Verified archive entry

Kick In The Door

Kick In The Door is a diss track by The Notorious B.I.G. targeting Nas, Jeru the Damaja, Raekwon, Ghostface Killah and DJ Premier. ‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

Released1997
Annotated9
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Segue from "Hypnotize"]

    02

    Biggie, Biggie, Biggie, can't you see?

    03

    Sometimes your words just hypnotize me

    04

    And I just love your...

  2. 05

    [Skit]

    06

    TREVIN JONES: Welcome back

    07

    We're here on Bad Boy Television, and I'm Trevin Jones

    08

    And I've been conversing with the Mad Rapper

    09

    And quite frankly, he's very mad

  3. 10

    We're gonna try to find out why

    11

    So we'll take some questions at this point from our studio audience

    12

    Yes, ma'am, please stand and state your name and where you're from

    13

    SHAY: Hi, my name is Shay, and I'm from New Rochelle. And I just don't understand, why you so mad?

  4. 14

    Like, what are you so mad about?

    15

    THE MAD RAPPER: Yo, yo, yo-yo, y'know, yo, you wanna know why? Yo, first of all, you can't be askin' me no question, youknowhatI'msayin'?

    16

    Who the fuck is you?

    17

    TREVIN JONES: Ahh, excuse me, Mr. Rapper, Mr. Rapper

  5. 18

    THE MAD RAPPER: YouknowhatI'msayin? You can't be askin' me no question

    19

    TREVIN JONES: It's a family-oriented show

    20

    THE MAD RAPPER: I'ma tell you why I'm mad, youknowhatI'msayin?

    21

    I'ma tell you why I'm mad, I'ma tell you why I'm mad

  6. 22

    These niggas is makin' $500,000 videos, youknowsayin?

    23

    They drivin' around in hot cars, youknowsayin?

    24

    They got bitches, they got all that shit

    25

    TREVIN JONES: Sir, please, please, refrain from your foul language

  7. 26

    THE MAD RAPPER: YouknowhatI'ms--?

    27

    I'm still livin' with my Moms, youknowhatI'msayin?

    28

    That's my word, youknowI'ms—?

    29

    I'm makin' records, I ain't made no money yet I done made—

  8. 30

    This is my fourth album, yo, this my fourth album

    31

    I ain't made a dime yet

    32

    This nigga made one album, he makin' wild records

    33

    That "Ready to Die" shit, it was aight, it was aight, youknowI'msayin

  9. 34

    That shit was a'ight, it was cool

    35

    But my shit is J—more John Blaze than that! I got John Blaze shit

    36

    And they not resp-ecognising, they not sayin'— "I recognize"

    37

    And fuck is that, who is you to be askin' me questions, youknowhatI'msayin? Who is you?

  10. 38

    [Interlude: Martin Lawrence & The Notorious B.I.G.]

    39

    I gots to talk

    40

    I gotta tell what I feel (Mhm)

    41

    I gotta talk about my life as I see it

  11. 42

    [Intro: The Notorious B.I.G.]

    43

    (Biggie)

    44

    Uh, uh-huh

    45

    Uh, this goes out to you (Biggie)

    46

    This goes out to you

  12. 47

    And you, and you, and you (Biggie)

    48

    This goes out to you

    49

    This goes out to you (Biggie)

    50

    This goes out to you

  13. 51

    And you, and you (Uh)

  14. 52

    [Verse 1]

    Multi-line diss block
    53

    Your reign on the top was short like leprechauns

    54

    As I crush so-called willies, thugs and rapper-dons (Uh)

    55

    Get in that ass quick-fast like Ramadan

    56

    It's that rap phenomenon Don Dada, fuck Poppa

    Block noteDeclares a rival king's reign already over

    TargetNas

    MeaningWhat it means: Biggie says the target's time at the top was short and groups fashionable ‘willies,’ thugs and self-declared rap dons beneath his own Don Dada identity. Why it was said: The line is commonly connected to Nas amid competing New York crown claims, but its plural wording also lets Biggie answer several artists without granting any one of them a named duel.

