Verified archive entry

I Used to Love H.E.R.

I Used to Love H.E.R. is a diss track by Common targeting Ice Cube. Common's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

Released1994
Annotated6
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Produced by No I.D.]

  2. 02

    [Chorus: Common]

    03

    A-yes, yes, y'all, and you don't stop

    04

    To the beat, y'all, and you don't stop

    05

    Yes, yes, y'all, and you don't stop

    06

    A-one, two, y'all, and you don't stop

  3. 07

    A-yes, yes, y'all, and you don't stop

    08

    And to the beat, Com Sense'll be the sure shot, come on

  4. 09

    [Verse 1: Common]

    10

    I met this girl when I was ten years old

    11

    And what I loved most, she had so much soul

    12

    She was old school when I was just a shorty

    13

    Never knew throughout my life she would be there for me

  5. 14

    On the regular, not a church girl, she was secular

    15

    Not about the money, though studs was mic-checkin' her

    16

    But I respected her; she hit me in the heart

    17

    A few New York niggas had did her in the park

  6. 18

    But she was there for me, and I was there for her

    19

    Pull out a chair for her, turn on the air for her

    20

    And just cool out; cool out, and listen to her

    21

    Sittin' on bone, wishin' that I could do her

  7. 22

    Eventually, if it was meant to be, then it would be

    23

    ‘Cause we related, physically and mentally

    24

    And she was fun then, I'd be geeked when she'd come around

    25

    Slim was fresh, yo, when she was underground

  8. 26

    Original, pure, untampered, a down sister

    27

    Boy, I tell you, I miss her

  9. 28

    [Chorus: Common]

    29

    A-yes, yes, y'all, and you don't stop

    30

    To the beat, y'all, and you don't stop

    31

    A-yes, yes, y'all, and you don't stop

    32

    A-one, two, y'all, and you don't stop

  10. 33

    A-yes, yes, y'all, and you don't stop

    34

    A-Com Sense y'all, and you don't stop

    35

    A-yes, yes, y'all, and you don't stop

    36

    UAC, yo, we gotta be the sure shot

  11. 37

    [Verse 2: Common]

    38

    Now, periodically, I would see

    39

    Ol' girl at the clubs, and at the house parties

    40

    She didn't have a body, but she started gettin' thick quick

    41

    Did a couple of videos, and became Afrocentric

  12. 42

    Out goes the weave, in goes the braids, beads, medallions

    43

    She was on that tip about stoppin' the violence

    44

    About my people she was teachin' me, by not preachin' to me

    45

    But speakin' to me, in a method that was leisurely

  13. 46

    So easily I approach

    Multi-line diss block
    47

    She dug my rap, that's how we got close

    48

    But then she broke to the West Coast, and that was cool

    49

    'Cause around the same time, I went away to school

    Block noteBegins the West Coast turn that Cube heard as a slight

    TargetIce Cube

    MeaningWhat it means: Common's woman—revealed later as hip-hop—moves west just as Common leaves for school. Why it was said: This is the hinge in the allegory: the genre's geographic shift toward Los Angeles is not yet condemned, but it introduces the change that Ice Cube and other West Coast listeners understood as blaming their scene for hip-hop's later corruption.

    ContextCommon's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

  14. 50

    And I'm a man of expandin', so why should I stand in her way?

    Multi-line diss block
    51

    She'd probably get her money in L.A. 

    52

    And she did, stud, she got big pub, but what was foul

    53

    She said that the pro-Black was goin' out of style

    Block noteLinks commercial growth to abandoning pro-Black ideas

    TargetIce Cube

    MeaningWhat it means: Hip-hop becomes famous and profitable in Los Angeles, then declares that pro-Black politics are out of style. Why it was said: Common's complaint is that commercial expansion changed the genre's values; because the change follows the move west in the narrative, Ice Cube heard the cultural criticism as an accusation against the music he represented.

    ContextCommon's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

  15. 54

    She said, "Afrocentricity was of the past"

    Multi-line diss block
    55

    So she got into R&B, hip-house, bass, and jazz

    56

    Now, Black music is Black music, and it's all good

    57

    I wasn't salty she was with the Boyz n the Hood

    Block noteNames Boyz n the Hood inside the disputed allegory

    TargetIce Cube

    MeaningWhat it means: Common says he did not resent hip-hop's association with ‘the Boyz n the Hood,’ a phrase that points both to West Coast gangsta rap and to the film closely associated with Ice Cube. Why it was said: The ostensibly approving line makes the regional reference unmistakable, which helps explain why Cube treated a song about the genre as personal even though Common never calls him an enemy by name.

    Wordplay‘She was with the Boyz n the Hood’ keeps the woman metaphor intact while evoking both a crew of street-oriented rappers and Ice Cube's 1991 film Boyz n the Hood.

