Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 01
[Intro: Sizzla & Ja Rule]
02They can't keep a good man down (Yeah)
03Always keep a smile (Yeah) when they want me to frown (Yeah) (Let's get into sumthin')
04Keep the vibes and (Y'all know how we do it in here) (Get into sumthin' real quick Buck) they stood my grounds (Yeah)
05They will never ever take (Yeah) my crown (IT'S MURDAAAAA!)
- 11
I know y'all niggas is second guessin' the state I'm in
12Bitch, I'm into makin' hit records that spin like rims
13So when Flex get it, he bomb it once, shit bomb it twice
14New York city park your cars, turn off ya lights
Block noteClaims geographic legitimacy
Target50 Cent
MeaningWhat it means: In “New York city park your cars, turn off ya lights,” Ja Rule uses place and local affiliation to decide who can credibly represent the scene challenged in the song. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The feud is presented as larger than two individuals, so the line asks listeners to treat 50 Cent as an outsider or a poor representative of the claimed community.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 16
I got your attention like J.Lo's ass
Block noteChallenges the target's public standing
Target50 Cent
MeaningWhat it means: In “I got your attention like J.Lo's ass,” Ja Rule questions whether 50 Cent's attention, audience, or reputation reflects genuine respect. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. Visibility can be mistaken for victory, so the artist recasts 50 Cent's recognition as temporary, manufactured, or disconnected from credibility.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 17
[Jamacian Talking and Shots Fired]
- 19
I know y'all niggas is second guessin' the state I'm in
20Bitch, I'm into makin' hit records that spin like rims
21So when Flex get it, he bomb it once, shit bomb it twice
22New York city park your cars, turn off your lights
Block noteClaims geographic legitimacy
Target50 Cent
MeaningWhat it means: In “New York city park your cars, turn off your lights,” Ja Rule uses place and local affiliation to decide who can credibly represent the scene challenged in the song. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. The feud is presented as larger than two individuals, so the line asks listeners to treat 50 Cent as an outsider or a poor representative of the claimed community.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
- 24
I got your attention like J.Lo's ass
25And if it's pussy we talkin' I come to smash 'em
26Personal foul like Kobe, when I sexual harass 'em
Block noteChallenges the target's public standing
Target50 Cent
MeaningWhat it means: In “I got your attention like J.Lo's ass,” Ja Rule questions whether 50 Cent's attention, audience, or reputation reflects genuine respect. Why it was said: The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations. Visibility can be mistaken for victory, so the artist recasts 50 Cent's recognition as temporary, manufactured, or disconnected from credibility.
ContextThe record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.