Verified archive entry

The Jig Is Up (Dump’n)

The Jig Is Up (Dump’n) is a diss track by Kendrick Lamar targeting Shyne. The performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers.

Released2012
Annotated4
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    02

    Praise to the almighty, HiiiPower

    03

    Me and my niggas (Live forever)

    04

    3 eyes to my alumni

    05

    Feel this

  2. 06

    I wanna hear it, turn me up (My niggas on point, game tight)

    07

    Turn me up a little bit more nigga (My niggas on point, game tight)

    08

    My nigga Cole in this motherfucker. Wassup nigga?

    09

    (My niggas on point, game tight)

  3. 10

    There we go yeah, turn me up

  4. 11

    [Verse 1: Kendrick Lamar]

    12

    Picture plenty pussies throwing pellet guns at me

    13

    Paranoia make it more than difficult for me to sleep

    14

    Pinnacle, I know I be, centerfold, I know I got

    15

    But they hate to frame me as the Mona Lisa of hip-hop

  5. 16

    So retaliation is a must, when we bend the block

    17

    My niggas dump'n out the roof, (Do-do-do-do-do)

    18

    Drive past, guns blast, shooting up the charts too

    19

    Uh, me K-D-O-T, put TNT inside my suit

  6. 20

    Walk inside the label, struck a match, and then I blew, bomb

    Multi-line diss block
    21

    C4 everywhere, C4 everywhere

    22

    I got three whores with me, it smells like Dior and derrière

    23

    Decoys die slow, you can detour to Heaven's stairs

    Block noteImagines the battle as physical destruction

    TargetShyne

    MeaningWhat it means: In “Decoys die slow, you can detour to Heaven's stairs,” Kendrick Lamar converts lyrical defeat into death, shooting, burial, or bodily harm directed at Shyne. Why it was said: The performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Shyne as unable to return for another round.

    ContextThe performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers.

  7. 24

    Or walk inside Hell's dungeon, I just might derail something

    25

    They pussies, I smell something

    26

    You douche on the daily, niggas, you pushin' up daisy

    27

    I push the gas on Mercedes, nigga

  8. 28

    Came in this game with a Rolie chain, and a dream

    29

    Became reality, made some casualties, my choppers scream

  9. 30

    [Chorus: Kendrick Lamar]

    31

    And now we dump'n out the roof, (Do-do-do-do-do)

    32

    Drive past, guns blast, shooting up the charts too

    33

    Uh, me K-D-O-T, put T-N-T inside my suit

    34

    Uh, walk inside the label, struck a match and then I blew

  10. 35

    And now we dump'n out the roof, (Do-do-do-do-do)

    36

    Drive past, guns blast, shooting up the charts too

    37

    Uh, me K-D-O-T, put T-N-T inside my suit

    38

    Uh, walk inside the label, struck a match and then I blew

  11. 39

    [Verse 2: Kendrick Lamar]

    Multi-line diss block
    40

    Nigga that thought Good Kid gon' flop, or that I might go pop

    41

    Or your bitch won't drop, knees when my shit drop

    42

    Y'all too infatuated with the fucking numbers

    43

    Which make it easy for me to divide and conquer

    Block notePoints to a claimed failure or contradiction

    TargetShyne

    MeaningWhat it means: In “Or your bitch won't drop, knees when my shit drop,” Kendrick Lamar treats the refusal, inability, or contradiction named in the lyric as evidence against Shyne's public position. Why it was said: The performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers. The wording tests Shyne's image against a specific action; the gap between the two is what the audience is being asked to remember.

    ContextThe performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers.

  12. 44

    I come from Compton, we ain't have it all

    Multi-line diss block
    45

    Smokers basing inside the cafeteria hall

    46

    And I'm putting fear in you all, see your skeletons shaking

    47

    Jump out your body, you Ricky Bobby until you naked

    Block noteCalls the target's toughness an act

    TargetShyne

    MeaningWhat it means: In “And I'm putting fear in you all, see your skeletons shaking,” Kendrick Lamar portrays Shyne as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers. A diss threat depends on the audience believing the speaker will confront the opponent; calling Shyne afraid is designed to empty that threat of force.

    ContextThe performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers.

  13. 48

    Y'all pray to God this week I be putting out bombs

    Multi-line diss block
    49

    I pray to God this beat is good enough for Shyne

    50

    If not, J. Cole, your shit is trash

    51

    But at least my opinion just made everyone laugh

    Block noteAttacks the target's ability to rap

    TargetShyne

    MeaningWhat it means: In “If not, J. Cole, your shit is trash,” Kendrick Lamar challenges Shyne on writing, delivery, flow, or command of the microphone rather than relying only on a personal insult. Why it was said: The performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers. This goes to the qualification that gives Shyne standing in a rap battle; if the craft is weak, the reply loses authority before its other claims are considered.

    ContextThe performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers.

  14. 52

    This is where we at? I guess it's entertainment

    53

    I guess this is speculation making a classic came with

    54

    If I ain't have the patience I'd probably self destruct

    55

    Real people want real music, the jig is up

  15. 56

    [Bridge: Kendrick Lamar & J. Cole]

    57

    Your worst fear is confirmed

    58

    We love that you crashed and burned

    59

    The real is back

    60

    K. Dot it's your turn, take your victory lap

  16. 61

    King Cole salutin' Compton's own King Kendrick

    62

    Thats the sky is falling, the wind is calling

    63

    Stand for something or die in the morning

    64

    The city hail King Kendrick Lamar

  17. 65

    The world hail King Kendrick Lamar

  18. 66

    [Chorus: Kendrick Lamar]

    67

    And now we dump'n out the roof, (Do-do-do-do-do)

    68

    Drive past, guns blast, shooting up the charts too

    69

    Uh, me K-D-O-T, put T-N-T inside my suit

    70

    Uh, walk inside the label, struck a match and then I blew

  19. 71

    And now we dump'n out the roof, (Do-do-do-do-do)

    72

    Drive past, guns blast, shooting up the charts too

    73

    Uh, me K-D-O-T, put T-N-T inside my suit

    74

    Uh, walk inside the label, struck a match and then I blew

  20. 75

    [Verse 3: Kendrick Lamar]

    76

    This is my life and I look at it like its my last

    77

    And I'm lookin' right past the future as I reminisce on my past

    78

    And I don't even think how I used to, my mind is on rocket blast

    79

    And I don't even drink like I used too, and I don't even smoke

  21. 80

    So you know this natural flow is for users that want to go to rehab

    81

    Lookin' at the coke that he had, matter fact that followers bother them

    82

    Then but I won't say my bad, see I just lay in the cut

    83

    Watch the product stack up, motherfucker what what

  22. 84

    See now we dump'n out the roof