Verified archive entry

HISS

HISS is a diss track by Megan Thee Stallion targeting Pardison Fontaine, Nicki Minaj, Drake, Tory Lanez and Rap industry critics. Megan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

Released2024
Annotated14
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    02

    I just wanna kick this shit off by sayin' fuck y'all

    03

    I ain't gotta clear my name on a motherfuckin' thing

    04

    Every time I get mentioned, one of y'all bitch-ass niggas get twenty-four hours of attention

    05

    I'm finna get this shit off my chest and lay it to rest, let's go

  2. 06

    (And if the beat live)

    07

    (B-B-Bankroll Got It), ayy

  3. 08

    [Verse 1]

    Multi-line diss block
    09

    I feel like Mariah Carey (Mariah Carey), got these niggas so obsessed (Damn)

    10

    My pussy so famous, might get managed by Kris Jenner next (Mwah)

    11

    He can't move on, can't let it go (Let it go), he hooked, nose full of that Tina Snow

    12

    And since niggas need Megan help to make money, bitch, come be my ho (Ah)

    Block noteSays an ex needs Megan to remain marketable

    TargetPardison Fontaine

    MeaningWhat it means: Megan describes a man who cannot move on, uses cocaine imagery around her Tina Snow persona and invites anyone profiting from her name to work for her instead. Why it was said: Pardison Fontaine had discussed their breakup and released a response record; Megan frames continued public attention to the relationship as dependence on her visibility.

    Wordplay‘Hooked’ describes both emotional fixation and drug dependence, while ‘Tina Snow’ is Megan's alter ego and supplies the cocaine image.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  4. 13

    All of you bitches is weak, on the Bible (Weak, on the Bible), talkin' shit from where no one can find you

    14

    I can never be judged by a bitch that was dancin', makin' R. Kelly go viral

    15

    Ayy, I'm sexy as fuck, and I'm freaky (And I'm freaky), get whoever I want, eeny-meeny (Yeah)

    16

    Why the fuck would I stay with a nigga that's weak in the sheets and don't know how to please me?

  5. 17

    Bodies on bodies on bodies on bodies

    Multi-line diss block
    18

    Say he fucked Megan and now he the topic

    19

    These niggas thinkin' they lowered the value

    20

    All this free promo, I'm turnin' a profit

    Block noteTurns kiss-and-tell claims into free promotion

    TargetPardison Fontaine

    MeaningWhat it means: Men who claim sexual access think they reduce Megan's value, but she says every disclosure makes her more visible and profitable. Why it was said: The block answers ex-partners and rumor-driven commentary by refusing the shame attached to being discussed; attention meant to diminish her becomes advertising she controls.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  6. 21

    Hate when a nigga be kissin' and tellin' (Tellin')

    Multi-line diss block
    22

    Say he a player, but he in his feelings (What?)

    23

    Bet I won't give up the pussy again

    24

    Shit, should've gave it to his friend (Ayy)

    Block notePunishes public disclosure by ending future access

    TargetPardison Fontaine

    MeaningWhat it means: Megan calls the man emotional for speaking about sex and says that publicity guarantees he will never receive the intimacy again. Why it was said: Pardison's public response made private history part of a media cycle; Megan's answer is that disclosure proves he cannot be trusted with renewed closeness.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  7. 25

    These hoes don't be mad at Megan, these hoes mad at Megan's Law

    Multi-line diss block
    26

    I don't really know what the problem is, but I guarantee y'all don't want me to start

    27

    Bitch, you a pussy (You a pussy), never finna check me (Yeah)

    28

    Every chance you get, bet your weak ass won't address me (Ho)

    Block noteUses Megan's Law as the line that makes a rival react

    TargetNicki Minaj

    MeaningWhat it means: Megan says women are not angry at her but at Megan's Law, the sex-offender notification framework, and warns that she can become more specific. Why it was said: Nicki Minaj treated the line as a reference to husband Kenneth Petty and answered publicly and on ‘Big Foot.’ Megan never names Nicki, so the annotation records the reaction and widely reported reading rather than claiming explicit identification.

