Verified archive entry

Did It On’em

Did It On’em is a Nicki Minaj competition record aimed at unnamed women in rap. Lil' Kim later answered its imagery with Pissin’ On ’Em during their feud, but Nicki's supplied lyric never names Kim; this entry therefore preserves the verified collective target instead of converting a later response into proof that every original bar was written for one person.

Released2011
Annotated13
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    02

    (Bangladesh)

  2. 03

    [Chorus: Nicki Minaj]

    04

    Shitted on 'em

    05

    Man, I just shitted on 'em

    06

    Shitted on 'em

    07

    Put your number twos in the air if you did it on 'em

  3. 08

    Shitted on 'em

    09

    Man, I just shitted on 'em

    10

    Shitted on 'em

    11

    Put your number twos in the air if you did it on 'em

  4. 12

    [Verse 1: Nicki Minaj]

    Multi-line diss block
    13

    All these bitches is my sons

    14

    And I'ma go and get some bibs for 'em

    15

    A couple formulas, little pretty lids on 'em

    16

    If I had a dick, I would pull it out and piss on 'em (Pss)

    Block noteUses gendered or sexual humiliation

    TargetFemale rap rivals

    MeaningWhat it means: In “If I had a dick, I would pull it out and piss on 'em (Pss),” Nicki Minaj uses gendered or sexual language to question Female rap rivals' masculinity or humiliate the target in front of the audience. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. The tactic tries to trigger an emotional reply and damage Female rap rivals' public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  5. 17

    Let me shake it off

    Multi-line diss block
    18

    I just signed a couple deals, I might break you off

    19

    And we ain't making up, I don't need a mediator

    20

    Just let them bums blow steam, radiator

    Block noteUses new deals to explain why reconciliation is unnecessary

    TargetFemale rap rivals

    MeaningWhat it means: Nicki points to multiple new contracts, says she might share money but will not make peace and lets rivals vent like a radiator. Why it was said: Commercial momentum gives her a reason to reject mediation: from her perspective, the unnamed competitors need the conflict more than she does, so their anger becomes heat she can simply let escape.

    Wordplay‘Break you off’ can mean sharing money; ‘make up’ and ‘mediator’ move to conflict resolution; ‘blow steam, radiator’ turns the rivals' complaints into harmless pressure release.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  6. 21

    [Chorus: Nicki Minaj & Safaree]

    Multi-line diss block
    22

    (That was a earthquake, bitch), shitted on 'em

    23

    (You felt the ground shake, right?), man, I just shitted on 'em

    24

    (You bitches ain't fucking with her), shitted on 'em

    25

    Put your number twos in the air if you did it on 'em (You must've, ah)

    Block noteMakes the chorus a scatological victory ritual

    TargetFemale rap rivals

    MeaningWhat it means: Nicki and Safaree compare the impact of her performance to an earthquake and invite listeners to raise ‘number twos’ while saying she defecated on the competition. Why it was said: The intentionally crude image denies unnamed rivals dignity and turns audience participation into a public scoreboard: joining the gesture means affirming that Nicki overwhelmed them.

    Wordplay‘Number two’ is a hand gesture built from the song's repeated defecation metaphor; the ground-shaking ad-lib enlarges the bodily joke into an earthquake.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  7. 26

    (You must've lost your fuckin' mind), shitted on 'em

    Multi-line diss block
    27

    (You must've bumped your fuckin' head), man, I just shitted on 'em

    28

    (You crazy, stupid, ugly, monkey-looking bitches), shitted on 'em

    29

    Put your number twos in the air if you did it on 'em (Uh, yo, ah)

    Block noteTurns the target into a visual punchline

    TargetFemale rap rivals

    MeaningWhat it means: In “(You crazy, stupid, ugly, monkey-looking bitches), shitted on 'em,” Nicki Minaj reduces Female rap rivals to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Female rap rivals travel beyond the song itself.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  8. 30

    [Verse 2: Nicki Minaj]

    Multi-line diss block
    31

    This stone is flawless, F1

    32

    I keep shooters up top in the F1

    33

    A lot of bad bitches beggin' me to F one

    34

    But I'ma eat them rap bitches when the chef come

    Block noteRuns F1 speed into a chef who consumes rivals

    TargetFemale rap rivals

    MeaningWhat it means: Nicki stacks an F1 diamond, Formula One speed and sexual wordplay before saying she will eat rival women when the chef arrives. Why it was said: The sequence makes her status feel fast, expensive and predatory; competitors are not parallel artists in the image but ingredients waiting for the person in control of the kitchen.

    WordplayF1 refers to diamond clarity and Formula One racing; ‘F one’ becomes a sexual phrase; the chef then converts ‘eat’ from competition slang into a kitchen scene.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  9. 35

    Throw some fresh ones

    Multi-line diss block
    36

    More talent in my motherfuckin' left thumb

    37

    She ain't a Nicki fan, then the bitch deaf, dumb

    38

    You ain't my son, you my motherfuckin' step-son

    Block noteShrinks the target into a dependent

    TargetFemale rap rivals

    MeaningWhat it means: In “You ain't my son, you my motherfuckin' step-son,” Nicki Minaj recasts Female rap rivals as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. The hierarchy denies equality before the battle is judged: if Female rap rivals is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  10. 39

    [Chorus: Nicki Minaj & Safaree]

