Verified archive entry

HRSHU Attack

HRSHU Attack is a diss track by Canibus targeting Royce da 5'9". The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

ReleasedPending
Annotated6
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    02

    You need to stop worshipping that Evil

    03

    And you better stop swearing on your people

    04

    You Hollywood, hip-hop don't need you

    05

    You sold your ass so hip-hop don't believe you

  2. 06

    You ain't proven

    07

    I don't know who the fuck you think you're foolin'

  3. 08

    [Verse 1]

    Multi-line diss block
    09

    What are you, a lyrical bodyguard, starstruck over the bodies you guard?

    10

    With pajamas on, what the fuck you rhyming for?

    11

    Fee Fi Fo Fum, the forty ton dinosaur with smoky lungs

    12

    Nigga, where you know me from?

    Block noteMakes the rejection unmistakably direct

    TargetRoyce da 5'9"

    MeaningWhat it means: In “With pajamas on, what the fuck you rhyming for?,” Canibus drops any pretense of a subliminal and rejects Royce da 5'9" in blunt, unqualified language. Why it was said: The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments. The direct wording removes plausible deniability: listeners are not left guessing whether Royce da 5'9" is part of the dispute or whether a response is being invited.

    ContextThe track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

  4. 13

    Thoroughbred hip-hop head, hip-hop ain't shit without knowin' the ledge

    14

    That's what the God said

    15

    I smoke polly green, turn into Charlie Sheen

    16

    Fuck the honor roll if hip-hop don't wanna honor me

  5. 17

    Fuck off the deep end, gimme the beat man

    Multi-line diss block
    18

    I'm twelve albums deep, you just getting your feet wet

    19

    Beast from the East, bitch, never been beat yet

    20

    You can't afford war without beats and respect

    Block noteChallenges the target's public standing

    TargetRoyce da 5'9"

    MeaningWhat it means: In “You can't afford war without beats and respect,” Canibus questions whether Royce da 5'9"'s attention, audience, or reputation reflects genuine respect. Why it was said: The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments. Visibility can be mistaken for victory, so the artist recasts Royce da 5'9"'s recognition as temporary, manufactured, or disconnected from credibility.

    ContextThe track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

  6. 21

    Listen, I don't want to rub it in, you acting like that's your husband

    Multi-line diss block
    22

    But this is mutual assured destruction

    23

    Look up, you see the space in the stars?

    24

    Don't create a facade, your arms are too short to wave at God

    Block noteMakes the feud personal through family

    TargetRoyce da 5'9"

    MeaningWhat it means: In “Listen, I don't want to rub it in, you acting like that's your husband,” Canibus brings a relative or family boundary into the exchange with Royce da 5'9", moving the dispute beyond music and into private life. Why it was said: The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments. Family references explain why the conflict feels personal: they raise the emotional cost for Royce da 5'9" and make the line more consequential than a routine comparison of rap skill.

    ContextThe track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

  7. 25

    The lunar base god, in a rate beyond space PARCS

    26

    I was sent to the planet Earth to to examinate bars

    27

    To determinate whatever contaminates Lyrical Law

    28

    I'm like Negar wagin' a space war with J-Rod

  8. 29

    I don't have to play the race card

    30

    I just grab the eight card, aim at your jaw, tear your face off

    31

    First thing in the morning, treat it like a day job

    32

    Mixing Johnny Walker with napalm

  9. 33

    I hold your nose and make you open mouth and say "Ah"

    Multi-line diss block
    34

    The hip-hop H bomb, say something, I can't wait to respond

    35

    Run up in your dressing room like Raekwon

    36

    You act hard when the videotape's on 'cause you hate to be wrong

    Block noteTurns the target into a visual punchline

    TargetRoyce da 5'9"

    MeaningWhat it means: In “I hold your nose and make you open mouth and say "Ah",” Canibus reduces Royce da 5'9" to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Royce da 5'9" travel beyond the song itself.

    ContextThe track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

  10. 37

    Well let me tell you something, nigga, this is Lyrical Law

    Multi-line diss block
    38

    A spiritual bomb that could cause physical harm

    39

    With a beef? Nah, you act like a miserable broad

    40

    A three-sixty deal means you getting circled by a shark, boy

    Block noteForces the dispute into a direct contest

    TargetRoyce da 5'9"

    MeaningWhat it means: In “With a beef? Nah, you act like a miserable broad,” Canibus addresses Royce da 5'9" as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Royce da 5'9".

    ContextThe track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

  11. 41

    Better beg your pardon, turn into a HRSMN and slaughter him

    42

    I'm an Undergod, you're too overconfident

    43

    So stop talking, nigga, cause you could all get it

    44

    W-A-R, nigga, I'm raw with it

  12. 45

    Don't let the alcohol fuck with your soft vision

    Multi-line diss block
    46

    I'll knock you out of the park, nigga, long distance

    47

    I wrote this rhyme in five minutes

    48

    I'm like ten Ghostface Killah's in twenty-five disses

    Block noteCalls the target's toughness an act

    TargetRoyce da 5'9"

    MeaningWhat it means: In “Don't let the alcohol fuck with your soft vision,” Canibus portrays Royce da 5'9" as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments. A diss threat depends on the audience believing the speaker will confront the opponent; calling Royce da 5'9" afraid is designed to empty that threat of force.

    ContextThe track comes from Canibus' dispute with members of Slaughterhouse and responds to their recorded or public comments.

  13. 49

    So fuck with it if you want to, nigga I'm bomb proof

    50

    It's like you on Twitter with nobody to talk to

    51

    Crush your spine fifty-nine times with a horseshoe

    52

    It's on you nigga, don't say I didn't warn you

  14. 53

    Never had enough rhymes to fuck with mine

    54

    You know what they calling you right? Moist 5'9"

    55

    Heh, you souped up because you got signed

    56

    You getting so much shine you going fucking blind

  15. 57

    [Verse 2]

    58

    Hey yo, 5-9, you must be out your rabbit-ass mind

    59

    Huh, for real or what?

    60

    I'm finna get some, y'all niggas lined up

    61

    Before it's over, I'mma show you what it is

  16. 62

    I'mma show you why they kicked me out of the biz

    63

    Them niggas ain't trying to let me live

    64

    I ain't gonna end up like 'Pac, or Big

    65

    Without a fight you understand me?

  17. 66

    Fuck y'all niggas, fully automatic trigger mechanism

    67

    You know my name nigga

    68

    What? When I say "-Bus," it going to hit you up

    69

    Cash money, nigga

  18. 70

    Ain't a goddamn thing funny, nigga

    71

    You heard? Fuck the battle

    72

    We ransacked two Shady castles

  19. 73

    [Outro]

    74

    Get outside, get your ass in the saddle!

    75

    Just slaughtered, alphabeted like Papoose

    76

    What you drinking? That look like wack juice!

    77

    Come at you! Your rap group versus my rap group!

  20. 78

    Cross sabers, spurs and black boots

    79

    Duck, duck shoot, nigga, get at you

    80

    Don't take yourself too serious, man

    81

    It's only hip-hop alright nigga? Peace!