Verified archive entry

Quitter

By Eminem · Targeting Everlast

Quitter is a diss track by Eminem targeting Everlast. The recording also credits D12. The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.

Released2000

Annotated17

ExplicitYes

Addressable transcript

Lyrics & breakdown

01
[Part I: Quitter]
02
[Intro: Eminem]
03
Yo (Na-na-na, na-na-na, na-na)
04
I dedicate this to you (Hahahaha, yo)
05
To all my fans, keepin' y'all in health
06
Let's tell this Whitey Ford to go fuck himself!
Block noteMakes the confrontation explicit
TargetEverlast
MeaningWhat it means: In “Let's tell this Whitey Ford to go fuck himself!,” Eminem addresses Everlast directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. Naming or plainly addressing Everlast removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
07
'Cause it's cruel when you cause a bad heart condition
08
In which I create, 'cause that's my mission
09
So listen close to what we say, because
10
This type of fag claims to never be gay
11
[Verse 1: Eminem]
12
I knew you was jealous from the day that I met you
13
I upset you 'cause I get respect, I bet you (What?)
14
I'm even liked better by your niece and nephew (C'mon)
15
And now you hate Fred because Lethal left you (Aw)
16
Peckerwood mad, 'cause his record went wood
17
No respect in the hood, fled to his neck of the woods
18
Got in touch with his roots, found the redneck in his blood
19
And said, "Heck, country-western rap records are good"
20
So he picks the guitar up and he strums a few notes
21
He can't rap, or sing, but he wants to do both (Haha)
22
Puts an album out and rules for part of the year
23
Then Kid Rock and Limp Bizkit come from out of nowhere
24
It's the start of an era, rock-rap's harder this year
25
No one's tryin' to hear some fuckin' old fart in a chair
26
Sittin' on stage, strummin' acoustic guitar in your ear
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So you start to get scared, sit back and spark an idea
28
Figure you can diss me to jumpstart your career?
29
I'll punch you in your fuckin' chest, 'til your heart kicks in gear (Bitch)
30
And fuck your underground buddies' nameless crew
31
Like I'ma say they names, so they can be famous too
Block noteUses career results as evidence
TargetEverlast
MeaningWhat it means: In “Figure you can diss me to jumpstart your career?,” Eminem turns releases, sales, label standing, or career momentum into a public measurement of Everlast's position. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The artist invokes an external scoreboard so listeners can compare Everlast's claims with visible results, making status something that can be disproved rather than merely debated.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
32
[Chorus: Eminem]
33
You just a quitter and you bitter, 'cause I came along
34
And the days of House of Pain are gone
35
And if you talk about my little girl in a song again
36
I'ma kill you, I'ma kill you
37
You just a quitter and you bitter, 'cause I came along
38
And the days of House of Pain are gone
39
And if you talk about my little girl in a song again
40
I'ma kill you, I swear to God, I'ma kill you
41
[Verse 2: Eminem]
42
Heart attack to stroke from the crack you smoke
43
To the rap you wrote, your fuckin' answer back's a joke
44
And I'ma tell these motherfuckin' fans the truth
45
The reason why you dissed me first and I answered you
46
You said I passed you in a lobby and I glanced at you
47
Like I ain't notice you? Bitch, I had a show to do
48
Like I'm supposed to be star-struck, come over to you
49
You better shut your fuckin' mouth while you O-for-two
Block noteMakes the confrontation explicit
TargetEverlast
MeaningWhat it means: In “You said I passed you in a lobby and I glanced at you,” Eminem addresses Everlast directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. Naming or plainly addressing Everlast removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
50
Back in '94, Limp opened the show for you
51
Rocked the crowd better and stole the whole show from you
52
Took your motherfuckin' DJ and stole him too
53
So you fall in a slump and get all emotional
Block noteSays the target's identity is borrowed
TargetEverlast
MeaningWhat it means: In “Rocked the crowd better and stole the whole show from you,” Eminem presents Everlast's style or work as imitation rather than an original contribution. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The accusation strips Everlast of artistic ownership: success looks less impressive when the sound, image, or idea is framed as somebody else's first.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
54
So now you sing and mix slang with blues and pluck strings
55
Confused as fuck, 'cause now your music sucks dick
56
Mr.-Mr. Ass Kisser to get accepted in rap quicker
57
But never last, and Everlast is a
Block noteUses gendered or sexual humiliation
TargetEverlast
MeaningWhat it means: In “Confused as fuck, 'cause now your music sucks dick,” Eminem uses gendered or sexual language to question Everlast's masculinity or humiliate the target in front of the audience. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The tactic tries to trigger an emotional reply and damage Everlast's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
58
[Chorus: Eminem]
59
Quitter and you bitter, 'cause I came along
60
And the days of House of Pain are gone
61
