Verified archive entry

Rasta Imposter (Wycelf Jean & Canibus Diss)

By LL Cool J · Targeting Canibus, Wyclef Jean

Rasta Imposter (Wycelf Jean & Canibus Diss) is a diss track by LL Cool J targeting Wyclef Jean and Canibus. The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.

Released1998

Annotated6

ExplicitYes

Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

01
[Intro]
02
What you got to do with it? What the fuck you talkin about?
03
What the fuck you got to do with it? You stupid nigga? You stupid?
04
Did you see that video, nigga? Fuck wrong with you? Like you don't
05
You don't know what you go to do with it. Like your fuckin insane or
06
Something. (You fuckin wack ass nigga)
07
(laughing in background)
08
[Verse: 1]
Multi-line diss block
09
Y'all faggots is weak, y'all starstruck niggas think shit is sweet
10
That busy signal bullshit is dead up in the street
11
Heard that garbage dough jam, made me reminisce
12
On when heard your man's wack shit and went to take up his
Block noteMakes the confrontation explicit
TargetWyclef Jean
MeaningWhat it means: In “Y'all faggots is weak, y'all starstruck niggas think shit is sweet,” LL Cool J addresses Wyclef Jean directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. Naming or plainly addressing Wyclef Jean removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
13
Jealous faggot man cause I'm richer than y'all
14
When I load my desertees, I'm picturin y'all
15
On the streets of Queens where I was raised and born, hardcore
16
And stood on every corner like a liquor store
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Clips full of hollowtips, follow loose lips
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Aimin at your clique and make em cough up my chips
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Bitch, ya niggas wanna see if I'm ill?
20
Wanna see how many rappers can be killed, how much blood can spill?
21
When I inject this lyrical drill, if I can't do it, the dumb-dumbs will
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Tell that nigga to tell his man to tell that nigga
23
I send the wolves to kill that nigga
24
If you wanna know why, its cause I'm still that nigga
25
Michael Jordan of all this rap shit, pullin the trigger
26
What the fuck? You on a mission to self-destruct
27
And have the nerve to let the chickenhead model cluck
28
Your swervin nigga, better follow the white lines
29
Your up on the sidewalk, off course, read the sign
Multi-line diss block
30
I'm so ill, y'all niggas is so wack
31
Your whole crew is such, y'all lack the hard impact
32
Far as your man go, I got young niggas that wanna get him
Block noteMakes the confrontation explicit
TargetWyclef Jean
MeaningWhat it means: In “Your up on the sidewalk, off course, read the sign,” LL Cool J addresses Wyclef Jean directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. Naming or plainly addressing Wyclef Jean removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
33
Treat him like a Philly, wet'im and split'im
34
[Chorus]
35
LL don't lose niggas, we can do it however you choose nigga
36
One on one or round up the crews nigga
37
But Can-I-Blast you out your shoes nigga
38
(You know the rules nigga!)
39
LL don't lose niggas, we can do it however you choose nigga
40
One on one or round up the crews nigga
41
But Can-I-Blast you out your shoes nigga
42
(You know the rules nigga!)
43
[Verse: 2]
44
Queens shit, give me cream so I can grab my dick
45
Sew that shit, what the fuck y'all niggas workin with?
46
Backwards, ass-jerk, jumpin up out the woodwork
47
Ridin my meat, tryin to critique my physique
48
A real nigga wouldn't even mention my lips
Multi-line diss block
49
Can't believe you went there, no I know you a bitch
50
Sugar-coated nigga, deep-throated nigga
51
Young guns take a pull before they quote a nigga
Block noteReduces the target to a dismissive caricature
TargetWyclef Jean
MeaningWhat it means: In “Can't believe you went there, no I know you a bitch,” LL Cool J replaces Wyclef Jean's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Wyclef Jean is remembered.
ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
52
Yeah, I wrote it nigga for all my real live devoted niggas
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I'm a true and livin lyrically ill poet nigga
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So what you talkin bout? That shits supposed to be hot?
55
Y'all niggas on the warpath, y'all takin over my block?
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I think not, matter of fact your not aloud to rap no more
57
And if you hear this in the club sneak out the backdoor
58
And if you bumpin in your ride make sure your windows is up
