Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 42
Yo, you try to handle us, get on the air and damage us
43Screamin' out Harlem, huh? Like you ain't just abandoned us (Where you been at?)
44Well, let me fill you in, now it's a whole clan of us
45Blink so mad, he went and beat up Canibus
Block noteImagines the battle as physical destruction
TargetMa$e
MeaningWhat it means: In “Yo, you try to handle us, get on the air and damage us,” Cam'ron converts lyrical defeat into death, shooting, burial, or bodily harm directed at Ma$e. Why it was said: Cam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Ma$e as unable to return for another round.
ContextCam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response.
- 59
You go and leave 'em naked like Tarzan
Block noteTreats the target's persona as fabricated
TargetMa$e
MeaningWhat it means: In “Uh, you tryna fake it with Cardan, pardon,” Cam'ron says Ma$e's public story or image is false rather than a reliable account of who the target is. Why it was said: Cam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response. Once the persona is presented as invented, the boasts and accusations built on it become easier for listeners to dismiss.
ContextCam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response.