Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 04
**Gun shot sounds**
- 15
Cowards we ain't cut from the same cloth
16You a 5M6 nigga, I ride your bitch nigga
17You fuck with the wrong one this time
Block noteUses a degrading label to strip status
Target50 Cent
MeaningWhat it means: In “You a 5M6 nigga, I ride your bitch nigga,” Murder Inc. Records replaces 50 Cent's chosen public identity with the degrading label in the quoted bar, making contempt—not neutral description—the point of the line. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The insult supplies listeners with a short rival definition of 50 Cent; repeating that definition is meant to damage the authority the target brings into the feud.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 62
When shit gets ugly, in the purse where the snub be
63Murderous bitch, give a fuck if you hate or love me
64Feel you above me, bitch but down inside
65What chick you know hit strips and broke down fives
Block noteTurns money and possessions into leverage
Target50 Cent
MeaningWhat it means: In “What chick you know hit strips and broke down fives,” Murder Inc. Records contrasts financial power or possessions with 50 Cent's alleged lack of money, access, or control. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The comparison converts status into material evidence and is meant to make 50 Cent's success claims look hollow beside something listeners can picture and measure.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
Block noteUses a degrading label to strip status
Target50 Cent
MeaningWhat it means: In “You right bitch,” Murder Inc. Records replaces 50 Cent's chosen public identity with the degrading label in the quoted bar, making contempt—not neutral description—the point of the line. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The insult supplies listeners with a short rival definition of 50 Cent; repeating that definition is meant to damage the authority the target brings into the feud.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 70
I'm a murder mommy for life
- 72
Yeah, Yeah
73May the lord be with niggas who shout my name in vain
74I'm a Murderer motherfucker, you nigga, loose change
75I get head in the whip, probably from your bitch
Block noteTurns sexual access into humiliation
Target50 Cent
MeaningWhat it means: In “I get head in the whip, probably from your bitch,” Murder Inc. Records uses a sexual claim or joke to deny 50 Cent control of an intimate relationship and to make the opponent look publicly rejected, displaced, or embarrassed. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The point is provocation rather than romance: bringing private access into the record raises the emotional cost of the feud and pressures 50 Cent to answer a claim that an audience can easily repeat.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.