Verified archive entry

Chloraseptic (Remix)

Chloraseptic (Remix) is a track by Eminem with a diss section by Eminem targeting Revival critics. The recording also credits 2 Chainz and PHresher. The track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends.

Released2018
Annotated3
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: 2 Chainz]

    02

    2 Chainz

    03

    Yeah, yeah

  2. 04

    [Verse 1: 2 Chainz]

    05

    Take 'em to church, I'm talkin' the tabernacle

    06

    It's the return of the body snatcher

    07

    Walk in the spot, make my woman smack ya (Woo)

    08

    In a fruit fight, I aim at your Adam's apple

  3. 09

    Pull up in the candy car, eatin' a candy bar

    10

    And my girl eatin' a candy apple

    11

    Yeah (Mm), I line their ass up (Up)

    12

    I aim at their goozer (Baow)

  4. 13

    All of these stones on my neck, uh

    14

    They must have looked at Medusa

    15

    Pockets Rasputia of course

    16

    I drove some rims to court

  5. 17

    I fucked some twins before

    18

    I had a Benz before, this is the sin report

    19

    This is the murder, murder, pass the burner, Em (Uh)

    20

    Your money shorter than an acronym (Ayy)

  6. 21

    Big body when I'm backin' in (Woo)

    22

    Ladi-dadi, got a bunch of bodies

    23

    Niggas fakin', niggas human traffickin' (Woo)

    24

    I'm on the Act' again, uh (I'm on the Act' again)

  7. 25

    This ain't a accident, uh

    26

    King like Ak-Ron

    27

    I run the trap again, you on the treadmill (Treadmill)

    28

    Never Neverland, shit came with a Ferris wheel (Goddamn!)

  8. 29

    Ferris day off, baby, AR in the same car

    30

    Most of y'all my sons, aw, look at little JR

    31

    F12 same color Kate Moss

    32

    Uh, I'm talkin' wristin' the pot

  9. 33

    I'm talkin' this and you not

    34

    I'm talkin' bricks and you not

    35

    I'm talkin' straight up and down, nigga, like 6 o'clock

    36

    This is the equinox, this what the people want

  10. 37

    Somebody at the door, I heard the speaker knock, uh

  11. 38

    [Chorus: PHresher]

    39

    I'm at your throat like Chloraseptic, 'septic

    40

    And you got strep, I'm too complex with, 'plex with

    41

    This shit I wrote is on some next shit, next shit

    42

    I'm at your throat, I'm feelin' reckless, reckless, yeah

  12. 43

    [Verse 2: PHresher]

    44

    Do me a favor, don't do me no favors

    45

    These bitches got flavors

    46

    They all wanna smoke but ain't doin' no labor

    47

    But they shoppin' at Raleys, they stingin' like tasers

  13. 48

    Act Hollywood like they play for the Lakers

    49

    They fly on the latest

    50

    Crocs, alligators, say hi to my haters

    51

    Pardon my neighbor

  14. 52

    We eatin' that chicken, lobster, potatoes

    53

    You must be sniffin' that yayo

    54

    If you don't think I'm that nigga

    55

    Swagger on ten since a day old

  15. 56

    It's a-okay though, whippin' up whip like it's mayo

    57

    Every track is a KO, technical KO

    58

    Go off your head like I'm Ayo

    59

    Out of this world, talkin' NATO

  16. 60

    It's 'cause of jail, ho, don't be an A-hole

    61

    'Cause I got shooters that shoot when I say so (Lay low)

    62

    Wanna be in my shoes, you ain't paid no dues (Our shoes)

    63

    Go nigga, you ain't break no rules (Hell yeah)

  17. 64

    High school, niggas ate yo' food (Food)

    65

    Might dumb it down a little, but I ain't no fool (Hell yeah)

    66

    Niggas hate every day, B (Yeah)

    67

    Shit is OC lately (Yeah)

  18. 68

    Gotta break 'em off with these Dre beats (Yeah)

    69

    Or I might go crazy (Hell yeah)

    70

    These niggas too goddamn lazy (Too lazy)

    71

    Don't ever, ever, ever try to play me (To play me)

  19. 72

    Lil' shawty now comin' from BK (BK)

    73

    But I'm tryna come up like JAY-Z (Like JAY-Z)

    74

    Nothin' but love for my idols (Love for my idols)

    75

    I feel entitled to titles (To titles)

  20. 76

    Fuck it, man, I want the title (I want the title)

    77

    Submission, they goin' all viral

  21. 78

    [Chorus: PHresher]

    79

    'Cause I'm at your throat like Chloraseptic, 'septic

    80

    And you got strep, I'm too complex with, 'plex with

    81

    This shit I wrote is on some next shit, next shit

    82

    I'm at your throat, I'm feelin' reckless, reckless, yeah (Hell yeah)

  22. 83

    [Verse 3: Eminem]

    84

    Bin Laden with a pen, bodyin' again

    85

    I begin slaughterin' your men, prolly shoulda been

    86

    Ali or the Svengali embodiment of sin

    87

    Like a Saudi in the Taliban plottin' an event

  23. 88

    In the lobby of the Intercontinental with an obvious intent

    89

    And I will not even relent up on a little

    90

    Like Osama with a bomb under the bin inside the middle

    91

    Of the Pentagon and hit a kindergartner with a rental (Stop)

  24. 92

    Back and forth, back and forth

    Multi-line diss block
    93

    Like Jack Kevorkian's ass to court

    94

    "Rap mature, why can't you be like Macklemore?" (Huh?)

