Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 09
[Chorus]
10You see, I'm just Marshall Mathers (Marshall Mathers)
11I'm just a regular guy, I don't know why all the fuss about me (Fuss about me)
12Nobody ever gave a fuck before, all they did was doubt me (Did was doubt me)
13Now everybody wanna run they mouth and try to take shots at me (Take shots at me)
- 15
Yo
16You might see me joggin', you might see me walkin'
17You might see me walkin' a dead Rottweiler dog
18With its head chopped off in the park with a spiked collar
Block noteImagines the battle as physical destruction
TargetDebbie Mathers
MeaningWhat it means: In “You might see me walkin' a dead Rottweiler dog,” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Debbie Mathers. Why it was said: The recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Debbie Mathers as unable to return for another round.
ContextThe recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame.
- 32
An anti-Backstreet and Ricky Martin
33Whose instinct's to kill *NSYNC, don't get me started
34These fuckin' brats can't sing and Britney's garbage
Block noteImagines the battle as physical destruction
Target*NSYNC
MeaningWhat it means: In “Whose instinct's to kill *NSYNC, don't get me started,” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at *NSYNC. Why it was said: The recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts *NSYNC as unable to return for another round.
ContextThe recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame.
- 63
I don't get fucked in mine like you two little flamin' faggots
- 64
[Chorus]
65'Cause I'm just Marshall Mathers (Marshall Mathers)
66I'm not a wrestler guy, I'll knock you out if you talk about me (Talk about me)
67Come and see me on the streets alone if you assholes doubt me (Assholes doubt me)
68And if you wanna run your mouth, then come take your best shot at me (Best shot at me)
- 70
Is it because you love me that y'all expect so much of me?
71You little groupie bitch, get off me, go fuck Puffy
72Now because of this blonde mop that's on top
73Of this fucked up head that I've got, I've gone pop?
Block noteMakes the confrontation explicit
TargetPuff Daddy
MeaningWhat it means: In “You little groupie bitch, get off me, go fuck Puffy,” Eminem addresses Puff Daddy directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame. Naming or plainly addressing Puff Daddy removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame.
- 79
She must want a dollar for every pill I've been stealin'
80Shit, where the fuck you think I picked up the habit?
81All I had to do was go in her room and lift up her mattress
Block noteMakes the rejection unmistakably direct
TargetDebbie Mathers
MeaningWhat it means: In “Shit, where the fuck you think I picked up the habit?,” Eminem drops any pretense of a subliminal and rejects Debbie Mathers in blunt, unqualified language. Why it was said: The recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame. The direct wording removes plausible deniability: listeners are not left guessing whether Debbie Mathers is part of the dispute or whether a response is being invited.
ContextThe recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame.
- 83
It doesn't matter, [your attorney Fred Gibson’s a] faggot
84Talkin' about I fabricated my past
85He's just aggravated I won't ejaculate in his ass (Ugh!)
Block noteUses gendered or sexual humiliation
TargetDebbie Mathers
MeaningWhat it means: In “It doesn't matter, [your attorney Fred Gibson’s a] faggot,” Eminem uses gendered or sexual language to question Debbie Mathers' masculinity or humiliate the target in front of the audience. Why it was said: The recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame. The tactic tries to trigger an emotional reply and damage Debbie Mathers' public image, even though the framing itself can reproduce homophobic or sexist stereotypes.
ContextThe recording attacks public critics, celebrities, and figures tied to the backlash surrounding Eminem's rise to fame.
- 102
[Chorus]
103'Cause I'm just Marshall Mathers (Marshall Mathers)
104I'm just a regular guy, I don't know why all the fuss about me (Fuss about me)
105Nobody ever gave a fuck before, all they did was doubt me (Did was doubt me)
106Now everybody wanna run they mouth and try to take shots at me (Take shots at me)
- 111
[Instrumental]