Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 49
Break a bottle, cut your jugular, you niggas is dead
- 60
I don't do much, sit on the block in that Lavender Range
61Waitin' for fiends, pass 'em the Caine
62Y'all niggas is lame
63Y'all don't really want beef with The Game, give 'em 100 thou, ease his pain
Block noteReduces the target to a dismissive caricature
TargetMemphis Bleek
MeaningWhat it means: In “Y'all niggas is lame,” Busta Rhymes replaces Memphis Bleek's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Memphis Bleek is remembered.
ContextThe track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records.
- 68
Nigga you ain't never won no award, only stood behind Dame when he was thanking the lord, you a fag
Multi-line diss block69Nigga you know your rhymes ain't ill and State Property the closest you ever been to a mill, you ain't hot
70With that wack ass album you drop
71The whole Roc know Beans came and take your spot, you a joke
Block noteAttacks the target's ability to rap
TargetMemphis Bleek
MeaningWhat it means: In “Nigga you know your rhymes ain't ill and State Property the closest you ever been to a mill, you ain't hot,” Busta Rhymes challenges Memphis Bleek on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: The track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records. This goes to the qualification that gives Memphis Bleek standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.
ContextThe track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records.