    WordplayThe line pivots from Megan's own name to Megan's Law, making a federal-law reference sound like a personal possession.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  8. 29

    Bitches swear they G, but the G must stand for goofy (G must stand for goofy)

    Multi-line diss block
    30

    When the fuck did all the gangster niggas turn to groupies?

    31

    Everybody wanna kick it when you ain't a threat (Ain't a threat)

    32

    These niggas don't like me 'cause they know I'm on they neck

    Block noteCalls supposed gangsters spectators

    TargetRap industry critics

    MeaningWhat it means: Megan says people claiming gang credibility behave like groupies and only approach comfortably when they do not consider her a threat. Why it was said: The contradiction attacks artists who supported or amplified attacks on her while still monitoring her career; the issue is not toughness in the abstract but selective toughness toward a woman.

    WordplayChanging the G in ‘G’ from gangster to goofy strips the critics' preferred identity with one letter.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  9. 33

    [Interlude]

    34

    Y'all goofy-ass hoes look so dumb every time y'all celebrate fake news, hah

    35

    Usin' my name for likes and views, I don't give a fuck what y'all make trend

    36

    Bitch, I still win

    37

    Ah (Hahaha)

  10. 38

    [Verse 2]

    39

    Nigga, ain't you hear? I ain't scared of dick

    40

    Any man go against me, I handle shit (Handle shit)

    41

    I'm the Teflon Don in the courtroom (Yeah)

    42

    They be throwin' that dirt, don't shit stick (Shit stick)

  11. 43

    All these lil' rap niggas so fraud (So fraud), Xanax be they hardest bars

    Multi-line diss block
    44

    These niggas hate on BBLs and be walkin' 'round with the same scars (Ah)

    45

    Real curvy, no etchin', niggas fight to get in my section (My section)

    46

    Don't speak on my body count if the dick ain't worth comin' back for seconds

    Block noteAnswers body criticism with cosmetic-surgery rumors

    TargetDrake

    MeaningWhat it means: Megan calls male rappers fraudulent, says pills are their strongest ‘bars’ and points to men criticizing BBLs while carrying similar surgical scars. Why it was said: The passage was widely read as answering Drake, who had appeared to question her shooting account on ‘Circo Loco.’ Megan responds to scrutiny of her body by redirecting it toward rumors about his body and drug imagery.

    Wordplay‘Bars’ means rap lines and Xanax tablets, making the alleged pill the critics' strongest writing.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  12. 47

    Cosplay gangsters, fake-ass accents

    Multi-line diss block
    48

    Posted in another nigga hood like a bad bitch (Where are you from?)

    49

    I'm a big dog, bitch, can't lil' sis me (Lil' sis me)

    50

    Hoes get views when they tryna diss me (Hmm)

    Block noteTreats accents and borrowed neighborhoods as costume

    TargetDrake

    MeaningWhat it means: Megan mocks men using artificial accents and posting in another man's neighborhood, then rejects being called a little sister. Why it was said: The widely reported Drake reading centers on authenticity: after he commented on her credibility, she questions whether his shifting vocal and street identities are performances assembled from other places.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  13. 51

    Make one move, got 'em in a tizzy (In a tizzy)

    52

    Killin' shit, that's why they tryna rip me

    53

    Still goin' hard with the odds against me (Odds against me)

    54

    These niggas don't have fans, they bots (No)

  14. 55

    These bitches don't have ass, they shots (Yeah)

    Multi-line diss block
    56

    And they still tuned in if they fans or not (Ah)

    57

    Allegations from the oppositions, bitch niggas just eatin' it up

    58

    These blogs get paid to lie, y'all talk shit and be broke as fuck (Broke as fuck)

    Block noteSeparates opposition allegations from proof

    TargetRap industry critics

    MeaningWhat it means: Megan says rivals repeat allegations, blogs profit from false stories and both fans and enemies remain tuned in. Why it was said: Years of public debate over the shooting and her relationships made repetition look like corroboration; she argues that circulation rewards media and opponents even when the underlying claim is weak.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  15. 59

    Bottom line is I'm still rich (Yeah), do Megan bad and I'm still good (Still good)

    Multi-line diss block
    60

    Bringin' up who might've fucked and the bottom line is they still would

    61

    I just wanna fuck my nigga in peace, but all my old niggas still love me (Ah)

