says Irv Gotti can control Ja like a hand puppet, then says Suge Knight in turn controls a nervous Irv. He mocks Ja and Murder Inc. as a big bad wolf trying to destroy Shady, but says the label is a brick building their threats cannot blow down.

   WordplayHand up a puppet literalizes label control. String extends the puppet metaphor from Ja to Irv; big bad wolf, huff and puff, and brick building retell The Three Little Pigs with Shady as the surviving house.

   ContextSuge Knight and Murder Inc. are directly attacked secondary targets. Claims of control are feud rhetoric, not established corporate fact.

6. 41

   And, dawg, you just did a song with Bobby Brown

   Multi-line diss block

   42

   So now you try to pull the race card, and it backfires in your face hard

   43

   'Cause you know we don't play that black and white shit

   44

   Plus the stylist you fucked, when you was ecstasied up

   45

   Was just a man who's dressed up as a white bitch

   Block noteAttacks Ja's crossover choices, racial argument, and alleged drug-fueled encounter

   TargetJa Rule

   MeaningEminem points to Ja Rule's Bobby Brown collaboration, says a race-based criticism backfires because Eminem's camp rejects black-versus-white framing, and repeats a degrading allegation that an intoxicated sexual encounter involved a male stylist dressed as a white woman.

   WordplayRace card/backfires/in your face turns an argumentative tactic into impact imagery; white bitch closes the race sequence with a transphobic insult.

   ContextJa Rule is the likely referent because of the Bobby Brown collaboration, but some summaries shift emphasis among feud participants. The sexual and drug claim is unverified and the wording is preserved for analysis, not endorsed.

7. 46

   You ain't no motherfuckin' bully

   Multi-line diss block

   47

   And I ain't bowin' to no motherfuckin' bully

   48

   I won't allow it, ain't gon' cower to no bully

   49

   I'll be damned if I don't stand up to a bully

   50

   Fight like a man and throw my hands up to a bully

   51

   You must be takin' too much E

   Block noteSecond chorus adds an ecstasy taunt

   TargetJa Rule

   MeaningThe repeated hook again denies that the opposing side can bully Eminem, vows resistance, and closes by attributing the target's behavior to excessive ecstasy use.

   WordplayThe single letter E means ecstasy while also echoing Eminem's initial, allowing the closing ad-lib to connect drug accusation and opponent.

   ContextThe surrounding verse points principally to Ja Rule; the alleged drug use is not independently verified.

8. 52

   Now what bothers me the most about hip-hop is we're so close

   53

   To pickin' up where we left off with Big and Pac

   54

   We just lost Jam Master J, Big L got blasted away

   55

   Plus we lost Bugz, Slang Ton, and Freaky Tah

   56

   It's like a never-ending cycle that just seems to come full circle

   57

   Everybody's gotta be so fuckin' hard

   58

   And I'm not excludin' myself, 'cause I been stupid as well

   59

   I been known to lose it, when someone says something smart

   60

   But as we grow as men, we learn to let shit go, but then again

   61

   There's only so much bullshit we can really stand

   62

   We all got reps to uphold, when someone steps on our toes

   63

   It's no exception, it goes for every man

9. 64

   But if Irv really gave a fuck about Ja, like he claims he does

   Multi-line diss block

   65

   He'd wake him up and make his boy get off them drugs

   66

   But he just keeps feedin' him pills, so if that E doesn't kill him

   67

   Someone from G-Unit will, and I ain't buzzed

   Block noteAccuses Irv of enabling Ja's drug use and risking his safety

   TargetIrv Gotti

   MeaningEminem says that if Irv truly cared for Ja he would wake him and help him stop using drugs. He instead alleges Irv keeps supplying pills, then says either ecstasy or someone from G-Unit may kill Ja and insists the warning is sober.

   WordplayWake him up works as literal intervention and awareness. E means ecstasy; G-Unit will completes the parallel fatal alternatives, while buzzed contrasts intoxication with claimed seriousness.

   ContextThis is a violent and unverified accusation about Irv and Ja. It reflects the feud's escalation, not a verified prediction or instruction.

10. 68

    Dawg, I'm talkin' to you straight, if the situation escalates

    Multi-line diss block

    69

    Any worse, we're gonna lose another soldier to this game

    70

    And if I get killed for this rap, I got a million in cash

    71

    That says I will get you back in Hailie's name

    Block noteWarns the feud may kill another rapper and vows retaliation for Hailie

    TargetJa Rule

    MeaningEminem addresses Ja directly, says further escalation could cost another participant's life, and claims that if he himself is killed he has reserved money to ensure retaliation in Hailie's name.

    WordplaySoldier/game casts rap participants as casualties in a recurring conflict; million in cash/get you back turns legacy and resources into a posthumous threat.

    ContextThe family grievance follows Ja Rule's reference to Hailie in 'Loose Change.' The violent promise is lyric rhetoric and must not be presented as a verified plan.

11. 72

    You ain't no motherfuckin' bully

    Multi-line diss block

    73

    And I ain't bowin' to no motherfuckin' bully

    74

    I won't allow it, ain't gon' cower to no bully

    75

    I'll be damned if I don't stand up to a bully

    76

    Fight like a man and throw my hands up to a bully

    77

    Irvin, get your boy off of that E

    Block noteFinal chorus addresses Irv directly

    TargetIrv Gotti

    MeaningThe chorus repeats the refusal to bow to a bully, then names Irvin Lorenzo and tells him to intervene in Ja Rule's alleged ecstasy use.

    WordplayEnding on Irvin converts the previously generic bully refrain into direct address; E again means ecstasy and faintly echoes Eminem.

    ContextIrv Gotti's legal name makes the closing unusually personal. The drug allegation remains disputed.

12. 78

    Get at me, dawg

    79

    Holla

Content-rights boundary: these are original placeholder lines, not the commercial recording’s lyrics.