Verified archive entry

Funk Flex Freestyle (2012)

Funk Flex Freestyle (2012) is a diss track by Machine Gun Kelly targeting Rival MCs. Machine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

Released2012
Annotated9
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Whatever you wanna do I can do it]

  2. 02

    [Intro]

    03

    Look, when you mentioning Cole

    04

    Why ain't you mentioning Kells?

    05

    And when you talking 'bout greats, better put me up there with Drake

    06

    And when they mentioning lyrics I hear 'em talking 'bout Kendrick

  3. 07

    But next time put my name it it before you finish that sentence, Fool

  4. 08

    [Verse 1: MGK]

    Multi-line diss block
    09

    Kid Kells Boy lemme get my 2's in

    10

    The game open they doors for me

    11

    Boy tell me who let you in

    12

    And a crack between the walls so small you couldn't even fit your boots in

    Block noteMakes rap's doorway a test of legitimacy

    TargetRival MCs

    MeaningWhat it means: MGK pictures the industry opening for him while a rival can barely fit through a crack, turning access into proof that one career is advancing and the other has no real invitation. Why it was said: The freestyle begins by asking to be ranked beside the era's leading young rappers; the doorway image explains why he thinks recognition is overdue rather than merely requesting praise.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  5. 13

    Dump heat whenever I speak

    Multi-line diss block
    14

    MC's 6 feet deep underneath all them tulips

    15

    Now he shootin', shootin'

    Block notePlants defeated MCs beneath the flowers

    TargetRival MCs

    MeaningWhat it means: His voice becomes ‘heat’ and rival MCs become bodies six feet below tulips, converting performance into a burial scene. Why it was said: A live radio freestyle has no chart or album narrative to lean on, so MGK uses an instantly visible battle image to prove that his delivery itself is the weapon.

    WordplayThe tulips make the familiar ‘six feet deep’ threat unusually decorative: the flowers sit above the opponents his bars supposedly bury.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  6. 16

    [Cough, Cough]

    17

    MGK Man he...

  7. 18

    [Cough, Cough]

    19

    Flow sick and I just...

  8. 20

    [Cough, Cough]

    21

    Epidemic in the street..

  9. 22

    [Cough, Cough]

    23

    Suck on my dick n' you will...

  10. 24

    [Cough, Cough]

    25

    Smoke a little weed and get

  11. 26

    [Cough, Cough]

    27

    Higher than a motherfucker

    28

    'til somebody holler my name out in the street like...

  12. 29

    [Machine Gun Sound]

  13. 30

    Okay, I meet him, greet him

    31

    Get his girl, leave him

    32

    Guts, I beat them

    33

    Booties, I keep them

  14. 34

    Another set of PO, cups to pee in

    35

    I'm in England spending Euros treatin'

    36

    So instead of white, im European

    37

    Rap like crack now, you're ODin'

  15. 38

    Come at me with any drama, my family ties

    Multi-line diss block
    39

    Will fold you up like an accordion

    40

    And according to the crack in the sidewalk

    41

    Most these rappers bitches

    Block noteFolds challengers into the pavement

    TargetRival MCs

    MeaningWhat it means: MGK says family ties will fold an opponent like an accordion, then compares most rappers with cracks in a sidewalk. Why it was said: The sequence warns that challenging him means confronting both his crew and his flexibility as a writer; rivals are reduced from people to narrow gaps he can step over.

    Wordplay‘Family ties’ links personal loyalty to collective force, while ‘accordion’ extends ‘fold’ from physical defeat into an object that literally collapses.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  16. 42

    Breaking down my doors with beef

    Multi-line diss block
    43

    I will rip you, rip you off your hinges

    44

    Quit pretending you pretentious

    45

    Or vicious, then come get at me

    Block noteTurns incoming beef into a broken entrance

    TargetRival MCs

    MeaningWhat it means: Rappers supposedly beat down his door looking for conflict, but he answers that he will tear them off their hinges. Why it was said: MGK reverses the image of opponents arriving aggressively: the door they break becomes the mechanism of their own removal, letting him claim control over a confrontation others started.

    Wordplay‘Rip you off your hinges’ treats the challenger as both a person and the door being violently detached.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  17. 46

    Red dots all over your face like acne

    Multi-line diss block
    47

    CLICK CLACK

    Block noteMakes a laser sight look like acne

    TargetRival MCs

    MeaningWhat it means: Red targeting dots cover an opponent's face like a skin breakout immediately before the gun-sound ad-lib. Why it was said: The simile makes the threat concrete and youthful enough for the freestyle's brash tone: the opponent is not simply in danger but visibly marked before the shot.

