Verified archive entry

Killshot

Killshot is a diss track by Eminem targeting Machine Gun Kelly. The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

Released2018
Annotated16
ExplicitYes
CONNECTED RECORD

Where this track sits

Timeline
Eminem vs. Machine Gun Kelly
Responds to
RAP DEVIL by Machine Gun Kelly
Addressable transcript

Lyrics & breakdown

  1. 01

    [Intro]

    02

    You sound like a bitch, bitch

    03

    Shut the fuck up

    04

    When your fans become your haters

    05

    You done?

  2. 06

    Fuckin' beard's weird

    07

    Alright

    08

    You yellin' at the mic, fuckin' weird beard (You want smoke)

    09

    We doin' this once

  3. 10

    You yellin' at the mic, your beard's weird

    11

    Why you yell at the mic? (Illa)

  4. 12

    [Verse]

    13

    Rihanna just hit me on a text

    14

    Last night I left hickeys on her neck

    15

    Wait, you just dissed me? I'm perplexed

    16

    Insult me in a line, compliment me on the next

  5. 17

    Damn, I'm really sorry you want me to have a heart attack

    18

    Was watchin' 8 Mile on my NordicTrack

    19

    Realized I forgot to call you back

    20

    Here's that autograph for your daughter, I wrote it on a Starter cap

    Block noteMakes the feud personal through family

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Here's that autograph for your daughter, I wrote it on a Starter cap,” Eminem brings a relative or family boundary into the exchange with Machine Gun Kelly, moving the dispute beyond music and into private life. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Family references explain why the conflict feels personal: they raise the emotional cost for Machine Gun Kelly and make the line more consequential than a routine comparison of rap skill.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  6. 21

    Stan, Stan, son, listen, man, Dad isn't mad

    22

    But how you gonna name yourself after a damn gun and have a man-bun?

    23

    The giant's woke, eyes open, undeniable

    24

    Supplyin' smoke, got the fire stoked

    Block noteImagines the battle as physical destruction

    TargetMachine Gun Kelly

    MeaningWhat it means: In “But how you gonna name yourself after a damn gun and have a man-bun?,” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Machine Gun Kelly. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Machine Gun Kelly as unable to return for another round.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  7. 25

    Say you got me in a scope, but you grazed me

    26

    I say one call to Interscope and you're Swayze

    27

    Your reply got the crowd yelling, "Woo"

    28

    So before you die, let's see who can out-petty who

    Block notePressures the target to answer

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Your reply got the crowd yelling, "Woo",” Eminem treats Machine Gun Kelly's response, delay, or silence as part of the contest rather than a neutral choice. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” By defining silence as concession, the line tries to control the timetable of the feud and force Machine Gun Kelly into replying on the artist's terms.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  8. 29

    Wit' your corny lines ("Slim, you're old"), ow, Kelly, ooh

    30

    But I'm 45 and I'm still outselling you

    31

    By 29, I had three albums that had blew

    32

    Now let's talk about somethin' I don't really do

    Block noteReduces the target to a dismissive caricature

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Wit' your corny lines ("Slim, you're old"), ow, Kelly, ooh,” Eminem replaces Machine Gun Kelly's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Machine Gun Kelly is remembered.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  9. 33

    Go in someone's daughter's mouth stealin' food

    34

    But you're a fuckin' mole hill, now I'ma make a mountain out of you (Woo)

    35

    Ho, chill, actin' like you put the chrome barrel to my bone marrow

    36

    Gunner? Bitch, you ain't a bow and arrow

    Block noteReduces the target to a dismissive caricature

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Gunner? Bitch, you ain't a bow and arrow,” Eminem replaces Machine Gun Kelly's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Machine Gun Kelly is remembered.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  10. 37

    Say you'll run up on me like a phone bill, sprayin' lead (Brrt)

    38

    Playin' dead, that's the only time you hold still (Hold up)

    39

    Are you eating cereal or oatmeal?

    40

    What the fuck's in the bowl, milk? Wheaties or Cheerios?