    62

    Niggas ain't hit this pussy in years, damn, I knew my shit was heat

    Block noteReduces ex-partner stories to continued desire

    TargetPardison Fontaine

    MeaningWhat it means: Megan says she remains successful regardless of mistreatment and that men invoking past sex would still return if allowed. Why it was said: Her exes' public accounts are meant to embarrass her; she reframes them as evidence that the speakers remain invested and unable to detach.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  16. 63

    None of you niggas was wifey material

    Multi-line diss block
    64

    None of you niggas was worth all the drama (Ah)

    65

    None of you niggas was hittin' it raw

    66

    And mad I'm not one of your baby mamas

    Block noteDenies that any ex qualified for permanence

    TargetPardison Fontaine

    MeaningWhat it means: She says the men discussing her were neither husband material nor worth the conflict and rejects the suggestion that she wanted children with them. Why it was said: Pardison had made the relationship a public subject, so Megan attacks the premise that its ending represents a lost future she should regret.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  17. 67

    Always got my ass out, always let my titties show

    68

    When I'm in the gym, I think 'bout bitches that I'm shittin' on

    69

    I'm way too fuckin' cocky to take him back if he been cheatin'

    70

    I can't let none of you raggedy bitches think that y'all my equal

  18. 71

    Ever since I claimed the summer, all you bitches want a season (All you bitches want a season)

    Multi-line diss block
    72

    Ask a ho why she don't like me, bet she can't give you a reason

    73

    You know motherfuckin' well these bitches wanna sound like Tina

    74

    Don't you ever grab a mic and think that me and you competin', hmm

    Block noteDefends ownership of the season other artists copied

    TargetRap industry critics

    MeaningWhat it means: Megan says claiming ‘Hot Girl Summer’ made other women seek their own season and accuses competitors of imitating Tina Snow's sound. Why it was said: She turns a widely adopted phrase into evidence of influence: artists who deny her importance still work inside language and style her career helped popularize.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  19. 75

    Ayy, bad bitch and the walls ain't bendin'

    Multi-line diss block
    76

    Post photo, name start trendin'

    77

    Why every time one of y'all Z-list hoes do an interview, I get mentioned? (Ayy, look)

    78

    I don't give a fuck who think what, you niggas is typin' for nothin'

    Block noteMeasures Z-list interviews by how quickly they mention her

    TargetRap industry critics

    MeaningWhat it means: Megan says even minor celebrities generate attention by inserting her name into interviews while her own posts trend without the assistance. Why it was said: The song's stated purpose is to stop others borrowing her audience. This block explains the economy she resents: mentioning Megan is a shortcut to a headline.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  20. 79

    On the internet typin' this shit to me? Write him a letter or somethin'

    Multi-line diss block
    Block noteRedirects online essays to their intended man

    TargetRap industry critics

    MeaningWhat it means: Megan tells people typing criticism at her to write to the imprisoned man they are defending instead. Why it was said: The line moves responsibility away from Megan, who was the shooting victim, and toward supporters continuing the argument on behalf of Tory Lanez.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  21. 80

    [Outro]

    Multi-line diss block
    81

    Say, bitch-ass nigga, don't type me nothin' else, don't write me nothin' else (Get the fuck out the comments)

    82

    Download JPay since y'all niggas got so much to say

    83

    Or schedule a conjugal visit or somethin', hahaha

    84

    Dick-ridin'-ass niggas (Baow, baow, baow, baow)

    Block noteSends prison defenders to JPay and visitation

    TargetTory Lanez

    MeaningWhat it means: Megan tells people with more to say to use prison communication services or schedule a conjugal visit rather than filling her comments. Why it was said: Tory Lanez was incarcerated when the song arrived; the joke makes continued public defense look like personal devotion to him and refuses to keep hosting that loyalty on Megan's platforms.

    ContextMegan Thee Stallion described ‘HISS’ as a warning hiss directed at people using her name for attention. The song never supplies a complete roll call, so the annotations identify only well-supported readings: ex-partner Pardison Fontaine, Drake, Nicki Minaj through the Megan's Law reference, Tory Lanez from prison imagery, and broader rap-industry critics. Ambiguous internet theories are not treated as fact.

  22. 85

    Ah