    95

    "Why you always gotta smack a whore?" (Huh?)

    Block noteUses a pointed question as an accusation

    TargetRevival critics

    MeaningWhat it means: In “"Why you always gotta smack a whore?" (Huh?),” Eminem puts Revival critics' conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends. The question shifts the burden onto Revival critics: any answer must accept the premise raised in the lyric or explain why that premise is false.

    ContextThe track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends.

  25. 96

    It's likely the psychiatric ward's a last resort (Huh?)

    97

    Something's gotta give, that's for sure

    98

    Yet you keep comin' back for more

    99

    Not as raw as I was, "'Walk on Water' sucks," bitch, suck my dick

  26. 100

    Y'all saw the tracklist and had a fit

    101

    'Fore you heard it, so you formed your verdict

    102

    While you sat wit' your arms crossed

    103

    Did your little reaction videos and talked over songs (Chill)

  27. 104

    Nah dog, y'all sayin' I lost it?

    105

    Your fuckin' marbles are gone (Wait, Em)

    106

    But nowadays every flow, every cadence sound the same (Skrrt)

    107

    Brain's a powder keg, I draw inspiration outta hate

  28. 108

    Real pain in the paper, I don't trace

    109

    But if I look strange and outta place

    110

    It's 'cause I'm an alien, that's why I write 'til the page is outta space (Duh)

    111

    From 7 Mile in Novara

  29. 112

    To "How can I be down?", all of us tryna pile in the car (Yeah)

    Multi-line diss block
    113

    We shot for the stars (Yeah)

    114

    'Cause we only got so much time in this world (Yeah)

    115

    So rewind it to your high school dance to the night before

    Block noteQuestions the target's judgment

    TargetRevival critics

    MeaningWhat it means: In “So rewind it to your high school dance to the night before,” Eminem characterizes Revival critics as unintelligent, careless, or unable to understand the situation being addressed. Why it was said: The track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends. The insult makes the target's decisions part of the evidence: a poor response can be framed not as strategy, but as proof that Revival critics never understood the contest.

    ContextThe track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends.

  30. 116

    If you think you're promised tomorrow (Yeah)

    117

    Now I'm 'bout to fool again

    118

    This tune is sick, it's luminous, the moon is lit

    119

    A freakin' lunatic, a human computer chip

  31. 120

    And I'm soon to stick a broom in the uterus of your Hooters chick

    121

    If I was you, I wouldn't do nothin' stupid due to the mood I'm in

    122

    I'm losin' it, you get chewed like a Junior Mint

    123

    Show me who to rip, it's time for you to get screwed

  32. 124

    Empty the lubricant and put super glue in it (Woo)

    125

    How many fuckin' rappers did I go through?

    126

    Dispel doubt, but you won't admit I smoked

    127

    And you was spellbound, hellbound in my snowsuit

  33. 128

    But am I s'posed to sound like everything else out?

    129

    'Cause I don't get compared to it, only myself now

    130

    And I can see the fair-weather fans and sales down

    131

    But the only way I care is if I let myself down

  34. 132

    But what the fuck have I woke to?

    133

    Time to eat the vocals and shit out Pro Tools

    134

    I know you still want me to ill out, don't you?

    135

    Hopin' the old Slim's gonna spill out, open

  35. 136

    Fire on your whole camp with this spit, I roast you

    137

    So chill out, no, you

    138

    Hoes couldn't roast me with the shit I wrote you

    139

    Then I took a stand, went at Tan-Face and practically cut my motherfuckin' fan base in half and still outsold you

  36. 140

    You just called my shit trash?

    Multi-line diss block
    141

    Thank God, I rap better when the odds are stacked

    142

    "Revival's wack, I don't like the 'Zombie' track

    143

    And when he's talkin' that garbage psychotic crap

    Block noteAttacks the target's ability to rap

    TargetRevival critics

    MeaningWhat it means: In “You just called my shit trash?,” Eminem challenges Revival critics on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: The track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends. This goes to the qualification that gives Revival critics standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.

    ContextThe track answers criticism of Eminem's music and attacks named commentators, rival rappers, and broader industry trends.

  37. 144

    Where's your content at?

    145

    What's with all the conscious rap?

    146

    P!nk, Beyoncé this and Kehlani that" (Yeah)

    147

    I just add it to the fuel in my rocket pack

  38. 148

    'Til I'm ready to respond, then I'ma launch it at 'em

    149

    Idiotic from the fuckin' embryonic sac

    150

    To the body bag, I'll be back

    151

    And when I am, I'll be at your fuckin' throat like

  39. 152

    [Outro: PHresher]

    153

    Like Chloraseptic