    WordplayThe plural ‘red dots’ turns a weapon sight into acne, joining bodily embarrassment to the threat.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  18. 48

    [Machine Gun Noise]

  19. 49

    [Verse 2: MGK]

    Multi-line diss block
    50

    Look, they be sayin' best rapper alive, Who?

    51

    Kells who you oughta know

    52

    I chop these other rappers down they fallin' like Geronimo

    53

    Holla though, Haters n' the foes need to stop it

    Block noteDrops other rappers with a Geronimo fall

    TargetRival MCs

    MeaningWhat it means: MGK answers the ‘best rapper alive’ question with his own name and imagines chopping down competitors until they fall. Why it was said: He has just complained that discussions of the best omit him; the falling image supplies the competitive reason he believes the ranking should change.

    Wordplay‘Geronimo’ evokes the shout associated with jumping or falling, so the rivals' collapse becomes the punchline to ‘chop.’

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  20. 54

    I will hit that bitch, pass her 'round the room like a bop-it

    55

    Back to the topic, and in case you forgot it

    56

    I was all about my dick, and how you haters jock it

    57

    F him, F him, She's ight, F You

  21. 58

    And if you forgot procedure lemme show you what to do:

    59

    Make sure you keep four fingers down, keep one up

    60

    Say if you ain't talking about more money please shut up

    61

    Me, I'm on the come up, I don't know what you 'bout

  22. 62

    One million, two million, let me know how you count

    63

    And I'm nominated as youngin' of the year

    64

    Red Rover, Red Rover, bring that money over here

    65

    And steer, and make sure I remain in my lane

  23. 66

    But that's symbolic cause I'm really on a plane

    67

    Look, and I Red Rover, that's ironic, because I don't play no games

    68

    I don't pass or rock like J

    69

    I ain't messing with you lames

  24. 70

    Hold on, uh

    71

    Said I don't pass or rock like J

    72

    Cause I ain't with you dames

  25. 73

    Excuse my back trick, need no practice

    74

    Cause I spit crack like Nino rapped this

    75

    And I'm a star in the galactic

    76

    Being forward with the kid the wrong way

  26. 77

    Or get your head spun backwards

    Multi-line diss block
    78

    Open cans of whoop-ass like I unpacked it

    79

    I've been patient all week and now I feast on savage

    80

    And eat each haters heads up like cabbage

    Block noteTurns patience into a feast on challengers

    TargetRival MCs

    MeaningWhat it means: After waiting through the week, MGK says he will open a can of violence and consume haters like food. Why it was said: The boast casts the radio appearance as release after restraint: people who dismissed him become what fuels the performance once he finally gets the microphone.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  27. 81

    To eternally bind them in my stomach like marriage

    Multi-line diss block
    82

    This fairy needs medical, call up the horse and carriage

    83

    We don't, dig this, grab a shovel get buried

    84

    If I don't get my respect i will, cut your family

    Block noteMakes disrespect a burial and family warning

    TargetRival MCs

    MeaningWhat it means: He extends the eating image into permanent containment, calls a rival a fairy needing a carriage, and threatens burial and harm to the rival's family if respect is withheld. Why it was said: The escalation shows what ‘respect’ means inside this battle pose: not quiet approval, but an acknowledgment enforced by increasingly excessive threats.

    Wordplay‘Horse and carriage’ connects medical transport, a funeral procession and the marriage image from the preceding line.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  28. 85

    Cut you mother, Cut your sister, more importantly your daddy

    Multi-line diss block
    86

    Should run up but he ain't half the man

    87

    You bitches this is literal lyrical combat, get stitches

    88

    Me and Flex, Kells is the next, best, artist in the game?

    Block noteDefines the booth as literal combat

    TargetRival MCs

    MeaningWhat it means: MGK broadens the threat to a challenger's relatives, then tells rival rappers that a lyrical fight will leave physical stitches. Why it was said: He closes by converting technical competition into bodily consequence before asking Flex to certify him as the next major artist; the violence is the evidence offered for that promotion.

    Wordplay‘Literal lyrical combat’ deliberately collapses the distinction between wounds from punches and wounds from punchlines.

    ContextMachine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.

  29. 89

    Yes

  30. 90

    When you mentioning Cole

    91

    I know you mentioning Kells

    92

    When you talking about the greats I know you put me up there with Drake

    93

    And when you talkin''bout lyrics I heard you mentioning Kendrick

  31. 94

    But next time put my name in it before you finish that sentence

  32. 95

    Fool

    96

    Lace Up

    97

    Ugh