Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 19
If I hit him wit this 40 Cal he gon' be 10 cent
20Dog you's a bitch, who want war wit a snitch
21I'll put a blemish on your image that'll end your business
22I spit flames and let the Mac-10 finish the sentence
Block noteAttacks the target's street credibility
Target50 Cent
MeaningWhat it means: In “Dog you's a bitch, who want war wit a snitch,” Ja Rule links 50 Cent with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The point is to expose a contradiction between 50 Cent's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 24
Y'all niggas is little Zanes, we cook at a higher flame
25Get your money man, don't start war wit us
26We murderers, I'll [?] [?] on your tour bus
Block noteTurns money and possessions into leverage
Target50 Cent
MeaningWhat it means: In “Get your money man, don't start war wit us,” Ja Rule contrasts financial power or possessions with 50 Cent's alleged lack of money, access, or control. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The comparison converts status into material evidence and is meant to make 50 Cent's success claims look hollow beside something listeners can picture and measure.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 27
What
- 51
G's up, put in work or get worked on
52Tryin' take mine nigga you know you dead wrong
53Get gone before I'm forced to let the fifth raw
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “Tryin' take mine nigga you know you dead wrong,” Ja Rule converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 54
Nigga we tryna get it on till the shits gone
- 65
WHAT THE FUCK'S HAPPIN' EARL?!
66What, nigga, ya mad at the world or just me, because I'm on top of the world?
67Shit, you actin' like I shot ya dog, fucked your girl
68Crack addict, you know the nigga Rule ain't havin' it
Block noteUses a relationship to provoke the target
Target50 Cent
MeaningWhat it means: In “Shit, you actin' like I shot ya dog, fucked your girl,” Ja Rule uses a romantic or sexual relationship to embarrass 50 Cent and challenge the target's control over a private narrative. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The reference is designed to provoke an emotional response and make the dispute publicly humiliating, where silence can be portrayed as acceptance.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 78
Your problem ain't really wit me, it's wit them drugs
79Now you lost a good nigga, DMX, one love, haha
Block noteShrinks the target into a dependent
TargetDMX
MeaningWhat it means: In “You still black, still got kids to feed, in fact,” Ja Rule recasts DMX as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The hierarchy denies equality before the battle is judged: if DMX is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.