Verified archive entry

Swish Swish

Swish Swish is a track by Katy Perry with a diss section by Katy Perry targeting Taylor Swift and Remy Ma. The recording also credits Nicki Minaj. Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

Released2017
Annotated12
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Fatboy Slim]

    02

    They know what is what

    03

    But they don't know what is what

    04

    They just strut

    05

    What the fuck?

  2. 06

    [Verse 1: Katy Perry]

    Multi-line diss block
    07

    A tiger

    08

    Don't lose no sleep

    09

    Don't need opinions

    10

    From a shellfish or a sheep

    Block noteForces the dispute into a direct contest

    TargetTaylor Swift

    MeaningWhat it means: In “Don't lose no sleep,” Katy Perry addresses Taylor Swift as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Taylor Swift.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  3. 11

    Don't you come for me

    Multi-line diss block
    12

    No, not today

    13

    You're calculated

    14

    I got your number

    Block noteAnswers calculation with the language of exposure

    TargetTaylor Swift

    MeaningWhat it means: Katy refuses the opponent's approach, calls her calculated and says she has ‘her number,’ meaning the strategy has been recognized and decoded. Why it was said: In the widely reported Taylor Swift reading, Katy is rejecting the idea that public friendliness makes earlier maneuvering disappear; identifying the calculation lets her present refusal as self-protection rather than another unprovoked attack.

    Wordplay‘I got your number’ means both having contact information and seeing through someone's character or plan.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  4. 15

    'Cause you're a joker

    Multi-line diss block
    16

    And I'm a courtside killer queen

    17

    And you will kiss the ring

    18

    You best believe

    Block noteRecasts the rival as a court jester before the queen

    TargetTaylor Swift

    MeaningWhat it means: Katy calls the opponent a joker while describing herself as the courtside killer queen whose ring must be kissed. Why it was said: The hierarchy answers a celebrity rivalry with roles: one woman performs for attention, while the other claims the authority to judge the game and receive allegiance.

    Wordplay‘Joker,’ ‘court,’ ‘queen’ and ‘ring’ blend playing-card royalty, a royal court and the basketball championship imagery that leads into the chorus.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  5. 19

    [Pre-Chorus: Katy Perry]

    Multi-line diss block
    20

    So keep calm, honey, I'ma stick around

    21

    For more than a minute, get used to it

    22

    Funny my name keeps comin' out your mouth

    23

    'Cause I stay winnin', lay 'em up like

    Block noteTreats repeated name-checking as proof Katy is winning

    TargetTaylor Swift

    MeaningWhat it means: Katy says she will remain while the rival keeps saying her name, then turns survival into a basketball layup. Why it was said: The line reframes attention from an opponent as involuntary promotion—if Taylor or her circle keeps the dispute alive, Katy can present that attention as evidence that she occupies their thinking.

    Wordplay‘Stay winning, lay 'em up’ moves the rivalry onto the basketball court introduced by the preceding ‘courtside’ line.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  6. 24

    [Chorus: Katy Perry]

    Multi-line diss block
    25

    Swish, swish, bish

    26

    Another one in the basket

    27

    Can't touch this

    28

    Another one in the casket

    Block noteImagines the battle as physical destruction

    TargetTaylor Swift

    MeaningWhat it means: In “Another one in the casket,” Katy Perry converts lyrical defeat into death, shooting, burial, or bodily harm directed at Taylor Swift. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Taylor Swift as unable to return for another round.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  7. 29

    [Verse 2: Katy Perry]

    Multi-line diss block
    30

    Your game is tired

    31

    You should retire

    32

    You're 'bout as cute as

    33

    An old coupon expired

    Block noteFrames the target as obsolete

    TargetTaylor Swift

    MeaningWhat it means: In “You should retire,” Katy Perry makes age, longevity, or current relevance part of the argument with Taylor Swift, either answering an age taunt or presenting the opponent as past a peak. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. The age argument is really a claim about relevance: it asks listeners to view Taylor Swift's reputation as inherited from the past rather than earned in the current exchange.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  8. 34

    And karma's not a liar

    Multi-line diss block
    35

    She keeps receipts

    Block noteTreats the target's persona as fabricated

    TargetTaylor Swift

    MeaningWhat it means: In “And karma's not a liar,” Katy Perry says Taylor Swift's public story or image is false rather than a reliable account of who the target is. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  9. 36

    [Pre-Chorus: Katy Perry]

    37

    So keep calm, honey, I'ma stick around

    38

    For more than a minute, get used to it

    39

    Funny my name keeps comin' out your mouth

    40

    'Cause I stay winnin', lay 'em up like

  10. 41

    [Chorus: Katy Perry]