    Wordplay‘Short like leprechauns’ turns the duration of a reign into physical height, while the chain of royal and underworld titles fights over who can call himself king.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  15. 57

    You gotta call me Francis M.H

    58

    White, intake light tokes, tote iron

    59

    Was told in shootouts, stay low and keep firin'

    60

    Keep extra clips for extra shit (Uh-huh)

  16. 61

    Who's next to flip on that cat with that grip on rap?

    62

    The most shady (Tell 'em!) Frankie, baby

    63

    Ain't no tellin' where I may be

    64

    May see me in D.C.

  17. 65

    At Howard Homecoming with my man Capone, dumbin'

    66

    Fuckin' somethin', you should know my steelo:

    67

    Went from ten G's for blow to thirty G's a show

    68

    To orgies with hoes I never seen befo', so

  18. 69

    Jesus! Get off the Notorious'

    70

    Penis, before I squeeze and bust

    71

    If the beef between us, we can settle it with the chrome and metal shit

    72

    I make it hot like a kettle get

  19. 73

    You're delicate, you better get — who sent ya?

    74

    You still pedal shit, I got more rides than Great Adventure

    75

    Biggie ("How are you gonna do it?")

  20. 76

    [Chorus]

    77

    Kick in the door, wavin' the .44

    78

    All you heard was, "Poppa, don't hit me no more"

    79

    Kick in the door, wavin' the .44

    80

    All you heard was, "Poppa, don't hit me no more"

  21. 81

    Kick in the door, wavin' the .44

    82

    All you heard was, "Poppa, don't hit me no more" (Biggie)

    83

    Kick in the door, wavin' the .44 (Uh-huh)

    84

    All you heard was, "Poppa, don't hit me no more (Uh, uh-huh)

  22. 85

    [Verse 2]

    Multi-line diss block
    86

    On ya mark, get set when I spark, ya wet

    87

    Look how dark it get when you're marked for death (Uh)

    88

    Should I start your breath, or should I let ya die?

    89

    In fear, you start to cry, ask why, lyrically I'm

    Block noteMarks the conscious challenger for lyrical death

    TargetJeru the Damaja

    MeaningWhat it means: Biggie tells an opponent to prepare when he sparks, imagines the room going dark and says the target begins crying once marked for death. Why it was said: DJ Premier has said the record dissed his Gang Starr Foundation associate Jeru; the violent opening rejects Jeru's moral criticism by making Biggie's own command of the record the immediate authority.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  23. 90

    Worshiped, don't front, the word sick

    Multi-line diss block
    91

    You cursed it but rehearsed it

    92

    I drop unexpectedly like bird shit, you herbs get

    93

    Stuck quickly for royalties and show money

    Block noteContrasts worshipped spontaneity with rehearsed curses

    TargetJeru the Damaja

    MeaningWhat it means: Biggie says his own words are revered while the rival rehearses attacks that fail, then compares his unpredictable arrival to bird droppings. Why it was said: Jeru's criticism challenged the values behind Biggie's success. Biggie avoids answering the moral argument directly and instead says the critic's prepared righteousness cannot compete with his instinctive writing and impact.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  24. 94

    Don't forget the publishin', I punish 'em (Uh-huh), I'm done with them (Uh-huh)

    Multi-line diss block
    95

    Son, I'm surprised you run with them

    96

    I think they got cum in them, 'cause they nothin' but dicks

    97

    Tryna blow up like nitro and dynamite sticks

    Block noteQuestions why Premier stands beside the critics

    TargetDJ Premier

    MeaningWhat it means: After invoking publishing and performance money, Biggie says he is surprised the addressee runs with men he dismisses as weak. Why it was said: Premier produced both Biggie and Jeru, making him the bridge inside the dispute. The line needles the producer for professional loyalty to an artist attacking the star now rapping over Premier's beat.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  25. 98

    Mad I smoke hydro, rock diamonds that's sick

    Multi-line diss block
    99

    Got paid off my flow, rhyme with my own clique

    100

    Take trips to Cairo, layin' wit' yo' bitch

    101

    I know you prayin' you was rich, fuckin' prick, when I see ya, I'ma...

