Verified archive entry

ShETHER

ShETHER is a diss track by Remy Ma targeting Nicki Minaj. Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

Released2017
Annotated22
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Nicki Minaj & Remy Ma]

    02

    Free Remy!

    03

    (Word)

    04

    You know what? Free Remy!

    05

    Fuck you, Free Remy!

  2. 06

    (Fuck Nicki Minaj!)

    Multi-line diss block
    07

    Are you dumb?

    08

    You wore a pink diamond chicken wing chain (Are you dumb?)

    09

    You had a leopard beehive on your head (Are you dumb?)

    Block noteQuestions the target's judgment

    TargetNicki Minaj

    MeaningWhat it means: In “Are you dumb?,” Remy Ma characterizes Nicki Minaj as unintelligent, careless, or unable to understand the situation being addressed. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The insult makes the target's decisions part of the evidence: a poor response can be framed not as strategy, but as proof that Nicki Minaj never understood the contest.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  3. 10

    (Fuck Nicki Minaj!)

    Multi-line diss block
    11

    Are you forgettin' that I pressed you before, bitch?

    12

    (Fuck Nicki Minaj!)

    Block noteOpens ShETHER by saying the conflict predates this record

    TargetNicki Minaj

    MeaningWhat it means: Remy repeatedly names Nicki and reminds her of an earlier in-person confrontation, presenting ShETHER as escalation rather than a first warning. Why it was said: The opening removes any ambiguity about the target and gives Remy a reason for the song's severity: in her telling, private pressure had already happened and Nicki continued sending subliminal shots.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  4. 13

    [Chorus]

    14

    (I) Fuck with your soul like shETHER

    15

    (Will) You ain't the queen, I'll show you

    16

    (Not) Lipo your ass and belly

    17

    (Lose) I prove you lost already

  5. 18

    They told you your whole career

    19

    I'd come home and kill you, right? Ha-ha!

  6. 20

    [Verse]

    Multi-line diss block
    21

    I told you I wasn't talkin' about your dumb-ass

    22

    It looks stupid, you literally got a dumb ass

    23

    Talkin' cray, and we all know that you dumb as

    24

    You get Donkey of the Day, yeah, you dumb ass

    Block noteQuestions the target's judgment

    TargetNicki Minaj

    MeaningWhat it means: In “I told you I wasn't talkin' about your dumb-ass,” Remy Ma characterizes Nicki Minaj as unintelligent, careless, or unable to understand the situation being addressed. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The insult makes the target's decisions part of the evidence: a poor response can be framed not as strategy, but as proof that Nicki Minaj never understood the contest.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  7. 25

    Let's be honest, you stole that line 'bout bitches bein' your sons

    Multi-line diss block
    26

    How you take my '09 jail tweet and run?

    27

    Talkin' about bringin' knives to a fight with guns

    28

    When the only shot you ever took was in your buns

    Block noteUses a public loss to puncture the image

    TargetNicki Minaj

    MeaningWhat it means: In “Let's be honest, you stole that line 'bout bitches bein' your sons,” Remy Ma points to property being taken or another visible loss as evidence that Nicki Minaj's claimed security and power failed in practice. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The anecdote gives the audience a concrete event against which to test Nicki Minaj's persona, turning an abstract toughness debate into a remembered humiliation.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  8. 29

    And I saw Meek at All-Star, he told me your ass dropped

    Multi-line diss block
    30

    He couldn't fuck you for three months because your ass dropped

    31

    Now I don't think y'all understand how bad her ass got

    32

    The implants that she had put in her ass popped

    Block noteMakes the rejection unmistakably direct

    TargetNicki Minaj

    MeaningWhat it means: In “He couldn't fuck you for three months because your ass dropped,” Remy Ma drops any pretense of a subliminal and rejects Nicki Minaj in blunt, unqualified language. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The direct wording removes plausible deniability: listeners are not left guessing whether Nicki Minaj is part of the dispute or whether a response is being invited.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  9. 33

    I was like, "Damn, 90 days and you couldn't have box?

    Multi-line diss block
    34

    Did she at least compensate? Start givin' you mad top?

    35

    Her name Minaj, right? She ain't throw you some bad thots?"