    Block noteImagines the battle as physical destruction

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Playin' dead, that's the only time you hold still (Hold up),” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Machine Gun Kelly. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Machine Gun Kelly as unable to return for another round.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  11. 41

    'Cause I'm takin' a shit in 'em, Kelly, I need reading material, dictionary

    42

    "Yo, Slim, your last four albums sucked

    43

    Go back to Recovery," oh shoot, that was three albums ago

    44

    What do you know? Oops

    Block noteMakes the confrontation explicit

    TargetMachine Gun Kelly

    MeaningWhat it means: In “'Cause I'm takin' a shit in 'em, Kelly, I need reading material, dictionary,” Eminem addresses Machine Gun Kelly directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Naming or plainly addressing Machine Gun Kelly removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  12. 45

    Know your facts before you come at me, lil' goof

    46

    Luxury, oh, you broke, bitch? Yeah, I had enough money in '02

    47

    To burn it in front of you, ho

    48

    Younger me? No, you the wack me, it's funny but so true

    Block noteTurns money and possessions into leverage

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Luxury, oh, you broke, bitch? Yeah, I had enough money in '02,” Eminem contrasts financial power or possessions with Machine Gun Kelly's alleged lack of money, access, or control. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The comparison converts status into material evidence and is meant to make Machine Gun Kelly's success claims look hollow beside something listeners can picture and measure.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  13. 49

    I'd rather be eighty-year-old me than twenty-year-old you

    50

    'Til I'm hitting old age

    51

    Still can fill a whole page with a ten-year-old's rage

    52

    Got more fans than you in your own city, lil' kiddie, go play

    Block noteChallenges the target's public standing

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Got more fans than you in your own city, lil' kiddie, go play,” Eminem questions whether Machine Gun Kelly's attention, audience, or reputation reflects genuine respect. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Visibility can be mistaken for victory, so the artist recasts Machine Gun Kelly's recognition as temporary, manufactured, or disconnected from credibility.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  14. 53

    Feel like I'm babysitting Lil Tay

    54

    Got the Diddy okay, so you spent your whole day

    55

    Shootin' a video just to fuckin' dig your own grave

    56

    Got you at your own wake, I'm the billy goat

  15. 57

    You ain't never made a list next to no Biggie, no Jay

    58

    Next to Taylor Swift and that Iggy ho, you about to really blow

    59

    Kelly, they'll be putting your name

    60

    Next to Ja, next to Benzino, die, motherfucker

    Block noteMakes the confrontation explicit

    TargetMachine Gun Kelly

    MeaningWhat it means: In “Kelly, they'll be putting your name,” Eminem addresses Machine Gun Kelly directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Naming or plainly addressing Machine Gun Kelly removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  16. 61

    Like the last motherfucker sayin' Hailie in vain

    62

    Alien brain, you Satanist (Yeah)

    63

    My biggest flops are your greatest hits

    64

    The game's mine again and ain't nothin' changed but the locks

    Block noteContests who deserves the top position

    TargetMachine Gun Kelly

    MeaningWhat it means: In “My biggest flops are your greatest hits,” Eminem turns rank, legacy, or leadership into the issue and argues that Machine Gun Kelly's claim to the position is undeserved. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The line identifies the prize behind the feud—control of reputation—and asks whose record supports the title rather than whose claim went unchallenged.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  17. 65

    So before I slay this bitch I, mwah, give Jade a kiss

    66

    Gotta wake up Labor Day to this (The fuck?)

    67

    Bein' rich-shamed by some prick usin' my name for clickbait

    68

    In a state of bliss 'cause I said his goddamn name

  18. 69

    Now I gotta cock back, aim

    70

    Yeah, bitch, pop Champagne to this (Pop)

    71

    It's your moment

    72

    This is it, as big as you're gonna get, so enjoy it

  19. 73

    Had to give you a career to destroy it

    74

    Lethal injection, go to sleep six feet deep

    75

    I'll give you a B for the effort

    76

    But if I was three-foot-eleven, you'd look up to me

  20. 77

    And for the record, you would suck a dick to fuckin' be me for a second

    78

    Lick a ballsack to get on my channel

    79

    Give your life to be as solidified

    80

    This motherfuckin' shit is like Rambo when he's out of bullets

    Block noteUses gendered or sexual humiliation

    TargetMachine Gun Kelly

    MeaningWhat it means: In “And for the record, you would suck a dick to fuckin' be me for a second,” Eminem uses gendered or sexual language to question Machine Gun Kelly's masculinity or humiliate the target in front of the audience. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The tactic tries to trigger an emotional reply and damage Machine Gun Kelly's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  21. 81

    So what good is a fuckin' machine gun when it's outta ammo?

