Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 02
It's been 3 weeks since the diss from Little Kim
03The one you played it once , and never played it again
04Remember when she told yall she was bout the Benjamins?
05Yall act like yall ain't know that she wasn't writing then
Block notePressures the target to answer
TargetLil' Kim
MeaningWhat it means: In “It's been 3 weeks since the diss from Little Kim,” Remy Ma treats Lil' Kim's response, delay, or silence as part of the contest rather than a neutral choice. Why it was said: Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted. By defining silence as concession, the line tries to control the timetable of the feud and force Lil' Kim into replying on the artist's terms.
ContextRemy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.
- 07
Like you got the crown and you nicer than Rem
08Plus when, you had to get your stomach pumped from swallowin' them kids
09If you did it then, then you'll probably do it again
Block noteTreats the target's persona as fabricated
TargetLil' Kim
MeaningWhat it means: In “To begin, how you think you really gone pretend,” Remy Ma says Lil' Kim's public story or image is false rather than a reliable account of who the target is. Why it was said: Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextRemy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.
- 11
With a fake nose and fake tits
12Now that was the sin that Kimberly end
13It ain't my fault that the record didn't spin
Block noteTurns the target into a visual punchline
TargetLil' Kim
MeaningWhat it means: In “With a fake nose and fake tits,” Remy Ma reduces Lil' Kim to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Lil' Kim travel beyond the song itself.
ContextRemy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.
- 15
Lemme break it down for you again
16You know if Rem you say it then its truly genuine
17Don't be a hard rock when you really just a gem
Block noteMakes the feud personal through family
TargetLil' Kim
MeaningWhat it means: In “You ain't gotta ask cause I'm nice with the pen, girlfriend,” Remy Ma brings a relative or family boundary into the exchange with Lil' Kim, moving the dispute beyond music and into private life. Why it was said: Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted. Family references explain why the conflict feels personal: they raise the emotional cost for Lil' Kim and make the line more consequential than a routine comparison of rap skill.
ContextRemy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.
- 19
Your peoples lying to you and you believing em', see
20Remy Ma is only human
21You act like you ain't been through the same predicament
Block noteTreats the target's persona as fabricated
TargetLil' Kim
MeaningWhat it means: In “Your peoples lying to you and you believing em', see,” Remy Ma says Lil' Kim's public story or image is false rather than a reliable account of who the target is. Why it was said: Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextRemy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.
Block noteChallenges the target's public standing
TargetLil' Kim
MeaningWhat it means: In “At the radio station I shout you out when you was in,” Remy Ma questions whether Lil' Kim's attention, audience, or reputation reflects genuine respect. Why it was said: Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted. Visibility can be mistaken for victory, so the artist recasts Lil' Kim's recognition as temporary, manufactured, or disconnected from credibility.
ContextRemy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.