Verified archive entry

Super Ugly [I Got Myself A Gun]

Super Ugly [I Got Myself A Gun] is a diss track by Jay-Z targeting Nas. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

Released2001
Annotated6
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Jay-Z & Sample]

    02

    Woke up this morning (Uh-oh!)

    03

    Got yourself—yourself—yourself—yourself

    04

    Chyeah

  2. 05

    [Chorus: Jay-Z]

    06

    I got myself a gun

    07

    Uh-oh! Geah, geah

    08

    Yeah, I got myself a gun

    09

    Brooklyn, stand up

  3. 10

    I got myself a gun

  4. 11

    [Verse 1: Jay-Z]

    12

    But really, I don't need the heat (Nah)

    13

    Your heart pump project Kool-Aid, you're sweet (Nigga)

    14

    I don't gotta two-way, you gays

    15

    This is not beef, this is rap, homie; I don't have a scratch on me

  5. 16

    You feel Jay soft, rip Jay off

    Multi-line diss block
    17

    Damn, I'm only worth over a hundred million

    18

    Look, I got beef with, like, a hundred children

    19

    Niggas with pink suits (Faggot) tryna get cute (Ha)

    Block noteCalls the target's toughness an act

    TargetNas

    MeaningWhat it means: In “You feel Jay soft, rip Jay off,” Jay-Z portrays Nas as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” A diss threat depends on the audience believing the speaker will confront the opponent; calling Nas afraid is designed to empty that threat of force.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  6. 20

    You a little out of line homie, don't let the nine, homie

    Multi-line diss block
    21

    Put you out your mind, homie, just rhyme, homie

    22

    Kick your little lies, I kick my real facts

    23

    Like you sneaking out the back of that Source Soundlab, ha (Pew!)

    Block noteTreats the target's persona as fabricated

    TargetNas

    MeaningWhat it means: In “Kick your little lies, I kick my real facts,” Jay-Z says Nas' public story or image is false rather than a reliable account of who the target is. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  7. 24

    We wasn't chasing you (Nah), we had a taping, too

    25

    We came through to do our one-two thing (Check, what's up)

    26

    It wasn't a Roc-A-Fella come-through thing

    27

    'Cause if it was on like that, I would come through Queens

  8. 28

    With Queens niggas—you know how I do (Ya heard)

    29

    Look, I got more shooters in Queensbridge than you (Tah)

    30

    Niggas'll tie you up on the Colosseum roof

    31

    And open beer bottles off the boy chipped tooth (Ping!)

  9. 32

    Look here

  10. 33

    [Chorus: Jay-Z]

    34

    I got myself a gun

    35

    Uh-oh! Uh-huh, ugh, ugh, geah

    36

    Yeah, I got myself a gun

  11. 37

    [Verse 2: Jay-Z]

    Multi-line diss block
    38

    Listen, I'm the J, the A, to the fuck-this-broad (Oh)

    39

    This nigga never sold Aspirin—how you Escobar?

    40

    Had to buy your chain back last time you got robbed (Goddamn)

    41

    The nerve of this coward nigga, oh my God

    Block noteUses a public loss to puncture the image

    TargetNas

    MeaningWhat it means: In “Had to buy your chain back last time you got robbed (Goddamn),” Jay-Z points to property being taken or another visible loss as evidence that Nas' claimed security and power failed in practice. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The anecdote gives the audience a concrete event against which to test Nas' persona, turning an abstract toughness debate into a remembered humiliation.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  12. 42

    And I don't rap rumors or innuendos

    43

    I bring it to you live, lift up your window

    44

    Let the public peek in, see your dirty laundry

    45

    Y'all don't want me to continue, ho!

  13. 46

    [Interlude: Jay-Z, Knoc-turn'al, & Dr. Dre]

    47

    Super ugly (Nigga!)

    48

    I don't give a fuck

  14. 49

    [Chorus: Knoc-turn'al]

    50

    All I really know is your ho wants to be with me

    51

    And she ain't playing

    52

    And what I'm saying (She creeps, she creeps)

    53

    With me and sleeps between the sheets

  15. 54

    [Verse 3: Jay-Z, Dr. Dre]

    55

    Me and the boy A.I. got more in common

    56

    Than just balling and rhyming—get it? More in Carmen

    57

    I came in your Bentley backseat (Damn)

    58

    Skeeted in your Jeep (Woo)

  16. 59

    Left condoms on your baby-seat (Woo)

    Multi-line diss block
    60

    Yeah, nigga, the gloves is off, the love is done

    61

    It's whatever, whenever, however, nigga (One)

    62

    And since you infatuated with saying that gay shit (Faggot)

    Block noteMakes the feud personal through family

    TargetNas

    MeaningWhat it means: In “Left condoms on your baby-seat (Woo),” Jay-Z brings a relative or family boundary into the exchange with Nas, moving the dispute beyond music and into private life. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” Family references explain why the conflict feels personal: they raise the emotional cost for Nas and make the line more consequential than a routine comparison of rap skill.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  17. 63

    Bitch, you was kissing my dick when you was kissing that bitch (Oh)

    Multi-line diss block
    64

    Nasty shit, you thought I was boning Renette

    65

    You calling Carm' (Hello) a hundred times (Hello), I was (Hello) boning her neck (Call me back)

    66

    You got a baby by the broad, you can't disown her yet

    Block noteMakes the feud personal through family

    TargetNas

    MeaningWhat it means: In “You got a baby by the broad, you can't disown her yet,” Jay-Z brings a relative or family boundary into the exchange with Nas, moving the dispute beyond music and into private life. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” Family references explain why the conflict feels personal: they raise the emotional cost for Nas and make the line more consequential than a routine comparison of rap skill.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  18. 67

    When does your lies end? When does the truth begin?

    Multi-line diss block
    68

    When does reality set in, or does it not matter?

    69

    Gotta hurt: I'm your baby mama's favorite rapper (Haha)

    70

    And ask your current girl, she know what's up

    Block noteMakes the feud personal through family

    TargetNas

    MeaningWhat it means: In “Gotta hurt: I'm your baby mama's favorite rapper (Haha),” Jay-Z brings a relative or family boundary into the exchange with Nas, moving the dispute beyond music and into private life. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” Family references explain why the conflict feels personal: they raise the emotional cost for Nas and make the line more consequential than a routine comparison of rap skill.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  19. 71

    Holla at a real nigga! Jigga! (I don't give a fuck!)

  20. 72

    [Chorus: Knoc-turn'al]

    73

    All I really know is your ho wants to be with me

    74

    And she ain't playing

    75

    And what I'm saying (She creeps with me)

    76

    And sleeps between the sheets

  21. 77

    [Outro: Godfather clip]

    78

    "That's all right. These things gotta happen every five years or so. Ten years. Helps to get rid of the bad blood. It's been ten years since the last one."