Verified archive entry

Hate Me Now

Hate Me Now is a diss track by The Diplomats targeting Nas. The recording also credits Cam’ron and Jim Jones. Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

Released2002
Annotated7
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Jim Jones & Cam'ron]

    02

    I heard niggas talkin' reckless

    03

    Man, y'all talkin' out the side of your mouth, nigga

    04

    Y'all niggas is faggots, straight pussy

    05

    Word to my mother, I'll put my foot in your ass, nigga

  2. 06

    No homo, nigga, what's really good?

    07

    Jim Jones, Capo status, East side, fool

    08

    Dipset riders, nigga, when we catch you, we gon' slap that Kufi straight off your mothafuckin' head

    09

    Any other problems, nigga? You know Harlem gon' ride out, nigga

  3. 10

    Harlem, y'all act like I wasn't gon' stand up

    11

    I wish you would, nigga

    12

    It's nothin'

    13

    When the dogs catch you, it's over, you're straight food, nigga

  4. 14

    Everybody wanna be king of the city, right

    15

    When I come, nigga, y'all niggas better be real calm, nigga

    16

    It's nothin', we just livin', millionaire status shorty

    17

    When you fuckin' with the don, you fuckin' with the Jones, you heard, nigga?

  5. 18

    Y'all with me? Harlem! Diplomats! Let's ride out

    19

    It's gangstas over here, Harlem hear me with you, Killa, east side

  6. 20

    [Verse: Cam'ron]

    Multi-line diss block
    21

    Ayo, this lil’ nigga Nas think he live like me

    22

    Drove 5’s, shot 5, flipped pies like me?

    23

    Nah, Cam gonna blast, I done ran through his past

    24

    And I ran for the mag, Taliban on your ass!

    Block noteImagines the battle as physical destruction

    TargetNas

    MeaningWhat it means: In “Drove 5’s, shot 5, flipped pies like me?,” The Diplomats converts lyrical defeat into death, shooting, burial, or bodily harm directed at Nas. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Nas as unable to return for another round.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  7. 25

    You’re terry cloth, that means very soft

    Multi-line diss block
    26

    Thanks Jay, Carm’s the bomb, broke her cherry off!

    27

    Severely massacred, we really gonna laugh at ya

    28

    The MAC-Milli blast at ya, you really run to Africa

    Block noteCalls the target's toughness an act

    TargetNas

    MeaningWhat it means: In “You’re terry cloth, that means very soft,” The Diplomats portrays Nas as frightened or unwilling to stand behind the aggression shown in public. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. A diss threat depends on the audience believing the speaker will confront the opponent; calling Nas afraid is designed to empty that threat of force.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  8. 29

    Stupid, sucker for love, home plenty

    Multi-line diss block
    30

    Nelson, Mandela, we all boned Winnie!

    31

    Shit, I come over and fight

    32

    You a lame, you forgot over the night

    Block noteReduces the target to a dismissive caricature

    TargetNas

    MeaningWhat it means: In “You a lame, you forgot over the night,” The Diplomats replaces Nas' preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Nas is remembered.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  9. 33

    Yo, your career’s over like Mike

    Multi-line diss block
    34

    Any one, Tyson, Jordan, Jackson

    35

    Ask Dunn about my mean deals

    36

    Frizzle steam, triple beam, cripple teams

    Block noteUses career results as evidence

    TargetNas

    MeaningWhat it means: In “Yo, your career’s over like Mike,” The Diplomats turns releases, sales, label standing, or career momentum into a public measurement of Nas' position. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. The artist invokes an external scoreboard so listeners can compare Nas' claims with visible results, making status something that can be disproved rather than merely debated.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  10. 37

    When you seen money in Queensbridge? Never

    38

    I used to catch the tunnel

    39

    Lil E, Vernon side, I gave him packs and bundles

    40

    How many grams in an ounce?

  11. 41

    How many ounces in an eighth

    42

    How many eighths in a key

    43

    Shorty, stay in your place

    44

    Before the AK’s in your face

  12. 45

    Take your daughter, R Kelly, have my way with her face!

    Multi-line diss block
    46

    And your mom’s a whip wop head

    47

    And you claim to be a hip-hop head?

    48

    Ooh wop, two shots in his hip-hop head

    Block noteMakes the feud personal through family

    TargetNas

    MeaningWhat it means: In “Take your daughter, R Kelly, have my way with her face!,” The Diplomats brings a relative or family boundary into the exchange with Nas, moving the dispute beyond music and into private life. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. Family references explain why the conflict feels personal: they raise the emotional cost for Nas and make the line more consequential than a routine comparison of rap skill.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  13. 49

    This way the whole world know that hip-hop's dead! (Killa!)

    Multi-line diss block
    50

    Roc-A-Fella, hip-hop bread

    51

    50 thou' a night, holla back, hit my spread

    52

    You wack, you twisted, your girl's a ho

    Block noteUses a relationship to provoke the target

    TargetNas

    MeaningWhat it means: In “You wack, you twisted, your girl's a ho,” The Diplomats uses a romantic or sexual relationship to embarrass Nas and challenge the target's control over a private narrative. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. The reference is designed to provoke an emotional response and make the dispute publicly humiliating, where silence can be portrayed as acceptance.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  14. 53

    You’re broke, the kid ain’t yours and everybody know

    Multi-line diss block
    54

    Your mans even tell you, you be like, “So?

    55

    I love my baby mother, I never let her go” (Dumbass)

    56

    Stupid

    Block noteTurns money and possessions into leverage

    TargetNas

    MeaningWhat it means: In “You’re broke, the kid ain’t yours and everybody know,” The Diplomats contrasts financial power or possessions with Nas' alleged lack of money, access, or control. Why it was said: Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image. The comparison converts status into material evidence and is meant to make Nas' success claims look hollow beside something listeners can picture and measure.

    ContextCam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.

  15. 57

    [Outro: Jim Jones]

    58

    That's right, nigga

    59

    We gon' get our spread, nigga, that's a dub percent of that for me, nigga

    60

    So you know I'm ridin' for that, nigga

    61

    Country bum ass fuck, don't even know how to rock watches

  16. 62

    I caught you with them two watches on your wrist, nigga

    63

    Next time it's gon' be none, nigga

    64

    Trust me, man, I'ma clap you sideways, you faggot

    65

    You ain't even allowed in your own hood, nigga

  17. 66

    You know where we at, nigga

    67

    140th Lenox, 15th and 7th, nigga

    68

    All our jewels, nigga, trust me, man, we glitterin'

    69

    Faggot, you punk, you fuckin' pussy, you maphrodite

  18. 70

    Straight homo, pussy ass nigga with a dick, nigga

    71

    You got me, nigga, word to...

    72

    Man...got me so mothafuckin' hot, nigga, I'm just gon' calm down, man

    73

    Yo Killa, fall back on these chumps and let's explain to them a few things they need to learn better, nigga

  19. 74

    Holla, east side, the gangstas for sure