Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 06
(Load up nigga, wooo! HA-HAAAEEH!)
- 21
If Big was alive, he'd a probably spit in your face
22Nas been doin' just fine without you (Esco)
23And Pac probably would've made an album about you
Block noteChallenges the target's public standing
Target50 Cent
MeaningWhat it means: In “Hov' don't really respect you, get in your place,” Jadakiss questions whether 50 Cent's attention, audience, or reputation reflects genuine respect. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. Visibility can be mistaken for victory, so the artist recasts 50 Cent's recognition as temporary, manufactured, or disconnected from credibility.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
- 33
But in the streets you gon' always be second to me
34We was damn near feelin' you
35Even though your career is based off somebody damn near killin' you
Block noteUses career results as evidence
Target50 Cent
MeaningWhat it means: In “Even though your career is based off somebody damn near killin' you,” Jadakiss turns releases, sales, label standing, or career momentum into a public measurement of 50 Cent's position. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. The artist invokes an external scoreboard so listeners can compare 50 Cent's claims with visible results, making status something that can be disproved rather than merely debated.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
- 49
D-Block, don't think it, nigga
50Take a piss in your Formula 50, drink it, nigga
51Get shot out the Reeboks nigga
52Got shot and ain't shoot none back, you'se a biatch nigga
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “Get shot out the Reeboks nigga,” Jadakiss converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
- 54
I would've aired out somebody's grandma duke, right!?
55In the streets they say, "50, who shot ya?"
56Named three niggas soon as he came out the doctor
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “In the streets they say, "50, who shot ya?",” Jadakiss converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
- 62
Come around without cops, shit's on, you gon' get touched quick
63Cause, I was at the VIBE when it jumped off
64Put fifty grand up, you pussy you ain't even lift a hand up
Block noteUses gendered or sexual humiliation
Target50 Cent
MeaningWhat it means: In “Nigga you can suck my dick,” Jadakiss uses gendered or sexual language to question 50 Cent's masculinity or humiliate the target in front of the audience. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. The tactic tries to trigger an emotional reply and damage 50 Cent's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
- 66
But besides that, I ain't seen nobody man up
67Shit, what the plot is about?
68Cause you know that, you don't need a dentist to get shot in the mouth
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “Cause you know that, you don't need a dentist to get shot in the mouth,” Jadakiss converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
- 70
It's the crackers that buy the album, what's the plottin' about?
71Many men make a wish, but we ain't many men
72So you gon' get death when we let them semis spit, what?
Block noteImagines the battle as physical destruction
Target50 Cent
MeaningWhat it means: In “So you gon' get death when we let them semis spit, what?,” Jadakiss converts lyrical defeat into death, shooting, burial, or bodily harm directed at 50 Cent. Why it was said: Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts 50 Cent as unable to return for another round.
ContextJadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.