    ContextCommon's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

  16. 58

    'Cause that was good for her, she was becomin' well-rounded

    59

    I thought it was dope how she was on that freestyle shit

    60

    Just havin' fun, not worried about anyone

    61

    And you could tell by how her titties hung

  17. 62

    [Chorus: Common]

    63

    A-yes, yes, y'all, and you don't stop

    64

    To the beat, y'all, and you don't stop

    65

    A-yes, yes, y'all, and you don't stop

    66

    A-one, two, y'all, and you don't stop

  18. 67

    A-yes, yes, y'all, and you don't stop

    68

    And to the beat, Com gotta be the sure shot

    69

    A-yes, yes, y'all, and you don't stop

    70

    And you don't, check it, mm-mm-m, bust it, bust it

  19. 71

    [Verse 3: Common, Jungle Brothers sample]

    72

    I might've failed to mention that this chick was creative

    73

    But once The Man got to her, he altered her native

    74

    Told her if she got an image and a gimmick

    75

    Then she could make money, and she did it like a dummy

  20. 76

    Now I see her in commercials, she's universal

    77

    She used to only swing it with the inner-city circle

    78

    Now she be in the 'burbs, lookin' rock and dressin' hippie

    79

    And on some dumb shit when she comes to the city

  21. 80

    Talkin' about poppin' Glocks, servin' rocks, and hittin' switches

    Multi-line diss block
    81

    Now she's a gangsta, rollin' with gangsta bitches

    82

    Always smokin' blunts and gettin' drunk

    83

    Tellin' me sad stories; now she only fucks with the funk

    Block notePortrays gangsta imagery as hip-hop's manufactured costume

    TargetIce Cube

    MeaningWhat it means: The personified genre now talks about guns, drugs and customized cars as soon as the music business reshapes her image. Why it was said: Common is criticizing a marketable definition of ‘realness’ built from gangsta signifiers; placing this transformation after the West Coast move is the part that made the broader critique combustible in his dispute with Ice Cube.

    ContextCommon's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

  22. 84

    Stressin' how "hardcore" and "real" she is

    Multi-line diss block
    85

    She was really the realest, before she got into showbiz

    86

    I did her – not just to say I did it, but I'm committed

    87

    ("Girl, he's committed...") But so many niggas hit it

    Block noteSays claiming to be hardcore proves the opposite

    TargetIce Cube

    MeaningWhat it means: Common argues that hip-hop was authentic before performers had to keep announcing how ‘hardcore’ and ‘real’ they were. Why it was said: The line attacks self-conscious branding: once authenticity becomes a sales pitch, repeated declarations of realness sound like evidence of show business, the very transformation Common says damaged the culture.

    ContextCommon's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

  23. 88

    That she's just not the same, lettin' all these goofies do her

    Multi-line diss block
    89

    I see niggas slammin' her, and takin' her to the sewer

    90

    But I'ma take her back, hopin' that the shit stop

    91

    'Cause who I'm talkin' about, y'all, is Hip-Hop

    Block noteReveals the woman and states Common's reason for intervening

    TargetIce Cube

    MeaningWhat it means: The final reveal identifies the damaged woman as hip-hop itself and says Common intends to take her back from people dragging her into the sewer. Why it was said: That rescue claim turns observation into a challenge over stewardship of the genre; it explains why artists implicated by the West Coast passage could hear Common appointing himself the person qualified to correct them.

    ContextCommon's allegorical criticism of hip-hop's commercialization and West Coast turn was taken as a slight by Ice Cube. Westside Connection answered on ‘Westside Slaughterhouse,’ and Common replied directly with ‘The Bitch in Yoo.’

  24. 92

    [Chorus: Common]

    93

    A-to the beat, y'all, and you don't stop

    94

    A-yes, yes, y'all, and you don't stop

    95

    Mainframe, yo, they gotta be the sure shot

    96

    A-yes, yes, y'all, and you don't stop

  25. 97

    A-to the beat, y'all, and you don't stop

    98

    A-yes, yes, y'all, and you don't stop

    99

    A-one, two, Com Sense is gonna drop, haha

  26. 100

    [Refrain: Common]

    101

    I used to love H.E.R, uh-uh, uh, uh

    102

    I used to love H.E.R, uh-uh, uh, uh

    103

    I used to love H.E.R, uh-uh, uh, uh

    104

    I used to love H.E.R, uh-uh, uh, uh

  27. 105

    I used to love H.E.R, uh-uh, uh, uh

    106

    I used to love H.E.R – quit fuckin' up the shit, y'all... buss it...

  28. 107

    [Outro: The Five Heartbeats sample]

    108

    "You ain't got your woman in check, man?"

    109

    "I think you're over-stepping your bounds just a little bit..."

    110

    "I can't do this anymore"