    42

    Swish, swish, bish

    43

    Another one in the basket

    44

    Can't touch this

    45

    Another one in the casket (Let's go)

  11. 46

    Swish, swish, bish

    47

    Another one in the basket

    48

    Can't touch this

    49

    Another one in the casket

  12. 50

    [Refrain: Fatboy Slim, Nicki Minaj, Katy Perry]

    51

    They know what is what

    52

    But they don't know what is what (Katy Perry, what)

    53

    They just, know what is what (Young Money)

    54

    But they don't know what is what (What)

  13. 55

    They just, know what is what

    56

    But they don't know what is what

    57

    They just strut

    58

    What the fuck? (Yo)

  14. 59

    [Verse 3: Nicki Minaj]

    Multi-line diss block
    60

    Pink Ferragamo sliders on deck

    61

    Silly rap beefs just get me more checks

    62

    My life is a movie, I'm never off set

    63

    Me and my amigos, no, not Offset

    Block noteSays rap conflict increases Nicki's price

    TargetRemy Ma

    MeaningWhat it means: Nicki says ‘silly rap beefs’ generate checks while her life remains continuously on camera, then nods to Migos without meaning member Offset. Why it was said: During the Remy Ma exchange, Nicki's response emphasized commercial scale; calling the feud profitable makes Remy's attacks look like fuel for Nicki's visibility rather than damage.

    Wordplay‘Never off set’ means always filming, then ‘not Offset’ redirects the phrase toward the Migos rapper.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  15. 64

    Swish swish, aw, I got them upset

    Multi-line diss block
    65

    But my shooters'll make 'em dance like dubstep

    66

    Swish, swish, aw, my haters is obsessed

    67

    'Cause I make M's, they get much less

    Block noteTurns upset rivals into dancers beneath Nicki's earnings

    TargetRemy Ma

    MeaningWhat it means: Nicki says her ‘swish’ upsets opponents, imagines shooters making them move like dubstep and contrasts her millions with their smaller income. Why it was said: The bar joins battle pressure to the scoreboard Nicki favored after ShETHER—chart reach and money—so anger at her success is presented as involuntary movement to a rhythm she controls.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  16. 68

    Don't be tryna double back, I already despise you (Yeah)

    Multi-line diss block
    69

    All that fake love you showin' couldn't even disguise you

    70

    Yo, yo

    71

    Ran? When? Nicki gettin' tan

    Block noteTreats the target's persona as fabricated

    TargetRemy Ma

    MeaningWhat it means: In “All that fake love you showin' couldn't even disguise you,” Katy Perry says Remy Ma's public story or image is false rather than a reliable account of who the target is. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  17. 72

    Mirror, mirror, who's the fairest bitch in all the land?

    Multi-line diss block
    73

    Damn, man, this bitch is a Stan

    74

    The generous queen'll kiss a fan

    75

    Ass goodbye, I'ma be ridin' by

    Block noteTurns the target's own work into ammunition

    TargetRemy Ma

    MeaningWhat it means: In “Damn, man, this bitch is a Stan,” Katy Perry quotes or reshapes a recognizable phrase associated with Remy Ma, using the target's own catalogue or public image as the setup for the insult. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. The callback is meant to deny Remy Ma control of a familiar signature: the audience recognizes the source, but now hears it serving the opponent's punchline.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  18. 76

    I'ma tell my **** Biggz, yeah, that's the guy

    Multi-line diss block
    77

    A star's a star, da-ha-da-ha

    78

    They never thought the swish god would take it this far

    79

    Get my pimp cup, this is pimp shit, baby

    Block noteShrinks the target into a dependent

    TargetRemy Ma

    MeaningWhat it means: In “Get my pimp cup, this is pimp shit, baby,” Katy Perry recasts Remy Ma as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct. The hierarchy denies equality before the battle is judged: if Remy Ma is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.

    ContextKaty Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  19. 80

    I only rock with Queens, so I'm makin' hits with Katy

  20. 81

    [Chorus: Katy Perry]

    82

    Swish, swish, bish

    83

    Another one in the basket (And another one, and another one)

    84

    Can't touch this (Can't touch this)

    85

    Another one in the casket (And another one, and another one)

  21. 86

    [Outro: Fatboy Slim, Katy Perry, Both]

    87

    They know what is what (Do they know?)

    88

    But they don't know what is what

    89

    They just, know what is what

    90

    But they don't know what is what

  22. 91

    They just, know what is what

    92

    But they don't know what is what

    93

    They just strut

    94

    What the