    36

    He said "Nah," that's when I knew you was really a trash bop

    Block noteAttacks the target's ability to rap

    TargetNicki Minaj

    MeaningWhat it means: In “He said "Nah," that's when I knew you was really a trash bop,” Remy Ma challenges Nicki Minaj on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. This goes to the qualification that gives Nicki Minaj standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  10. 37

    You was screamin' "Free Remy!" when I was upstate doomed

    38

    But now that they freed Remy you don't sing the same tune

    39

    Locked me up, threw away my keys, threw away my weaves

    40

    Snatched me from my son, braids to the back, state greens

  11. 41

    Daily News, "Her career's over," "She was kinda stupid,"

    42

    But you saw a opportunity 'cause you a opportunist

    43

    Left your Day 1 'cause you heard he was on some cheat shit

    44

    Then got with the dude that told you on some creep shit

  12. 45

    But what happened to Omeeka? Nah, on some G shit

    Multi-line diss block
    46

    Left him and took a pic with the dude he had beef with?

    47

    And we all know it was a beef that you started

    48

    Pillow-talkin' out of your ass, this bitch retarded

    Block noteForces the dispute into a direct contest

    TargetNicki Minaj

    MeaningWhat it means: In “And we all know it was a beef that you started,” Remy Ma addresses Nicki Minaj as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Nicki Minaj.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  13. 49

    Now you gotta die, you dearly departed

    Multi-line diss block
    50

    Bloodbath when I catch you, a real red carpet

    51

    Now what I'ma do, I'ma just stick to the facts

    52

    Bitch so scared of my future, got this bitch goin' backwards

    Block noteImagines the battle as physical destruction

    TargetNicki Minaj

    MeaningWhat it means: In “Now you gotta die, you dearly departed,” Remy Ma converts lyrical defeat into death, shooting, burial, or bodily harm directed at Nicki Minaj. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Nicki Minaj as unable to return for another round.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  14. 53

    Been through mad crews, you disloyal hoochie

    54

    Now all of a sudden you back with Drake and Tunechi?

    55

    After he said you sucked his dick, you back with Gucci?

    56

    Who next: Puff, Deb or Fendi? You a A-list groupie

  15. 57

    And to be the Queen of Rap, you gotta actually rap

    Multi-line diss block
    58

    The whole industry know that your shit is a wrap

    59

    No, to be the Queen of Rap, you can't have a ghostwriter

    60

    And that's why this is my house; Flo Rida

    Block noteContests who deserves the top position

    TargetNicki Minaj

    MeaningWhat it means: In “No, to be the Queen of Rap, you can't have a ghostwriter,” Remy Ma turns rank, legacy, or leadership into the issue and argues that Nicki Minaj's claim to the position is undeserved. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The line identifies the prize behind the feud—control of reputation—and asks whose record supports the title rather than whose claim went unchallenged.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  16. 61

    Niggas done seen Drake pennin', Wayne pennin'

    Multi-line diss block
    62

    And since your first boyfriend left, bitch ain't winnin'

    63

    You a Internet troll, a Web browser, I'm sorry

    64

    You can't get a on line without Safaree

    Block noteUses a degrading label to strip status

    TargetNicki Minaj

    MeaningWhat it means: In “And since your first boyfriend left, bitch ain't winnin',” Remy Ma replaces Nicki Minaj's chosen public identity with the degrading label in the quoted bar, making contempt—not neutral description—the point of the line. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The insult supplies listeners with a short rival definition of Nicki Minaj; repeating that definition is meant to damage the authority the target brings into the feud.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  17. 65

    Mentionin' guns, you Pussy Galore, James Bond

    Multi-line diss block
    66

    Only time you touch a trigga is when you fucked Trey Songz

    67

    Coke head, you cheated on your man with Ebro

    68

    I might leak the footage of you sniffin' them ski slopes

    Block noteUses gendered or sexual humiliation

    TargetNicki Minaj

    MeaningWhat it means: In “Mentionin' guns, you Pussy Galore, James Bond,” Remy Ma uses gendered or sexual language to question Nicki Minaj's masculinity or humiliate the target in front of the audience. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The tactic tries to trigger an emotional reply and damage Nicki Minaj's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  18. 69

    They gassin' you up, but you been on E, though

    70

    "Pills and Potions," yep, you been on E, ho

    71

    Got your ghostwriters back, so you think you lit

    72

    Rem Belushi, I'm a Ghostbuster, bitch

  19. 73

    I'm supposed to be scared

    74

    'Cause you bought your Barbie chain back?

    75

    I'll revert to "Ante Up," you'll get your Barbie chain yapped

    76

    Tried to front in February, catch you in that Maybach

  20. 77

    Show you how to use your name, you be usin' your name wack

    Multi-line diss block
    78

    I'm sayin', how you mix Nicki with a Minaj?

