Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 04
Yeah!
- 06
Really? Fuckin' "Condom Style"? "Get your jig on"?
07You a clown-ass nigga, put a wig on
08Nigga I be goin H.A.M. till the pig gone
09All this ice around my neck, I got a fridge on!
Block noteReduces the target to a dismissive caricature
TargetCassidy
MeaningWhat it means: In “You a clown-ass nigga, put a wig on,” Meek Mill replaces Cassidy's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Cassidy is remembered.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 11
Broke nigga, we should put you in a bodycast
12Real nigga, all I know is get a lot of cash
13I took you hater niggas spot that’s why you prolly mad!
Block noteTurns money and possessions into leverage
TargetCassidy
MeaningWhat it means: In “Broke nigga, we should put you in a bodycast,” Meek Mill contrasts financial power or possessions with Cassidy's alleged lack of money, access, or control. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The comparison converts status into material evidence and is meant to make Cassidy's success claims look hollow beside something listeners can picture and measure.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 23
I got 30 in my clip I can park in your frame
24Plus this Rollie on my wrist cost some cars and change
25We talking bike life, 'bout to put a park in my name
Block noteChallenges the target's public standing
TargetCassidy
MeaningWhat it means: In “You lame part of the game, nigga pardon the fame,” Meek Mill questions whether Cassidy's attention, audience, or reputation reflects genuine respect. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. Visibility can be mistaken for victory, so the artist recasts Cassidy's recognition as temporary, manufactured, or disconnected from credibility.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 39
Ballin' like I'm KD, how can niggas play me?
40If you ain't talkin' money nigga fuck you, pay me
41Drophead with the top down and the A.C
Block noteMakes the rejection unmistakably direct
TargetCassidy
MeaningWhat it means: In “If you ain't talkin' money nigga fuck you, pay me,” Meek Mill drops any pretense of a subliminal and rejects Cassidy in blunt, unqualified language. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The direct wording removes plausible deniability: listeners are not left guessing whether Cassidy is part of the dispute or whether a response is being invited.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 47
100 grand pussy nigga, you ain't got the tab for that
48You ain't got the stacks for that, you the one we laughin' at
49You ain't got half of that, they pump you up: Asthma attack
Block noteUses gendered or sexual humiliation
TargetCassidy
MeaningWhat it means: In “100 grand pussy nigga, you ain't got the tab for that,” Meek Mill uses gendered or sexual language to question Cassidy's masculinity or humiliate the target in front of the audience. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The tactic tries to trigger an emotional reply and damage Cassidy's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 51
Fucking all these superstars like "Who Meek Milly bomb now?"
52Went from driving Bentleys to going half on pie pounds
53You niggas need to die down, Philly nigga: my town
Block noteImagines the battle as physical destruction
TargetCassidy
MeaningWhat it means: In “Bye clown, calm down 'fore you make me bomb now,” Meek Mill converts lyrical defeat into death, shooting, burial, or bodily harm directed at Cassidy. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Cassidy as unable to return for another round.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 59
All-black Ghost nigga, looking like a hearse nigga
60Been a dead man, so I'mma dig you out the Earth nigga
61Just to stuff your skeleton right back into the dirt nigga
Block noteImagines the battle as physical destruction
TargetCassidy
MeaningWhat it means: In “Been a dead man, so I'mma dig you out the Earth nigga,” Meek Mill converts lyrical defeat into death, shooting, burial, or bodily harm directed at Cassidy. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Cassidy as unable to return for another round.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 67
And we ain't talking larceny cause they all trash
68And your goons ain't riding witcha, they all mad
69Cause you ain't never put no food up in AR abs
Block noteAttacks the target's ability to rap
TargetCassidy
MeaningWhat it means: In “And we ain't talking larceny cause they all trash,” Meek Mill challenges Cassidy on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. This goes to the qualification that gives Cassidy standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 71
Now you mad at Swizz cause you can't get a beat from him
72Once my niggas coming at you dog, we gon' keep comin'
73Weirdo Forest Gump nigga, better keep runnin'
Block noteForces the dispute into a direct contest
TargetCassidy
MeaningWhat it means: In “Now you mad at Swizz cause you can't get a beat from him,” Meek Mill addresses Cassidy as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Cassidy.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
- 75
While you was scared, I was eatin' chichi nigga
76Talking to Tip about how we gon' beast these niggas
77All I know is bang bang, like that Chief Keef nigga
Block noteCalls the target's toughness an act
TargetCassidy
MeaningWhat it means: In “While you was scared, I was eatin' chichi nigga,” Meek Mill portrays Cassidy as frightened or unwilling to stand behind the aggression shown in public. Why it was said: Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly. A diss threat depends on the audience believing the speaker will confront the opponent; calling Cassidy afraid is designed to empty that threat of force.
ContextMeek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.