    Block noteAnswers moral criticism with the rewards it condemns

    TargetJeru the Damaja

    MeaningWhat it means: Biggie lists marijuana, diamonds, travel and another man's partner before promising a face-to-face continuation. Why it was said: Rather than apologize for materialism, he displays the exact success Jeru's criticism treated as corruption, making wealth the taunting evidence that the critical record did not stop him.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  26. 102

    [Chorus]

    103

    Kick in the door, wavin' the .44 (Uh-huh)

    104

    All you heard was, "Poppa, don't hit me no more" (Uh, uh, uh)

    105

    Kick in the door, wavin' the .44

    106

    All you heard was, "Poppa, don't hit me no more"

  27. 107

    Kick in the door, wavin' the .44

    108

    All you heard was, "Poppa, don't hit me no more" (Biggie)

    109

    Kick in the door, wavin' the .44

    110

    All you heard was, "Poppa, don't hit me no more"

  28. 111

    [Verse 3]

    Multi-line diss block
    112

    This goes out for those that choose to use

    113

    Disrespectful views on the King of N-Y

    114

    Fuck that, why try? Throw bleach in ya eye

    115

    Now ya braillin' it, snatch that light shit, I'm scalin' it

    Block noteResponds to disrespect for the King of New York

    TargetRaekwon

    MeaningWhat it means: Biggie dedicates the verse to people airing disrespectful views about New York's king and threatens to blind anyone trying to reduce his shine. Why it was said: Raekwon and Ghostface had criticized Biggie's image and album presentation; Biggie answers the pair by treating their commentary as an attempt to scale down a status he believes sales and influence already proved.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  29. 116

    Conscious of ya nonsense, in '88

    Multi-line diss block
    117

    Sold more powder than Johnson & Johnson

    118

    Tote steel like Bronson, Vigilante

    119

    You wanna get on, son? You need to aks me

    Block noteSets street history against conscious-rap criticism

    TargetJeru the Damaja

    MeaningWhat it means: Biggie calls the rival's position nonsense and answers moral scrutiny with claims about selling drugs in 1988 and carrying weapons. Why it was said: The verse refuses Jeru's framework entirely: the experiences being criticized are presented as the source of Biggie's authority, not evidence that he lacks it.

    Wordplay‘Conscious of ya nonsense’ turns the label ‘conscious rapper’ into Biggie's dismissal of the argument.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  30. 120

    Ain't no other kings in this rap thing, they siblings

    Multi-line diss block
    121

    Nothin' but my children—one shot, they disappearin' (Uh)

    122

    It's ill when MCs used to be on cruddy shit

    123

    Took home Ready to Die, listened, studied shit

    Block noteMakes every other New York king a child and imitator

    TargetNas

    MeaningWhat it means: Biggie says there are no peer kings, only siblings and children, then claims other MCs took Ready to Die home to study before changing their style. Why it was said: Nas was the most prominent competing claimant, while Raekwon and Ghostface also challenged Biggie's presentation; the block fuses crown rivalry with an accusation that challengers learned from the artist they criticized.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  31. 124

    Now they on some money shit, successful out the blue

    Multi-line diss block
    125

    They lightweight, fragili, my 9 milli'

    126

    Make the whites shake, that's why my money never funny

    127

    And you still recoupin', stupid!

    Block noteCalls the new luxury image copied and financially unfinished

    TargetRaekwon

    MeaningWhat it means: Biggie says rivals suddenly adopted money talk after studying him, labels them lightweight and says they are still recouping their label costs. Why it was said: The insult answers Wu-affiliated criticism that Biggie borrowed style by reversing authorship: he claims the critics adopted his commercial language and have not yet converted it into actual profit.

    Context‘Kick In The Door’ answers several New York rivals who challenged Biggie's status. DJ Premier has discussed producing the record even though part of Biggie's response involved Premier's own artist Jeru the Damaja; contemporary accounts also connect the verses to Nas and to Raekwon and Ghostface Killah after criticism of Biggie's image. Because many names remain unstated, the annotations qualify contested identifications.

  32. 128

    Stupid, stupid, stupid, stupid...