    79

    I'ma park this bitch, put Nicki in the garage

    80

    I'm gettin' money like Nicky Barnes, I'm the big homie

    Block noteTurns the target's name into a weapon

    TargetNicki Minaj

    MeaningWhat it means: In “Show you how to use your name, you be usin' your name wack,” Remy Ma manipulates Nicki Minaj's name or nickname so that the opponent's own identity supplies the setup or punchline. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. Nameplay is sticky because every later mention can recall the insult; the artist is trying to attach a hostile definition to Nicki Minaj rather than let the target's chosen brand stand untouched.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  21. 81

    I responded in less than 48 Hours; Nick Nolte

    Multi-line diss block
    82

    Gettin' close like Nick Jonas, grippin' the gauge

    83

    Then blaze off, Face Off, bitch, Nicolas Cage

    84

    You animated like Nickelodeon, you fake, bitch

    Block noteTreats the target's persona as fabricated

    TargetNicki Minaj

    MeaningWhat it means: In “You animated like Nickelodeon, you fake, bitch,” Remy Ma says Nicki Minaj's public story or image is false rather than a reliable account of who the target is. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  22. 85

    Only the kids believe in you; you St. Nick

    86

    Now when I shoot Nick at Nite, they won't understand it

    87

    I'm Wild'n Out, 'bout to hit Nick with the Cannon

    88

    How are you on the VMAs, actin' like you hood?

  23. 89

    Way across the stage, talkin' about "Miley, what's good?"

    90

    That's Hannah Montana, she was always happy

    91

    You only fronted on Mariah 'cause Mariah don't carry

    92

    Tried to disrespect Taylor 'cause Taylor wasn't Swift enough

  24. 93

    Pillsbury Doughgirl; Remy pick the biscuit up

    Multi-line diss block
    94

    I'm jealous? Bitch, you was happy when they took me

    95

    Best thing that ever happened to you was when they booked me

    96

    You said you never fucked Wayne – how stupid I look, B?

    Block noteQuestions the target's judgment

    TargetNicki Minaj

    MeaningWhat it means: In “You said you never fucked Wayne – how stupid I look, B?,” Remy Ma characterizes Nicki Minaj as unintelligent, careless, or unable to understand the situation being addressed. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The insult makes the target's decisions part of the evidence: a poor response can be framed not as strategy, but as proof that Nicki Minaj never understood the contest.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  25. 97

    Get the picture, I'll expose you, I'm kind of a bully

    Multi-line diss block
    98

    You named yourself Nicki Lewinsky, the mind of a rookie

    99

    'Cause you was suckin' his dick and now he tired of your nookie

    100

    You claimed you never fucked Drake

    Block noteUses gendered or sexual humiliation

    TargetNicki Minaj

    MeaningWhat it means: In “'Cause you was suckin' his dick and now he tired of your nookie,” Remy Ma uses gendered or sexual language to question Nicki Minaj's masculinity or humiliate the target in front of the audience. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The tactic tries to trigger an emotional reply and damage Nicki Minaj's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  26. 101

    Now that's where you took me

    Multi-line diss block
    102

    You fucked the whole Empire – who you tryin' to be, Cookie?

    103

    Boogie Down Bronx, I come out of the Boogie

    104

    To let you know real bitches never lie on their pussy

    Block noteUses gendered or sexual humiliation

    TargetNicki Minaj

    MeaningWhat it means: In “To let you know real bitches never lie on their pussy,” Remy Ma uses gendered or sexual language to question Nicki Minaj's masculinity or humiliate the target in front of the audience. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The tactic tries to trigger an emotional reply and damage Nicki Minaj's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  27. 105

    And stop talkin' numbers, you signed a 360 deal

    Multi-line diss block
    106

    Through Young Money, through Cash Money, through Republic

    107

    Which means your money go through five niggas before you touch it

    108

    Any videos, promotions come out of your budget

    Block noteTurns money and possessions into leverage

    TargetNicki Minaj

    MeaningWhat it means: In “Which means your money go through five niggas before you touch it,” Remy Ma contrasts financial power or possessions with Nicki Minaj's alleged lack of money, access, or control. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The comparison converts status into material evidence and is meant to make Nicki Minaj's success claims look hollow beside something listeners can picture and measure.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  28. 109

