Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 09
I ain't leaving motherfucker, I'm back
10You've been away to long, I can't do nothin' bout that
11The hood askin' me Why I do Bleek a tragedy?
12Than drive over Brooklyn Bridge with Cassidy
Block notePoints to a claimed failure or contradiction
TargetMemphis Bleek
MeaningWhat it means: In “You've been away to long, I can't do nothin' bout that,” The Game treats the refusal, inability, or contradiction named in the lyric as evidence against Memphis Bleek's public position. Why it was said: The track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records. The wording tests Memphis Bleek's image against a specific action; the gap between the two is what the audience is being asked to remember.
ContextThe track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records.
- 22
In '87, when Tommy Hearns was stickin'
23I hear niggas dissin', why you have to use Jay?
24Let that man retire
Block noteUses a pointed question as an accusation
TargetMemphis Bleek
MeaningWhat it means: In “I hear niggas dissin', why you have to use Jay?,” The Game puts Memphis Bleek's conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records. The question shifts the burden onto Memphis Bleek: any answer must accept the premise raised in the lyric or explain why that premise is false.
ContextThe track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records.
- 25
Motherfucka its a new day