Verified archive entry

Stillmatic Freestyle (Jay-Z Diss)

Stillmatic Freestyle (Jay-Z Diss) is a diss track by Nas targeting Jay-Z and Roc-A-Fella Records. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

Released2001
Annotated3
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Produced by Coldcut, remixing Eric B & Rakim]

  2. 02

    [Intro]

    03

    "Aiyyo, Nasty Nas, what up?"

    04

    "Ain't nothing, a lot of cowards fronting"

    05

    "I hear what you're saying, but yo, this is all love for me, you know?"

    06

    "No doubt" "Smoke them cowards, it's 'Stillmatic'"

  3. 07

    [Verse]

    08

    Ma, I'm sorry, who the fuck I am, I can't trust my fans

    09

    Out of luck, no constructive plans

    10

    My friends stay powdered up, I'm so drunk, can't stand

    11

    You said if I would sober up, I'd be a powerful man

  4. 12

    Turned out the street life, you prayed I wouldn't

    Multi-line diss block
    13

    But every church in the world can't save our children

    14

    I stayed out late, you heard shots, thought it would be

    15

    Your oldest son on the ground dead, but, fortunately

    Block noteImagines the battle as physical destruction

    TargetJay-Z

    MeaningWhat it means: In “Your oldest son on the ground dead, but, fortunately,” Nas converts lyrical defeat into death, shooting, burial, or bodily harm directed at Jay-Z. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Jay-Z as unable to return for another round.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  5. 16

    Them bullets had some other names on it, a brother was blind

    17

    I hit the L, then we'd yell out, "It wasn't my time!"

    18

    I loaded up shells, one by one

    19

    You smelled blunts from my room door, little Nasir was at war

  6. 20

    And little did I care what you saw

    21

    Crew deep with a few heat, now it's time we settle the score

    22

    But in the projects, I'd vision Muhammad, in linen garments

    23

    Preaching man, woman, and child, the living Prophet

  7. 24

    And I'm similar, Nasir Bin Olu Dara Visqu Allah

    25

    Fistful of dollars in the dice game, God

    26

    The Ice King, God, the Black Christ, elegant stance

    27

    Clothes fit me like a crime boss, the medicine man

  8. 28

    I see the world collapsing, young pregnancies

    29

    Young girls unfastening their Sasoon jeans, no prophylactic

    30

    All this fast shit, the fly jewelry, now makes my eyes teary

    31

    N.Y. City, grab a hold and ride with me

  9. 32

    Rip the Freeway, shoot through Memphis with Money Bags

    33

    Stop in Philly, order cheesesteaks and eat Beans fast

    34

    And bring it back up top, remove the fake king of New York

    35

    You show-off, I count dough off when you sample my voice

  10. 36

    I rule you—before, you used to rap like the Fu-Schnickens

    37

    Nas designed your Blueprint, who you kidding?

    38

    Is he H to the izz-O, M to the izz-O?

    39

    For shizzle, you phony, the rapping version of Sisqó

  11. 40

    And that's for certain, you clone me, your wack clothes line

    Multi-line diss block
    41

    I'd rather Sean John, bore me with your fake coke rhymes

    42

    And those times that never took place, you liar

    43

    "Un" was your first court case, you had no priors

    Block noteUses legal trouble as a pressure point

    TargetJay-Z

    MeaningWhat it means: In “"Un" was your first court case, you had no priors,” Nas invokes a case, arrest, imprisonment, or legal vulnerability to define Jay-Z through consequences outside the recording booth. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The reference makes the attack feel verifiable and immediate, using a public consequence to challenge the control and invulnerability Jay-Z projects.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  12. 44

    You master-fabricated stories of streets and sound slick

    Multi-line diss block
    45

    Have you surrounded, you and the faggots you down with

    46

    While they riding Nas, tryna boost they career

    47

    Corny as Cormega, all you Hip-Hop queers

    Block noteReduces the target to a dismissive caricature

    TargetJay-Z

    MeaningWhat it means: In “Corny as Cormega, all you Hip-Hop queers,” Nas replaces Jay-Z's preferred identity with a degrading label intended to make the opponent look ridiculous or contemptible. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The label gives the audience a short, repeatable frame for the feud; repetition of that frame can shape how Jay-Z is remembered.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  13. 48

    Since Illmatic, It Was Written, I Am, Nastradamus

    49

    That's the answers to the puzzle I gave you; now, here's a promise

    50

    My next few albums—instead of projects

    51

    There'll be a difficult test inside the cover for the mind's optics

  14. 52

    Come in my hood, but bring the guns with you, it's dark

    53

    Headed through Brooklyn, Queens, Harlem, Staten, and Bronx

    54

    Headed through Compton, Oaktown, South Central, and Watts

    55

    New Orleans, Mississippi, Chi-Town, every block

  15. 56

    I'm trying to have my positive ways, I put my rhymes on page

    57

    Did crimes and headline on stage

    58

    I signed a contract, so here it is, you have it

    59

    Street's Disciple, I'm Stillmatic

  16. 60

    [Outro: sample from Mikey Dread "Comic Strip"]

    61

    "You make me feel so good..."