    Endorsements, tour and merchandise, they finger-fuck it

    110

    You make, like, 35 cents off of each ducat

    111

    I own my masters, bitch, independent

    112

    So for every sale I do, you gotta do like ten

  29. 113

    Stop comparin' yourself to Jay, you not like him

    114

    You a motherfuckin' worker, not a boss like Rem

    115

    You're done, them pop chicks ain't get the news yet

    116

    Bitch, I pop chicks, yeah, and I'm the new vet

  30. 117

    I kill rappers, and you good as dead, bitch

    Multi-line diss block
    118

    Talkin' shit about me to a deaf bitch

    119

    And usually I have sympathy for the impaired

    120

    But not when you hard of hearin' from untreated gonorrhea

    Block noteImagines the battle as physical destruction

    TargetNicki Minaj

    MeaningWhat it means: In “I kill rappers, and you good as dead, bitch,” Remy Ma converts lyrical defeat into death, shooting, burial, or bodily harm directed at Nicki Minaj. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Nicki Minaj as unable to return for another round.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  31. 121

    But you point your fingers at me? I’m the bad girl

    122

    When she the one out here misleadin' the black girls?

    123

    All these fake-asses influenced by that girl

    124

    Dyin' from botched surgeries – what a sad world!

  32. 125

    But before the butt job, you was a Spongebob

    Multi-line diss block
    126

    Suckin' cock for records, captain of the cum squad

    127

    And I got a few words for the moms of the young Barbz

    128

    Guess who supports a child molester? Nicki Minaj

    Block noteShrinks the target into a dependent

    TargetNicki Minaj

    MeaningWhat it means: In “Guess who supports a child molester? Nicki Minaj,” Remy Ma recasts Nicki Minaj as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The hierarchy denies equality before the battle is judged: if Nicki Minaj is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  33. 129

    You paid for your brother’s wedding? That’s hella foul

    Multi-line diss block
    130

    How you spendin' money to support a pedophile?

    131

    He a walkin' dead man, sendin' threats to him

    132

    I guess that’s why they call you Barbie, you was next to Ken

    Block noteMakes the feud personal through family

    TargetNicki Minaj

    MeaningWhat it means: In “You paid for your brother’s wedding? That’s hella foul,” Remy Ma brings a relative or family boundary into the exchange with Nicki Minaj, moving the dispute beyond music and into private life. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. Family references explain why the conflict feels personal: they raise the emotional cost for Nicki Minaj and make the line more consequential than a routine comparison of rap skill.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  34. 133

    Talkin’ about your money long and your foreign sick

    Multi-line diss block
    134

    Why you ain’t help your bro hide his cum from forensics?

    135

    You probably somewhere overseas, foreign sick

    136

    Thought you could fuck with me, by far Rem sick

    Block noteTurns money and possessions into leverage

    TargetNicki Minaj

    MeaningWhat it means: In “Talkin’ about your money long and your foreign sick,” Remy Ma contrasts financial power or possessions with Nicki Minaj's alleged lack of money, access, or control. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The comparison converts status into material evidence and is meant to make Nicki Minaj's success claims look hollow beside something listeners can picture and measure.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  35. 137

    Meek, Drake, Safaree, I see men in your pants

    138

    We call that Jelani, get it? Semen in your pants

    139

    Uh, I got trigger fingers, you got bitter fingers

    140

    Yeah, you must think you Drake and I'm Twitter fingers

  36. 141

    VH1, watch this

    Multi-line diss block
    142

    You just got bodied by a Love & Hip-Hop bitch

    Block noteUses a degrading label to strip status

    TargetNicki Minaj

    MeaningWhat it means: In “You just got bodied by a Love & Hip-Hop bitch,” Remy Ma replaces Nicki Minaj's chosen public identity with the degrading label in the quoted bar, making contempt—not neutral description—the point of the line. Why it was said: Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts. The insult supplies listeners with a short rival definition of Nicki Minaj; repeating that definition is meant to damage the authority the target brings into the feud.

    ContextRemy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.

  37. 143

    [Outro]

    144

    Don't ever in your fuckin' life play with me

    145

    That's on the set!

    146

    You tried it on the Rae Sremmurd record

    147

    You tried it on your little freestyle

  38. 148

    They was both duds, just like every other one was duds

    149

    Just like this last one was a dud

    150

    But what you not gonna do is keep subbin' me

    151

    Big… Pun!

  39. 152

    I send a fuckin' headshot, you dead, bitch!

    153

    Will not lose!