59
And your tint's passed the limit
60
So they don't know a faggot's in it!
61
I'm LL and I did this to you
62
Teflon waitin for every nigga runnin with you
63
Rhymes hit you, lace you up again and split you
64
Niggas ain't official thats why Mom Dukes miss you
65
Tell your man bring it on, I'm only gettin warm
66
Never die, never quit, and my money's long
67
Punk ass crab nigga, talkin bout his lips
68
Constantly involvin my name with that bullshit!
69
Why I diss you? You stepped up in the ring
70
Ice jinglin in the video like you the next Don King
71
And tell your man I know he got some lyrics in the stash
72
But I'm the best that ever did it, now get this motheruckin ass
73
Mic's too hot to hold, leave it in the sand
74
So I can describe the picture with both hands
75
You must not understand who's in command
76
I got all the flavor, but y'all niggas is mad bland
77
[Chorus]
78
LL don't lose niggas, we can do it however you choose nigga
79
One on one or round up the crews nigga
80
But Can-I-Blast you out your shoes nigga
81
(You know the rules nigga!)
82
LL don't lose niggas, we can do it however you choose nigga
83
One on one or round up the crews nigga
84
But Can-I-Blast you out your shoes nigga
85
(You know the rules nigga!)
86
[Verse: 3]
Multi-line diss block
87
I'll cut your fuckin head off and leave it on your mom's dresser
88
Then pay the pope a hundred thou to go and bless her
89
You wanna test a lyrical teacher and professor?
90
I bet y'all niggas fall off now that your under pressure
Block noteMakes the feud personal through family
TargetWyclef Jean
MeaningWhat it means: In “I'll cut your fuckin head off and leave it on your mom's dresser,” LL Cool J brings a relative or family boundary into the exchange with Wyclef Jean, moving the dispute beyond music and into private life. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. Family references explain why the conflict feels personal: they raise the emotional cost for Wyclef Jean and make the line more consequential than a routine comparison of rap skill.
ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
91
I don't stress ya, yet still I must check ya
92
Extort niggas for gettin fucked up, stop and inspect ya
93
Fuck wrong with you nigga? You can't do nothin to me
94
If I put a slug in you on the low, you'd probably try to sue me
95
Your girl blew me, I said "Now!" She said "Do me"
Multi-line diss block
96
Bust a nut in her face on tape to let the crew see
97
Can't put dirt roll, nigga poppin shit
98
Underestimantin what Queens niggas'll do for chips
Block noteUses a relationship to provoke the target
TargetWyclef Jean
MeaningWhat it means: In “Your girl blew me, I said "Now!" She said "Do me",” LL Cool J uses a romantic or sexual relationship to embarrass Wyclef Jean and challenge the target's control over a private narrative. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. The reference is designed to provoke an emotional response and make the dispute publicly humiliating, where silence can be portrayed as acceptance.
ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
99
I originated all this shit
100
The ice, the champagne, the bitches on the dick
101
That really don't apply to you crabs in a barrel
102
Mic's my staff sendin you a message like Pharaoh
103
Leave it alone or get swallowed in the sea
Multi-line diss block
104
The King of Hip-Hop is something you could never be
105
My crown you'll never see, I'll rule forever, G
106
I'll be goin platinum when you just a memory
Block noteContests who deserves the top position
TargetWyclef Jean
MeaningWhat it means: In “My crown you'll never see, I'll rule forever, G,” LL Cool J turns rank, legacy, or leadership into the issue and argues that Wyclef Jean's claim to the position is undeserved. Why it was said: The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute. The line identifies the prize behind the feud—control of reputation—and asks whose record supports the title rather than whose claim went unchallenged.
ContextThe LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
107
I'm the double L, capital C, double O
108
With the seven upside down jakes slayin the clown
109
[Interlude]
110
What the fuck wrong wit y'all niggas? You out your mind nigga?
111
You better try to go beg Lauryn to come back or something
112
Fuck wrong with you?
113
[Chorus]
114
LL don't lose niggas, we can do it however you choose nigga
115
One on one or round up the crews nigga
116
But Can-I-Blast you out your shoes nigga
117
(You know the rules nigga!)
118
LL don't lose niggas, we can do it however you choose nigga
119
One on one or round up the crews nigga
120
But Can-I-Blast you out your shoes nigga
121
(You know the rules nigga!)