Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 01
[Part I]
- 11
I swear I could cry when I see your face
12I'm way too in love just to let you walk away
13I know it's your dream to start a family in LA
14They love me too much here, I cannot relocate
Block noteMakes the feud personal through family
TargetA$AP Rocky
MeaningWhat it means: In “I know it's your dream to start a family in LA,” Drake brings a relative or family boundary into the exchange with A$AP Rocky, moving the dispute beyond music and into private life. Why it was said: The track revisits broken alliances and rivalries surrounding Drake's recent disputes, with targets identified from direct lyrics and contemporary reporting. Family references explain why the conflict feels personal: they raise the emotional cost for A$AP Rocky and make the line more consequential than a routine comparison of rap skill.
ContextThe track revisits broken alliances and rivalries surrounding Drake's recent disputes, with targets identified from direct lyrics and contemporary reporting.
- 23
[Part II]
- 35
Look in the mirror, see where talkin' get you, yeah
36You should be swimmin' with the fuckin' fishes
37But I still got love for your missus and her sister
38So I told Capo we can't burn them bridges, yeah
Block noteMakes the feud personal through family
TargetA$AP Rocky
MeaningWhat it means: In “But I still got love for your missus and her sister,” Drake brings a relative or family boundary into the exchange with A$AP Rocky, moving the dispute beyond music and into private life. Why it was said: The track revisits broken alliances and rivalries surrounding Drake's recent disputes, with targets identified from direct lyrics and contemporary reporting. Family references explain why the conflict feels personal: they raise the emotional cost for A$AP Rocky and make the line more consequential than a routine comparison of rap skill.
ContextThe track revisits broken alliances and rivalries surrounding Drake's recent disputes, with targets identified from direct lyrics and contemporary reporting.
- 47
Damn, damn, damn