And if you talk about my little girl in a song again
62
I'ma kill you, I'ma kill you
63
You just a quitter and you bitter, 'cause I came along
64
And the days of House of Pain are gone
65
And if you talk about my little girl in a song again
66
I'ma kill you, I swear to God, I'ma kill you (Aight, look, listen)
67
[Verse 3: Eminem]
68
So this is what we ask of our fans:
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If you ever see Everlast, whoop his ass
70
Hit him with sticks, bricks, rocks, throw shit at him
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Kick him, spit on him, treat him like a ho, bitch-slap him
Block noteImagines the battle as physical destruction
TargetEverlast
MeaningWhat it means: In “If you ever see Everlast, whoop his ass,” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Everlast. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Everlast as unable to return for another round.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
72
Do it for me, do it for Fred, do it for Limp
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Do it for rock, do it for rap, do it for Kid
74
Do it for Ice-T, do it just to do it, fuck it
75
He's a bitch, he ain't gon' hit you back, he's nothin'
Block noteImagines the battle as physical destruction
TargetEverlast
MeaningWhat it means: In “He's a bitch, he ain't gon' hit you back, he's nothin',” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Everlast. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Everlast as unable to return for another round.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
76
Shit, in five years, we'll all be eatin' at Whitey's
77
And he'll be bussin' tables in that bitch, cleanin' the toilets
78
[Interlude: Eminem]
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Ayo, fuck this, cut this shit off
80
Ayo, Head (Hold up a minute)
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That's why I fucked your mother, you fat motherfucker
82
[Part II: Hit 'Em Up (Remix)]
83
[Intro: Eminem]
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(Kill Whitey) Ha-ha-ha
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(Kill Whitey) Detroit, what? What?
86
(Kill Whitey) Yo, yo
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(Kill Whitey), Haha, look
88
[Verse 1: Eminem]
89
First off, fuck your songs and the shit you say
90
Diss my wife, but at least I got a bitch, you gay
91
You claim to be a Muslim, but you Irish White
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So fuck you, fat boy, drop the mic, let's fight
Block noteMakes the feud personal through family
TargetEverlast
MeaningWhat it means: In “Diss my wife, but at least I got a bitch, you gay,” Eminem brings a relative or family boundary into the exchange with Everlast, moving the dispute beyond music and into private life. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. Family references explain why the conflict feels personal: they raise the emotional cost for Everlast and make the line more consequential than a routine comparison of rap skill.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
93
Plus, I punch you in the chest, weak hearts I rip
94
Whitey Ford, 40 and white, lethargic ass dickhead
95
I keep 'em comin' while you runnin' out of breath
96
Steady duckin' while I'm punchin' at your chest, you need to rest
Block noteMakes the confrontation explicit
TargetEverlast
MeaningWhat it means: In “Whitey Ford, 40 and white, lethargic ass dickhead,” Eminem addresses Everlast directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. Naming or plainly addressing Everlast removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
97
Dilated, go ask your people how I'll leave ya
98
With your three CDs nobody sees when they released
99
Evidence, don't fuck around with real MCs
100
You ain't ready for no underground beef, so fuck geeks
Block noteForces the dispute into a direct contest
TargetEverlast
MeaningWhat it means: In “You ain't ready for no underground beef, so fuck geeks,” Eminem addresses Everlast as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Everlast.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
101
I let you faggots know it's on for life
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But Everlast might die tonight, haha
103
Fat boy murdered on wax and killed
104
Fuck with me and take a heart pill, you know
Block noteImagines the battle as physical destruction
TargetEverlast
MeaningWhat it means: In “But Everlast might die tonight, haha,” Eminem converts lyrical defeat into death, shooting, burial, or bodily harm directed at Everlast. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Everlast as unable to return for another round.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
105
[Chorus 1: Eminem]
106
Grab .380s when you see Slim Shady
107
Call the doctor to heal your heart
108
They shocked you back to life at the clinic
109
But you 'bout to get relapsed any minute
110
Honky, I hit 'em up
111
[Interlude: Eminem]
112
Hahaha
113
Yo, check this out
114
You faggots ain't even on my level
115
I'ma let D12 ride on you, bitch-made ass faggots
116
[Verse 2: Kon Artis]
117
Yo, get out the way, yo, get out the way, yo
118
Whitey Ford's heart just stopped
119
Eminem shocked him back, he had another heart attack
120
Whitey Ford's gettin' his ass floored for talkin' back
121
Little faggot Hamburglar, I'll show you where the burgers are
122
