Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 06
I'm back baby, I'm back back on my bullshit
07I'm back movin' around strapped with a full clip
08These rap niggas they back talkin that back talk
09I stab a hole in your fat back with the black hawk
Block noteTurns the target into a visual punchline
TargetRick Ross
MeaningWhat it means: In “I stab a hole in your fat back with the black hawk,” 50 Cent reduces Rick Ross to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Rick Ross travel beyond the song itself.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.
- 15
Now you say the wrong shit niggas hit ya up for me
16Wait! Let me tell ya what your baby told me
17You ain't got a street bone in your whole body
Block noteMakes the feud personal through family
TargetRick Ross
MeaningWhat it means: In “Wait! Let me tell ya what your baby told me,” 50 Cent brings a relative or family boundary into the exchange with Rick Ross, moving the dispute beyond music and into private life. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. Family references explain why the conflict feels personal: they raise the emotional cost for Rick Ross and make the line more consequential than a routine comparison of rap skill.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.
- 19
With your gun and your badge you think you're hard
20Actin' like you're movin blow in the streets
21Nigga where I'm from we gotta hustle to eat, and you the police
Block noteImagines the battle as physical destruction
TargetRick Ross
MeaningWhat it means: In “With your gun and your badge you think you're hard,” 50 Cent converts lyrical defeat into death, shooting, burial, or bodily harm directed at Rick Ross. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Rick Ross as unable to return for another round.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.
- 27
SHUT THE FUCK UP!!!!! We don't wanna hear your mafia tough talk
28That fake fuck boy shit don't fly in New York
29You wanna listen to Joe? You wanna listen to Khaled?
30Fine, I'll just fuck everybody up while I'm at it
Block noteUses a pointed question as an accusation
TargetDJ Khaled
MeaningWhat it means: In “You wanna listen to Joe? You wanna listen to Khaled?,” 50 Cent puts DJ Khaled's conduct on trial through a question that is meant as a challenge, not a neutral request for information. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. The question shifts the burden onto DJ Khaled: any answer must accept the premise raised in the lyric or explain why that premise is false.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.
- 36
Me and your baby mama gon' get intimate maybe
37Imagine how she felt when she seen how I lived
38When I use the intercom to find niggas in my crib
Block noteMakes the feud personal through family
TargetRick Ross
MeaningWhat it means: In “Me and your baby mama gon' get intimate maybe,” 50 Cent brings a relative or family boundary into the exchange with Rick Ross, moving the dispute beyond music and into private life. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. Family references explain why the conflict feels personal: they raise the emotional cost for Rick Ross and make the line more consequential than a routine comparison of rap skill.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.
- 40
My money comin' in the mornin' so I'm up with Russ Par
41Early in the mornin' turn your radio on
4250 'bout to come on, you missin' the joint
Block noteChallenges the target's public standing
TargetRick Ross
MeaningWhat it means: In “Early in the mornin' turn your radio on,” 50 Cent questions whether Rick Ross' attention, audience, or reputation reflects genuine respect. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. Visibility can be mistaken for victory, so the artist recasts Rick Ross' recognition as temporary, manufactured, or disconnected from credibility.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.
- 54
I mean I have to help him out with somethin over there
55Because I'm disposin' of him, but a, I mean, it will be fine, we'll work it out
56You know, it's just politics, ha ha!!!!!!!!!!!
Block noteForces the dispute into a direct contest
TargetRick Ross
MeaningWhat it means: In “L.A. I mean Rick Ross is finished!!!!!!!,” 50 Cent addresses Rick Ross as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Rick Ross.
ContextThe song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.