    Multi-line diss block
    40

    (I don't know what layaway look like), shitted on 'em

    41

    (Bitch, I can't even spell "welfare"), man, I just shitted on 'em

    42

    (You got me mistaken with your mother, ho), shitted on 'em

    43

    Put your number twos in the air if you did it on 'em (You bitches at the bottom of the totem pole)

    Block noteMakes the feud personal through family

    TargetFemale rap rivals

    MeaningWhat it means: In “(You got me mistaken with your mother, ho), shitted on 'em,” Nicki Minaj brings a relative or family boundary into the exchange with Female rap rivals, moving the dispute beyond music and into private life. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. Family references explain why the conflict feels personal: they raise the emotional cost for Female rap rivals and make the line more consequential than a routine comparison of rap skill.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  11. 44

    (We at the top, bitch, she flopped), shitted on 'em

    Multi-line diss block
    45

    (Louis Vuitton everything, bitch), man, I just shitted on 'em

    46

    (Gucci, we don't fuck with it, it's too cheap, motherfucker), shitted on 'em

    47

    Put your number twos in the air if you did it on 'em (You bitches, ah, man)

    Block noteContests who deserves the top position

    TargetFemale rap rivals

    MeaningWhat it means: In “(We at the top, bitch, she flopped), shitted on 'em,” Nicki Minaj turns rank, legacy, or leadership into the issue and argues that Female rap rivals' claim to the position is undeserved. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. The line identifies the prize behind the feud—control of reputation—and asks whose record supports the title rather than whose claim went unchallenged.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  12. 48

    [Verse 3: Nicki Minaj]

    Multi-line diss block
    49

    All these bitches is my sons

    50

    And I ain't talkin' 'bout Phoenix

    51

    Bitch, I get money, so I dos what I pleases

    52

    I live where the motherfuckin' pools and the trees is

    Block noteShrinks the target into a dependent

    TargetFemale rap rivals

    MeaningWhat it means: In “All these bitches is my sons,” Nicki Minaj recasts Female rap rivals as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. The hierarchy denies equality before the battle is judged: if Female rap rivals is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  13. 53

    Broke bitches so crusty (Disgust me)

    Multi-line diss block
    54

    Gave the bitch a ride, got the Continental dusty

    55

    Trust me, I keep a couple hundred in the duff'-B

    56

    Couple wet wipes case a bum try to touch me, ew

    Block noteTurns money and possessions into leverage

    TargetFemale rap rivals

    MeaningWhat it means: In “Broke bitches so crusty (Disgust me),” Nicki Minaj contrasts financial power or possessions with Female rap rivals' alleged lack of money, access, or control. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. The comparison converts status into material evidence and is meant to make Female rap rivals' success claims look hollow beside something listeners can picture and measure.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  14. 57

    I'm the terminator

    Multi-line diss block
    58

    Bitch talk slick, I'ma have to terminate her

    59

    These little nappy-headed hoes need a perminator

    60

    You my seed, I'll spray you with the germinator (Sh-sh-sh-sh-sh)

    Block noteBuilds an -ator chain from termination to ownership

    TargetFemale rap rivals

    MeaningWhat it means: Nicki moves from Terminator to terminate, perm and germinate, threatening slick talkers, mocking their hair and calling them seeds she produced. Why it was said: The extended rhyme makes one argument from several insults: she can end rivals, redesign their image and claim creative parenthood over them, all while keeping control of the word family.

    WordplayTerminator/terminate/perminator/germinator is a deliberately comic suffix chain; ‘seed’ and ‘germinator’ continue Nicki's recurring claim that rival women are her children.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  15. 61

    Move back, bugs

    Multi-line diss block
    62

    Matter fact, you know the queen could use a back rub (Ah)

    63

    If you could turn back time, Cher

    64

    You used to be here, now you're gone, Nair

    Block noteUses Cher and Nair to erase rivals from the scene

    TargetFemale rap rivals

    MeaningWhat it means: Nicki calls competitors bugs, orders them away from the queen, then says they once occupied the scene but have vanished like hair removed by Nair. Why it was said: The block turns longevity into Nicki's possession: rivals may wish they could reverse time, but the punchline presents their disappearance as already completed.

    Wordplay‘If I Could Turn Back Time’ invokes Cher's song; ‘you used to be hair/here, now you're gone’ pivots into Nair hair remover.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  16. 65

    [Chorus: Nicki Minaj & Safaree]

    Multi-line diss block
    66

    (You nappy-headed son of a bitches), shitted on 'em

    67

    (I'ma start throwing Just for Me perm at your heads), man, I just shitted on 'em

    68

    (I'ma get the kid version), shitted on 'em

    69

    Put your number twos in the air if you did it on 'em (The kid version, 'cause you're a bunch of kids)

    Block noteShrinks the target into a dependent

    TargetFemale rap rivals

    MeaningWhat it means: In “(I'ma get the kid version), shitted on 'em,” Nicki Minaj recasts Female rap rivals as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual. The hierarchy denies equality before the battle is judged: if Female rap rivals is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.

    ContextThe song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.

  17. 70

    (Bunch of lil' nappy-headed hoes runnin' around, yeah), shitted on 'em

    71

    (Just for Me), man, I just shitted on 'em

    72

    (You know it, yeah, ho, you know it), shitted on 'em

    73

    Put your number twos in the air if you did it on 'em (Just for Me perm in your head when we see you, ow)