At your own restaurant, while I'm servin' ya
123
Drop and stomp your whole heart, 'til it stops
124
Call the cops, I'ma beat your ass while they watch
Block noteForces the dispute into a direct contest
TargetEverlast
MeaningWhat it means: In “Call the cops, I'ma beat your ass while they watch,” Eminem addresses Everlast as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Everlast.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
125
[Verse 3: Kuniva & Eminem]
126
Ha, ha, now we got the whole industry makin' fun of you, Erik
127
Where's your House of Pain now? It's only one of you, Erik
128
You a petty coward, you ain't ready to steady go a round
129
With some killers from 7 Mile to the motherfuckin' Belle Isle Bridge, ha
Block noteCalls the target's toughness an act
TargetEverlast
MeaningWhat it means: In “You a petty coward, you ain't ready to steady go a round,” Eminem portrays Everlast as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. A diss threat depends on the audience believing the speaker will confront the opponent; calling Everlast afraid is designed to empty that threat of force.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
130
[Chorus 2: Eminem]
131
Grab .380s when you see Slim Shady
132
Call the doctor to heal your heart
133
They shocked you back to life at the clinic
134
But you 'bout to get relapsed any minute
135
Honky, I hit 'em up
136
[Verse 4: Eminem]
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Got in his ass and now this faggot wanna mention me still?
138
This ain't no freestyle battle, Everlast gettin' killed with his chest open
139
Tryna throw a fuckin' punch, but you just chokin'
140
Havin' a stroke and now you learn why crackers never earned a dime
Block noteForces the dispute into a direct contest
TargetEverlast
MeaningWhat it means: In “This ain't no freestyle battle, Everlast gettin' killed with his chest open,” Eminem addresses Everlast as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Everlast.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
141
'Cause you suck, motherfucker, you should learn to rhyme
142
Talkin' about you packin' pistols, but it's funny to me
143
You ain't never been in trouble, you just wanna be me
144
I'm a paleface killer whale
Block noteAttacks the target's ability to rap
TargetEverlast
MeaningWhat it means: In “'Cause you suck, motherfucker, you should learn to rhyme,” Eminem challenges Everlast on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. This goes to the qualification that gives Everlast standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
145
On his way to fuckin' prison, pistol whippin' tail
146
Ha, Erik, remember when I passed you in the lobby that day?
147
That shit was obvious, you pro'bly was gay, ha
148
Now it's all about Country, you gave up Hip-Hop
149
49 thousand copies the week your shit drop
150
While my sales makin' records break
151
Two and a half million scanned by the second week
152
Motherfucker, I hit 'em up
153
[Verse 5: Proof, Eminem, both]
154
I'm from Detroit's Puritan Ave. where bullets tear you in half (Haha)
155
Fuck the music, we got a Uzi for all you fags
156
Get the shit out of our stereo, Dilated, you violated
157
Now you 'bout to get annihilated, we gon' bury you
158
Iriscience, get choked up and yoked up
159
All you underground bitches, get your throats cut
160
[Verse 6: Swifty McVay]
161
What the fuck, is you stupid? I choke Whitey Ford
162
With his fuckin' guitar cord and stuff him in cardboard
163
Chopped up in a box, with 16 parts
164
I stomped on his heart
Block noteQuestions the target's judgment
TargetEverlast
MeaningWhat it means: In “What the fuck, is you stupid? I choke Whitey Ford,” Eminem characterizes Everlast as unintelligent, careless, or unable to understand the situation being addressed. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. The insult makes the target's decisions part of the evidence: a poor response can be framed not as strategy, but as proof that Everlast never understood the contest.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
165
D12, Amityville, fuck your mother while you watch
166
Keep your restaurant locked and block your door
167
'Cause we hit 'em up, like motherfuckin' Tupac Shakur
Block noteMakes the feud personal through family
TargetEverlast
MeaningWhat it means: In “D12, Amityville, fuck your mother while you watch,” Eminem brings a relative or family boundary into the exchange with Everlast, moving the dispute beyond music and into private life. Why it was said: The exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses. Family references explain why the conflict feels personal: they raise the emotional cost for Everlast and make the line more consequential than a routine comparison of rap skill.
ContextThe exchange followed Everlast's subliminal references on Dilated Peoples' “Ear Drums Pop” remix and Eminem's recorded responses.
168
[Verse 7: Eminem]
169
You a Black Jesus, heart attack, seizures
170
Too many cheeseburgers, McDonald's Big Mac greases
171
White Devil, washed-up honky
172
Mixed up cracker who crossed over to country
173
[Outro: Eminem]
174
Yo, ayo, cut this shit off
175
Shit, fuck him
176
That's it, I'm done, I promise, I'm done
177
That's it, I'm sorry (No more)
178
I'm sorry, I'm sorry, I promise
179
I just believe in kickin' a man while he's down
180
Goddamn, I quit
181
Mention my daughter's name in a song again, you fuckin' punk
182
Ayo