Addressable transcript

Lyrics & breakdown

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01
[Intro: Nicki Minaj]
02
Queen
03
[Verse 1: Nicki Minaj & Lumidee]
04
Only on them C's if it's breeze, Red Ruby Da Sleeze (Uh-oh, uh-oh)
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Chinese on my sleeve, these wannabe Chun-Lis
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Anyway, 你好 (你好, uh-oh)
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Who the fuck told bitches they was me now? (Uh-oh, ooh)
08
I knew these bitches was slow, I ain't know these bitches senile (Ooh)
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Married a shooter case you niggas tried to breathe loud (Brr-brr)
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Boom your face off, then I tell him, "Cease fire"
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I'm the A, B side
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Seven-hundred on them horses when we fixin' to leave (Uh-oh)
Multi-line diss block
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But I don't fuck with horses since Christopher Reeves (Uh-oh)
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(Uh-oh, uh-oh)
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Gotta be careful when I dip, it's flips all in the whip
Block noteTurns a luxury-horse boast into a Megan subliminal
TargetMegan Thee Stallion
MeaningWhat it means: Nicki first prices the horsepower of her vehicles, then says she avoids ‘horses’ by invoking Christopher Reeve's riding accident. Why it was said: In the wake of tension with Megan Thee Stallion, the abrupt rejection of horses was widely heard as nameplay on Megan's stage identity; embedding it inside a car boast gives Nicki deniability while still making the association easy to catch.
Wordplay‘Seven-hundred on them horses’ begins with vehicle horsepower, pivots to literal horses through Christopher Reeve, and then carries the implied Megan Thee Stallion reference.
Context‘Red Ruby Da Sleeze’ was widely read as containing subliminal shots at Megan Thee Stallion and Latto, following their separate public tensions with Nicki Minaj. The interpretations remain tied to specific wordplay—especially horse imagery and copying claims—rather than treating every boast as a diss.
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It's 40s with 30 clips, FN's with the switch
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Guacamole with the taco, waitin' on El Chapo
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Came in the Rolls and left low in a Tahoe
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[Chorus: Nicki Minaj]
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Bad gyal don't die-die-die (Brr)
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Hundred rounds on that grrah-ta-ta
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Real one lick a shot-ta-ta
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She my lil' vibe, my lil' ah-ah-ah
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Bad gyal don't run from nobody, like ah
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Rude boy want me touchin' on his body, like yah
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Boy affi dead if he ever diss me
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And he know what to do if he ever miss me
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[Bridge: Nicki Minaj]
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Miss me with that na-na-na-na-na-na-na
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I stay with my na-na-na-na-na-na-na
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His ex hit him, he like, "Nah-nah-nah-nah-nah-nah-nah"
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He want the bad gyal sleeze like that
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Why I'm a tease like that?
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Ill, na-na-na-na-na-na-na
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He told me bring him that na-na-na-na-na-na-na
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We don't be Karen like Donna-na-na-na-na-na
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I like it when he grab my cheeks like that (Uh)
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Why I'm a freak like that?
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[Chorus: Nicki Minaj]
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Bad gyal don't die-die-die
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Hundred rounds on that grrah-ta-ta
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Real one lick a shot-ta-ta
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She my lil' vibe, my lil' ah-ah-ah
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Bad gyal don't run from nobody, like ah
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Rude boy want me touchin' on his body, like yah
46
Boy affi dead if he ever diss me
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And he know what to do if he ever miss me
48
[Verse 2: Nicki Minaj & Lumidee]
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When the Queen leave, bitches wanna come out like a cockroach
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Until I'm cookin' in the kitchen like a pot roast (Uh-oh, uh-oh)
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That new Spectre, we don't fill pot holes (Uh-oh, uh-oh)
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Dorito—bitches mad that they nachos
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Shoutout my vatos
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Shout out to hoes that's watchin' me like Movados (Click, click, click)
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All them, all them botched face photos, why would you post those?
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Make a gyal duppy since I heard you like my ghost, hoes
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Big truck but I'm alone like Post, though (Uh-oh, uh-oh)
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Call Malone and tell him I'm goin' postal (Brr)
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These bitches rappin' like my blooper roll (Uh-oh, uh-oh)
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Desert Eagle if your nigga actin' super bold
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(Got 'em, got 'em, got 'em) Got 'em like, "Uh-oh"
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Gun fingers like niggas doin' the bogle
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Ya fuckin' bozo
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That .40 cal a make 'em dance like a go-go
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Super fakks, that's word to Super Cat
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We ah rude gyal youth and we nuh tek back we chat
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'Cause bitches couldn't walk in my Crocs, that's word to Dundee
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Just a bunch of airheads like Kelly Bundy
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Man, these bitches so slow, man, they slower than sloths (Uh-oh, uh-oh)
Multi-line diss block
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Six-hundred horse, how you gon' catch the boss?
71
Caught 'em with they hand out, tryna catch the sauce (Uh-oh, uh-oh)
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Thierry Mugler flow, tryna cut the cloth
Block notePortrays the target as controlled by others
TargetMegan Thee Stallion
MeaningWhat it means: In “Six-hundred horse, how you gon' catch the boss?,” Nicki Minaj depicts Megan Thee Stallion as dependent on a label, executive, crew leader, or gatekeeper rather than acting independently. Why it was said: ‘Red Ruby Da Sleeze’ was widely read as containing subliminal shots at Megan Thee Stallion and Latto, following their separate public tensions with Nicki Minaj. The interpretations remain tied to specific wordplay—especially horse imagery and copying claims—rather than treating every boast as a diss. The accusation attacks autonomy by suggesting that Megan Thee Stallion's career choices and even the feud itself are being directed by somebody with greater power.
Context‘Red Ruby Da Sleeze’ was widely read as containing subliminal shots at Megan Thee Stallion and Latto, following their separate public tensions with Nicki Minaj. The interpretations remain tied to specific wordplay—especially horse imagery and copying claims—rather than treating every boast as a diss.
73
See the difference is: I run businesses (Uh-oh, uh-oh)
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If I ain't employ you, then what ya business is?
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I'll have staff roll up, like, "What the business is?" (Uh-oh, uh-oh)
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Oh, you don't know that my niggas kill witnesses?
77
[Chorus: Nicki Minaj]
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Bad gyal don't die-die-die
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Hundred rounds on that, grrah-ta-ta
80
Real one lick a shot-ta-ta
81
She my lil' vibe, my lil' ah-ah-ah
82
Bad gyal don't run from nobody, like ah
83
Rude boy want me touchin' on his body, like yah
84
Boy affi dead if he ever diss me
85
And he know what to do if he ever miss me, yeah
86
[Outro: Lumidee]
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If you want me to stay
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I'll never leave
89
If you want me to stay
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We'll always be
91
If you want me to stay
92
Love endlessly
93
If you want me to stay