    82

    Had enough of this tatted-up mumble rapper

    83

    How the fuck can him and I battle?

    84

    He'll have to fuck Kim in my flannel

  22. 85

    I'll give him my sandals

    86

    'Cause he knows, long as I'm Shady, he's gon' have to live in my shadow

    87

    Exhausting, letting off on my offspring

    88

    Lick a gun barrel, bitch, get off me

  23. 89

    You dance around it like a sombrero, we can all see

    90

    You're fuckin' salty 'cause Young Gerald's balls-deep inside of Halsey

    91

    Your red sweater, your black leather

    92

    You dress better, I rap better

    Block noteUses gendered or sexual humiliation

    TargetMachine Gun Kelly

    MeaningWhat it means: In “You're fuckin' salty 'cause Young Gerald's balls-deep inside of Halsey,” Eminem uses gendered or sexual language to question Machine Gun Kelly's masculinity or humiliate the target in front of the audience. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” The tactic tries to trigger an emotional reply and damage Machine Gun Kelly's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  24. 93

    That a death threat or a love letter?

    94

    Little white toothpick

    95

    Thinks it's over a pic, I just don't like you, prick

    96

    Thanks for dissing me

  25. 97

    Now I had an excuse on the mic to write "Not Alike"

    98

    But really, I don't care who's in the right

    99

    But you're losin' the fight you picked

    100

    Who else want it? Kells, attempt fails, Budden, L's

  26. 101

    Fuckin' nails in these coffins as soft as Cottonelle

    102

    Killshot, I will not fail, I'm with the Doc still

    103

    But this idiot's boss pops pills and tells him he's got skills

    104

    But, Kells, the day you put out a hit's the day Diddy admits

    Block noteMakes the confrontation explicit

    TargetMachine Gun Kelly

    MeaningWhat it means: In “But, Kells, the day you put out a hit's the day Diddy admits,” Eminem addresses Machine Gun Kelly directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Naming or plainly addressing Machine Gun Kelly removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  27. 105

    That he put the hit out that got Pac killed, ah

    106

    I'm sick of you bein' wack

    107

    And still usin' that mothafuckin' Auto-Tune

    108

    So let's talk about it (Let's talk about it)

    Block noteMakes the confrontation explicit

    TargetMachine Gun Kelly

    MeaningWhat it means: In “I'm sick of you bein' wack,” Eminem addresses Machine Gun Kelly directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Naming or plainly addressing Machine Gun Kelly removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  28. 109

    I'm sick of your mumble rap mouth

    110

    Need to get the cock up out it

    111

    Before we can even talk about it (Talk about it)

    112

    I'm sick of your blonde hair and earrings

  29. 113

    Just 'cause you look in the mirror and think

    114

    That you're Marshall Mathers (Marshall Mathers)

    115

    Don't mean you are, and you're not about it

    116

    So just leave my dick in your mouth and keep my daughter out it

    Block noteMakes the feud personal through family

    TargetMachine Gun Kelly

    MeaningWhat it means: In “So just leave my dick in your mouth and keep my daughter out it,” Eminem brings a relative or family boundary into the exchange with Machine Gun Kelly, moving the dispute beyond music and into private life. Why it was said: The record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.” Family references explain why the conflict feels personal: they raise the emotional cost for Machine Gun Kelly and make the line more consequential than a routine comparison of rap skill.

    ContextThe record belongs to Eminem and Machine Gun Kelly's 2018 exchange, which escalated through “Not Alike,” “Rap Devil,” and “Killshot.”

  30. 117

    [Outro]

    118

    You fuckin'—, oh

    119

    And I'm just playin', Diddy

    120

    You know I love you