Verified archive entry

Bump Heads

Bump Heads is a diss track by Eminem targeting Ja Rule. The recording also credits Tony Yayo, 50 Cent and Lloyd Banks. The track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter.

Released2003
Annotated4
ExplicitYes
Addressable transcript

Lyrics & breakdown

  1. 01

    [Intro: 50 Cent, Eminem, Green Lantern, Busta Rhymes & **Xzibit**]

    02

    Nigga, hahaha (Oh)

    03

    (Yeah) Yeah

    04

    (Here we go again)

    05

    Shady, haha (Shady Records Mixtape)

  2. 06

    50 Cent (The Invasion)

    07

    G-G-G-G-G-Unit (Part II), haha (Here we go again)

    08

    Conspiracy Theory, International Version (Yeah)

    09

    Brown, hahaha, Evil Genius, **Green Lantern**

  3. 10

    Let's go

  4. 11

    [Bridge: 50 Cent & Tony Yayo]

    12

    Does it make you mad when I switch my flow?

    13

    You can't understand how I get my dough

    14

    50 Cent, I'm on fire 'cause Shady said so

    15

    I'm on fire (Here we go now)

  5. 16

    [Verse 1: Eminem, Tony Yayo & DJ Green Lantern]

    17

    Everybody's in a rush to try to get the throne

    18

    I just get on the track and try to set the tone (Come on)

    19

    I ain't tryin' to use nobody as a steppin' stone

    20

    But don't compare me, I'm better off just left alone (Exclusive)

  6. 21

    And I ain't even tryin' to go there with record sales

    22

    I'm just tryin' to keep it humble and respect myself (Yeah)

    23

    Say, "What up?", keep steppin', and just rep D12

    24

    Keep my nose clean, stay away from weapons, jail and livin' reckless

  7. 25

    But if you go check my belt, you may see something else I use to protect myself (Yeah)

    26

    A vest, to stop a Ruger and deflect the shells (Green Lantern)

    27

    And send 'em back at you faster than they left the barrel

    28

    And I don't even carry guns no more, I don't got to

  8. 29

    Got undercover cops that'll legally pop you

    30

    And I done seen a lot of people cross the line (Uh-huh)

    31

    But this motherfucker Ja must've lost his mind (Woo)

    32

    That X got him thinkin' he was DMX

  9. 33

    Then he switched to Pac, now he's tryna be him next

    34

    So which one are you? X, Luther, Pac or Michael?

    35

    Just keep singin' that same song, recycled

    36

    We'd all much rather get along than fight you

  10. 37

    Me and Hailie dance to your songs, we like you

    38

    And you don't really wanna step inside no mic booth (Uh-huh)

    39

    Come on now, you know the white boy'll bite you

    40

    I hurt your pride, dog, and you know I don't like to

  11. 41

    But I will if I have to

    42

    With syllable after syllable I just slap ya

    43

    Killin' you faster than you poppin' pill after little pill of them tabs of that shit you on

    44

    But if you want it, you got it

  12. 45

    You'd bump this shit too, if we ain't diss you on it

    46

    But if we lock horns we can charge harder than Busta (Green Lantern)

    47

    We bump heads with any motherfucker that wants to (Woo; yeah)

    48

    So what's the deal? Where was all the tough talk?

  13. 49

    When I walked up to you like, "Ja, what up, dog?"

    50

    How come you didn't say you had a problem then?

    51

    When you was standin' there with all your men

    52

    We could've solved it then

  14. 53

    I'm a grown man, dog, come holla

    54

    All you did was slap hands, smile and swallow another one of them little X pills in front of me

    55

    And tell me 50 Cent was everything you wanna be

    56

    Come on

  15. 57

    [Chorus: 50 Cent, Eminem, 50 Cent & Tony Yayo]

    58

    I know you don't want it with me

    59

    You know you don't want it with me

    60

    You can talk, but soon we gon' see

    61

    You don't wanna bump heads with me

  16. 62

    I know you don't want it with me

    63

    You know you don't want it with me

    64

    You can talk, but soon we gon' see

    65

    You don't wanna bump heads with me (Tony)

  17. 66

    [Verse 2: Tony Yayo & Eminem]

    67

    You couldn't son me if my father helped you

    68

    My punchlines is hot, my bars will melt you (What?)

