Verified archive entry

Connected

Connected is a diss track by Ja Rule targeting 50 Cent and DMX. The recording also credits Crooked I, Eastwood and Chink Santana. The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.

Released2002
Annotated4
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Chink Santana & Irv Gotti]

    02

    Woooooo

    03

    That shit is gangsta, nigga (Murda Inc.)

    04

    (Murda Inc., motherfucker)

    05

    Santana the God!

  2. 06

    (Yo)

  3. 07

    [Chorus: Chink Santana & Eastwood]

    08

    We worldwide connected

    09

    Y'all don't wanna fuck wit us

    10

    In the streets we respected

    11

    So y'all don't wanna fuck wit us

  4. 12

    We worldwide connected, nigga

    13

    Y'all don't wanna fuck wit us

    14

    We gangsta ass niggas and we hard to hit

    15

    Murder Inc. (Yeah) and Tha Row (Uh), who could fuck wit this?

  5. 16

    [Verse 1: Eastwood]

    Multi-line diss block
    17

    It ain't no mercy, motherfuckers, who can fade these thugs

    18

    It's Murder Inc. and Tha Row, nigga throw up your dub

    19

    They show us love in the club, real niggas bossed up

    20

    Man we heavily intoxicated so toss it up

    Block noteImagines the battle as physical destruction

    Target50 Cent

    MeaningWhat it means: In “It's Murder Inc. and Tha Row, nigga throw up your dub,” Ja Rule converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.

    ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.

  6. 21

    Attack your mind, I'm your conscience, spittin' to enhance this

    22

    Verbally thug grammar, I'm 'bout to touch the world wit it

    23

    Extraordinary, and I was never ordinary, at the cemetery missin' my homies in mortuaries

    24

    Hen Dogg, Buntry Al, young N.I.N.A. and Pac

  7. 25

    I'ma keep my heat tight and mash until my soul go pop

    26

    I hear a lot of niggas rappin'

    27

    But it that ain't that many rappers out there scrapin' and keep it crackin', we make it happen

    28

    I'm a million out the gate, nah, scratch that, ate from

  8. 29

    CDs to tapes, we rock like earthquakes

    30

    I'm Eastwood, catch me dippin' the Fleetwood like a G should, young East is so damn hood

  9. 31

    [Chorus: Chink Santana]

    32

    We worldwide connected

    33

    Y'all don't wanna fuck wit us

    34

    In the streets we respected

    35

    So ya'll don't wanna fuck wit us

  10. 36

    We worldwide connected, nigga

    37

    Y'all don't wanna fuck wit us

    38

    We gangsta ass niggas and we hard to hit

    39

    Murder Inc. and Tha Row, who could fuck wit this?

  11. 40

    [Verse 2: Crooked I]

    41

    Nigga, Crooked I is raaaaw spit

    42

    Murder Inc. and Tha Row, we aaaall sick

    43

    So all niggas involved get mauled quick as a dog

    44

    And the brawl get you to fall then I'ma draw quick, nigga, awwww shit

  12. 45

    Punks talkin' lip, I haul off quick

    Multi-line diss block
    46

    When the sawed-off kick, it's like you fall off cliffs

    47

    Y'all call it off before all y'all get stomped like you're fallen off in the raw mosh pit

    48

    Off in a ditch, your coffin'll sit

    Block noteImagines the battle as physical destruction

    Target50 Cent

    MeaningWhat it means: In “Off in a ditch, your coffin'll sit,” Ja Rule converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.

    ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.

  13. 49

    While I floss in the awesomest whips

    50

    And I'm tossin' your chicks, show caution when you crawl in your six

    51

    Cause your talkin' could get you crossed and lost in the mix

    52

    I'm a boss in this bitch, bossed in the pits

  14. 53

    Berg, I serve, niggas let off at ya clique

    54

    Sped off with ya grip, my lead'll gangreen you

    55

    I have the doctors takin' your leg off where you're hit, motherfucker

  15. 56

    [Chorus: Chink Santana & Ja Rule]

    57

    We worldwide connected

    58

    Y'all don't wanna fuck wit us

    59

    In the streets we respected

    60

    So ya'll don't wanna fuck wit us (Yea)

  16. 61

    We worldwide connected, nigga (Yea) (You know, East to West) (You what [?], holla)

    62

    Y'all don't wanna fuck wit us (North to South)

    63

    We gangsta ass (Durty) (Uh huh) niggas and we hard to hit (Ha ha) (Yea)

    64

    Murder Inc. (Yo) (Tell these niggas) and Tha Row, who could fuck wit this?

  17. 65

    [Verse 3: Ja Rule]

    66

    All y'all niggas need to get off my dick, I spit it how I live it

    67

    Plus the flows real sick, broccoli

    68

    I got killers ranged from Compton to Cleveland

    69

    Worldwide connected, air tight, nigga there's no breathin'

  18. 70

    Give me the reason, I put a hollow throw your mental

    71

    Then give you the Holy Spirit and send you to God's temple

    72

    I'm the avengin' angel and Earth be my claim

    73

    As Ja be thy name, I know y'all all prayin'

  19. 74

    For the day of my diminishin'

    Multi-line diss block
    75

    Why won't somebody finish him off and put it right through his cross?

    76

    The X's, the 50's, y'all gotta be kiddin' me

    77

    These niggas is my sons, I raised them from young

    Block noteShrinks the target into a dependent

    Target50 Cent

    MeaningWhat it means: In “These niggas is my sons, I raised them from young,” Ja Rule recasts 50 Cent as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The hierarchy denies equality before the battle is judged: if 50 Cent is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.

    ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.

  20. 78

    Curtis and lil Earl, should've been little girls

    Multi-line diss block
    79

    'Cause they bitch-made and they act like one of my itch-bays

    80

    Touché, the Rule is more than ready

    81

    Gun heavy and worldwide connected, feel me, heh, heh

    Block noteImagines the battle as physical destruction

    Target50 Cent

    MeaningWhat it means: In “Gun heavy and worldwide connected, feel me, heh, heh,” Ja Rule converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.

    ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.

  21. 82

    [Chorus: Chink Santana]

    83

    We worldwide connected

    84

    Y'all don't wanna fuck wit us

    85

    In the streets we respected

    86

    So ya'll don't wanna fuck wit us

  22. 87

    We worldwide connected, nigga

    88

    Y'all don't wanna fuck wit us

    89

    We gangsta ass niggas and we hard to hit

    90

    Murder Inc. and Tha Row, who could fuck wit this?

  23. 91

    [Skit: Ja Rule]

    92

    Extra, extra

    93

    Hear all about it

    94

    Ja Rule has just been elected president of United Ghettos of Emerica

    95

    That shit

  24. 96

    Yeah that shit, that shit ain't, know what I'm sayin'

    97

    They tried to pin that shit on me and Eminem and niggas like that, know what I'm sayin', like we makin' the kids do ecstasy

    98

    I'm not makin' the kids do ecstasy

    99

    THEY MADE ME DO ECSTASY!

  25. 100

    *laughter*

    101

    Here's what he had to say at press time

    102

    Welcome to Emerica, ha ha ha ha ha ha

    103

    My peoples, my peoples

  26. 104

    Welcome to Emerica