Verified archive entry

Real Hip-Hop - Part II

Real Hip-Hop - Part II is a diss track by KRS-One targeting Commercial rappers. The recording also credits Mic Vandalz. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.

Released1997
Annotated2
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [KRS-One]

    02

    Hah! They not ready, uhh uhh

    03

    Set it off, South Bronx

    04

    Set it off, uhh, check it

  2. 05

    The real hip-hop, is over here

    06

    The real hip-hop, is over there

    07

    The real hip-hop, is over here

    08

    The real hip-hop, is over there

  3. 09

    It's a demo, it's a demo, it's a demo, it's a demo

    10

    Steppin out the limo, KRS-One, gettin in you

    11

    From the get-go kiddo throw em out the window

    12

    Flip em like a nickel

  4. 13

    Peep the hottest single

    14

    He'll sink them like the S.S. Minnow

    15

    That same kid that rocks the Benz rocks the Pinto

    16

    Watch my signal, I rock the rap game like Nintendo

  5. 17

    Hey diddle, diddle, get played now like a fiddle

    18

    I watch you wiggle, in front of the audience that was fickle

    19

    Now you can't make a nickle, the sour pickle you are

    20

    KRS-One, '97 superstar

  6. 21

    I got one thing to say and let me make this clear

    22

    Everywhere, now throw your hands in the air

  7. 23

    The real hip-hop, is over here

    24

    The real hip-hop, is over there

    25

    The real hip-hop, is over here

    26

    The real hip-hop, throw your hands in the air!

  8. 27

    [Mic Vandalz]

    28

    Yo, been rockin rooftops, knahmsayin?

    29

    Internat', yaknahmsayin?

    30

    KRS, vandalizin, yaknahmsayin? With the Mic Vandalz

    31

    Boogie Down, Uptown, yaknahmsayin?

  9. 32

    It's dope, check it out

  10. 33

    [KRS-One]

    34

    When I ain't doin a show, or bringin all the money in

    35

    Or at the studio, or home studyin

    36

    I'm checkin out Funkmaster Flex on cassette

    37

    As he wrecks turntable sets with many subjects

  11. 38

    Huff now that's the Blastmaster connects, the larynx

    39

    To a high-tech mic set, you get what you get

    40

    Tech and Sway, index of singles is complex

    41

    On Technics sets, he wrecks, collects a fee next

  12. 42

    While you rejects practice, suffix and prefix

    43

    Hip-Hop I reads it, and mark your album incompleted

    44

    I seen it, saw it, back in eighty-five

    45

    Platinum rappers yo that can't rock live

  13. 46

    Their mental facilities, lack the ability

    Multi-line diss block
    47

    For lyric agility -- battle? You're killin me

    Block noteForces the dispute into a direct contest

    TargetCommercial rappers

    MeaningWhat it means: In “For lyric agility -- battle? You're killin me,” KRS-One addresses Commercial rappers as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Commercial rappers.

    ContextThe supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.

  14. 48

    The real hip-hop, is over here

    49

    The real hip-hop, is over there

    50

    The real hip-hop, is over here

    51

    The real hip-hop, throw your hands in the air!

  15. 52

    The real hip-hop, is over there

    53

    The real hip-hop, is it over here?

    54

    The real hip-hop, yo it's over there

    55

    The real hip.. now throw your hands in the air!

  16. 56

    [Mic Vandalz]

    57

    Throw your hands in the air (get loose now)

    58

    Throw your hands in the air (get loose now)

    59

    Throw your hands in the air (get loose now)

  17. 60

    Aiyyo I'm breakin, in this rap thing, I've been waitin

    61

    Ready for the world, rude like awakening

    62

    Homo sapien, ? ? rock every stadium

    63

    Scholars and players, here to Las Vegas

  18. 64

    Embrace the papers, land of money makers

    65

    Brothers hate us cause the brothers ain't us

  19. 66

    Yo yo, from coast to coast I'mma overdose you and BDP you

    67

    And Kris-Kross your mind, wouldn't wanna be you

    68

    A Uptown thing, world premier

    69

    Throw your hands in the air baby it's on

  20. 70

    How many MC's wanna get they rep torn?

    71

    From Joe to Cage and mics in my juvenile days, I abuse

    72

    The mic get lifted, the crowd gets amused

  21. 73

    I got next.. you lose!

    Multi-line diss block
    Block noteForces the dispute into a direct contest

    TargetCommercial rappers

    MeaningWhat it means: In “I got next.. you lose!,” KRS-One addresses Commercial rappers as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Commercial rappers.

    ContextThe supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.