Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 01
[Clip from Belly]
- 25
You was s'posed to throw up the Roc, not smoke it
26Talkin' you gon' be in L.A. in three hours
27It's a 5-hour flight, put this bum in the shower
Block noteUses broken loyalty against the target
TargetMeek Mill
MeaningWhat it means: In “The nigga Hov gave you the game, you ain't soak it,” The Game presents Meek Mill as disloyal, abandoned, or unable to keep the support of people who were once close. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The loyalty charge gives the feud a moral frame, portraying conflict with Meek Mill as the consequence of betrayal while suggesting the target lacks a dependable circle.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 29
Ninja Turtles, nigga's runnin' with a rat
30Now Tak tell 'em how you coppin' pleas on the jack
31Fuck runnin' in the game, you gon' be runnin' into Wack
Block noteMakes the confrontation explicit
TargetMeek Mill
MeaningWhat it means: In “Fuck runnin' in the game, you gon' be runnin' into Wack,” The Game addresses Meek Mill directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. Naming or plainly addressing Meek Mill removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 33
It was time to go at Drizzy and now you don't rap
34Ask your bitch, she know I beez in the trap
35You gotta move out of L.A., I'll put them Bs on your back
Block notePoints to a claimed failure or contradiction
TargetMeek Mill
MeaningWhat it means: In “You jumped Quentin Miller and now you don't scrap,” The Game treats the refusal, inability, or contradiction named in the lyric as evidence against Meek Mill's public position. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The wording tests Meek Mill's image against a specific action; the gap between the two is what the audience is being asked to remember.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 37
That Ken doll love gettin' fucked
38Hide behind your niggas, you ain't got the guts
39Ridin' dirt bikes with your ass on some nuts
Block noteCalls the target's toughness an act
TargetMeek Mill
MeaningWhat it means: In “Hide behind your niggas, you ain't got the guts,” The Game portrays Meek Mill as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. A diss threat depends on the audience believing the speaker will confront the opponent; calling Meek Mill afraid is designed to empty that threat of force.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 41
I went from B-more to New York to Philly and back
42It's a lot of cheese at stake, this nigga really a rat
43I fuck with Philly, but this nigga make y'all city look wack
Block noteClaims geographic legitimacy
TargetMeek Mill
MeaningWhat it means: In “I fuck with Philly, but this nigga make y'all city look wack,” The Game uses place and local affiliation to decide who can credibly represent the scene challenged in the song. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The feud is presented as larger than two individuals, so the line asks listeners to treat Meek Mill as an outsider or a poor representative of the claimed community.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 45
You get hit with the Eagle, roll a Philly to that
46Now tell the world how you got your bitch
47You FaceTimed Nicki while Safaree was fuckin' a chick
Block noteMakes the confrontation explicit
TargetMeek Mill
MeaningWhat it means: In “Now tell the world how you got your bitch,” The Game addresses Meek Mill directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. Naming or plainly addressing Meek Mill removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 49
Lil' homie won't scrap with me, time to body his faculty
50I'm in traffic, B, bumpin' this old Cassidy
51Meesha's another casualty, fuckin' with me's a tragedy
Block noteAttacks the target's street credibility
TargetMeek Mill
MeaningWhat it means: In “You ain't shit but a rat to me, a snake that don't rattle me,” The Game links Meek Mill with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The point is to expose a contradiction between Meek Mill's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 53
I put that dick chaser logo on the back of your hearse
54They say the meek shall inherit the Earth
55So I went and dug your ass up, 'cause Drizzy buried you first
Block noteUses gendered or sexual humiliation
TargetMeek Mill
MeaningWhat it means: In “I put that dick chaser logo on the back of your hearse,” The Game uses gendered or sexual language to question Meek Mill's masculinity or humiliate the target in front of the audience. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The tactic tries to trigger an emotional reply and damage Meek Mill's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 69
Sean Kingston got robbed and now you niggas best friends
70Fat sloppy Twinkie eatin' ass nigga
71You ain't got no pass, nigga, I'ma beat your ass, nigga
Block noteUses a public loss to puncture the image
TargetMeek Mill
MeaningWhat it means: In “Sean Kingston got robbed and now you niggas best friends,” The Game points to property being taken or another visible loss as evidence that Meek Mill's claimed security and power failed in practice. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The anecdote gives the audience a concrete event against which to test Meek Mill's persona, turning an abstract toughness debate into a remembered humiliation.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 73
I'll get some clippers and cut your mama's mustache, nigga
74Fuck your sister while you watch 'cause she's kinda thick
75And make that bitch take a knee, like Colin Kaepernick
Block noteMakes the feud personal through family
TargetMeek Mill
MeaningWhat it means: In “I'll get some clippers and cut your mama's mustache, nigga,” The Game brings a relative or family boundary into the exchange with Meek Mill, moving the dispute beyond music and into private life. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. Family references explain why the conflict feels personal: they raise the emotional cost for Meek Mill and make the line more consequential than a routine comparison of rap skill.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 85
Or see me in clubs with "Summer Sixteen" in the snub
86Lying on the Internet like you ain't talking to twelve
87Got the cops at my door, like they dropping off mail
Block noteTreats the target's persona as fabricated
TargetMeek Mill
MeaningWhat it means: In “Lying on the Internet like you ain't talking to twelve,” The Game says Meek Mill's public story or image is false rather than a reliable account of who the target is. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 89
Rat niggas chew through walls and leave you in cells
90Before you see me in jail, you will see me in hell
91You went and got the whole Philly, it's just me by myself
Block noteAttacks the target's street credibility
TargetMeek Mill
MeaningWhat it means: In “Rat niggas chew through walls and leave you in cells,” The Game links Meek Mill with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The point is to expose a contradiction between Meek Mill's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 93
Went and got Nipsey, Jay Rock, ScHoolboy Q
94Could have went and got E-40, brought Ice Cube back
95And have Dr. Dre screaming "Meek Mill is a rat"
Block noteAttacks the target's street credibility
TargetMeek Mill
MeaningWhat it means: In “And have Dr. Dre screaming "Meek Mill is a rat",” The Game links Meek Mill with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The point is to expose a contradiction between Meek Mill's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 97
I'ma see you in the streets, don't at me
98You like a boat with a hole you can't sail
99Meek Mill, me and Drake gave you them two Ls
Block noteUses broken loyalty against the target
TargetMeek Mill
MeaningWhat it means: In “Meek Mill, me and Drake gave you them two Ls,” The Game presents Meek Mill as disloyal, abandoned, or unable to keep the support of people who were once close. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The loyalty charge gives the feud a moral frame, portraying conflict with Meek Mill as the consequence of betrayal while suggesting the target lacks a dependable circle.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 105
Pussy nigga! (Mumbles)
106I got on gold headphones, gold chain
107Gold on my wrist, aim (Mumbles)
108If you ain't getting money, boy, you lame
Block noteReduces the target to a dismissive caricature
TargetMeek Mill
MeaningWhat it means: In “If you ain't getting money, boy, you lame,” The Game replaces Meek Mill's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Meek Mill is remembered.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.
- 109
[Clip from Paid In Full]
Block noteAttacks the target's street credibility
TargetMeek Mill
MeaningWhat it means: In “You rat bastard!,” The Game links Meek Mill with police protection or informing, casting doubt on the hard public persona used in the feud. Why it was said: The record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation. The point is to expose a contradiction between Meek Mill's threatening image and alleged reliance on authorities, making later threats sound performative rather than credible.
ContextThe record belongs to The Game and Meek Mill's 2016 exchange, which began after The Game accused Meek Mill of informing police about a robbery investigation.