    69

    Ja, you Stuart Little, shells'll lift you

    70

    Every other week, I'm buyin' a new pistol (Woo)

    Block noteMakes the confrontation explicit

    TargetJa Rule

    MeaningWhat it means: In “Ja, you Stuart Little, shells'll lift you,” Eminem addresses Ja Rule directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter. Naming or plainly addressing Ja Rule removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter.

  18. 71

    I clap at your ass with this chrome .38

    72

    And put six through your hats, a seven and 3/8s (Come on)

    73

    Irv, you ain't Suge Knight, you Shook Knight

    74

    I'll put my knife in your windpipe and breeze on the turnpike

    Block noteImagines the battle as physical destruction

    TargetJa Rule

    MeaningWhat it means: In “I'll put my knife in your windpipe and breeze on the turnpike,” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Ja Rule. Why it was said: The track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Ja Rule as unable to return for another round.

    ContextThe track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter.

  19. 75

    You know and I know who took your chain

    76

    You got robbed two times, so your ass a lame (Lame)

    77

    I'm down to die for this shit, all I need is bail

    78

    You better stick to the movies with Steven Segal (Steven Segal, bitch!) (Come on)

    Block noteUses a public loss to puncture the image

    TargetJa Rule

    MeaningWhat it means: In “You know and I know who took your chain,” Eminem points to property being taken or another visible loss as evidence that Ja Rule's claimed security and power failed in practice. Why it was said: The track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter. The anecdote gives the audience a concrete event against which to test Ja Rule's persona, turning an abstract toughness debate into a remembered humiliation.

    ContextThe track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter.

  20. 79

    [Chorus: 50 Cent & Eminem]

    80

    I know you don't want it with me

    81

    You know you don't want it with me

    82

    You can talk, but soon we gon' see

    83

    You don't wanna bump heads with me

  21. 84

    I know you don't want it with me

    85

    You know you don't want it with me

    86

    You can talk, but soon we gon' see

    87

    You don't wanna bump heads with me (Lloyd Banks)

  22. 88

    [Verse 3: Lloyd Banks, Tony Yayo, Lloyd Banks & Tony Yayo]

    89

    Man, fuck that, I'm tired of waitin'

    90

    These industry niggas startin' to get outta hand

    91

    Like I won't find your whereabouts by stompin' 'em out your man (What?)

    92

    We killin' New York, even in Compton they understand

  23. 93

    I'm on the block where you was raised blowin' chocolate up out the van, and (Break it, break it, break it down, uh)

    94

    They see me pop up more icy, 'cause I could (What?)

    95

    But you been gone so long you probably forgot your way around the hood, good (Haha)

    96

    'Cause when you paranoid it's hard to make a song

  24. 97

    How you want it with us and half of your artists got makeup on?

    98

    Every magazine I open, you on your knees takin' prayer pictures (Yeah)

    99

    And you ain't even got shot yet, you scared bitches

    100

    You don't know nuttin' 'bout what pain is, sucker

    Block noteCalls the target's toughness an act

    TargetJa Rule

    MeaningWhat it means: In “And you ain't even got shot yet, you scared bitches,” Eminem portrays Ja Rule as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter. A diss threat depends on the audience believing the speaker will confront the opponent; calling Ja Rule afraid is designed to empty that threat of force.

    ContextThe track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter.

  25. 101

    I'll put your ass underground like a train conductor, motherfucker (Yeah)

  26. 102

    [Chorus: 50 Cent, DJ Green Lantern, 50 Cent & Tony Yayo]

    103

    I know you don't want it with me (That's my man Paul Rosenberg)

    104

    You know you don't want it with me (Marc LaBelle)

    105

    You can talk, but soon we gon' see (Shady Records)

    106

    You don't wanna bump heads with me (Don Robinson)

  27. 107

    I know you don't want it with me (Interscope Worldwide)

    108

    You know you don't want it with me (Look out for the tour)

    109

    You can talk, but soon we gon' see (Anger Management)

    110

    You don't wanna bump heads with me (Europe and Japan)

  28. 111

    [Outro: Tony Yayo]

    112

    Yeah, nigga!

    113

    Yeah, Shady, Aftermath!

    114

    G-Unit!

    115

    Fuck you think they call us G-Unit for?

  29. 116

    'Cause we move units

    117

    Uh-huh

    118

    And don't think we ain't billin' you for this motherfuckin' studio time

    119

    Matter a fact, keep promotin' 50, we call it even, ha