Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 07
You niggas should worship the ground I walk on (Yeah)
08I make mills off the tracks I talk on (Grrrr) (It's king-pin)
0950, don't call me nigga I don't wan' talk it out
10The 40 cal'll hit yo' leg go on and walk it out (Damn)
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “You niggas should worship the ground I walk on (Yeah),” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
- 12
See what happens when you talk after sippin' the Henny? (Ha haa)
13I'll send Haitian niggas at you yeah sak pase?
14Zoe pound niggas they don't play
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “I see it clear you tryin to sabotage Jimmy (Uh-huh),” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
- 16
Cause my money make my lawyers make the shit go away
17Attempted murda (Murda)
18Get a year on probation (Hahaha)
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “Buck stabbin' niggas on camera and it's ok (Ahh),” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
- 20
You must ain't hear me
21I don' told you I'm a boss
22I'm eatin' good but I ain't chubby like Ricky Ross
Block noteUses a pointed question as an accusation
TargetCam'ron
MeaningWhat it means: In “Cam are you clear what you facin'?,” 50 Cent puts Cam'ron's conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. The question shifts the burden onto Cam'ron: any answer must accept the premise raised in the lyric or explain why that premise is false.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “Word on the street is,” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
- 34
Well he knew that could happen fuckin with the kid (Yeah)
35This is graveyard music right here ya dig? (Uh-huh)
36This is not competition this is murder
37Career endin', mind bendin, Southside ya finished
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “This is not competition this is murder,” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
- 39
They heard what he did but they don't know why he did it
40I have eighty of them boys with black flags, come through with black mags
41And have you niggas zipped up in black bags
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “And have you niggas zipped up in black bags,” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.
Block noteMakes the confrontation explicit
TargetCam'ron
MeaningWhat it means: In “For a second he was hot now he cold,” 50 Cent addresses Cam'ron directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps. Naming or plainly addressing Cam'ron removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe track belongs to 50 Cent and Cam'ron's public dispute over label sales, status, and their opposing New York rap camps.