Verified archive entry

U Wanna Be Me

U Wanna Be Me is a diss track by Nas targeting Jay-Z. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

Released2002
Annotated5
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    02

    Uhh, ooh baby, baby

    03

    Keep it thug, and keep yo' heat, na nah nah nah nah

  2. 04

    [Verse 1]

    05

    Now slowly, thinking of all the things that oppose me

    06

    I think of kings who died and rappers out to dethrone me

    07

    For they crown they head is cut off, bodies is laid

    08

    Dead in the street, it's so fucking pitiful

  3. 09

    First they love you, could be the bitch that even live with you (Ho)

    Multi-line diss block
    10

    Mad at your riches, now she switched, turned miserable

    11

    'Cause she wanna dress like Bonnie, Robin, and Crystal do

    12

    But Crystal's single, Bonnie's broke and her niggas too (Ha)

    Block noteMakes the confrontation explicit

    TargetJay-Z

    MeaningWhat it means: In “First they love you, could be the bitch that even live with you (Ho),” Nas addresses Jay-Z directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” Naming or plainly addressing Jay-Z removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  4. 13

    I can do bad by myself; went from rags to wealth

    14

    From Jags to Bentleys to, plenty ass bitches

    15

    Can't keep they hands to theyself no more

    16

    I'm like, Hugh Hefner, you lesser, you just a

  5. 17

    [Chorus]

    18

    Wanna be me, you can't, you faggot, you bitch

    19

    You coward, you clown, you just wanna be down

    20

    So you – wanna be me, you bitch, you phony

    21

    You clone me, you wanna be me, sorry, I'm the one and only

  6. 22

    But you – wanna be me, you suckers, you weak

    23

    You flunkies, you fake, you couldn't come close on my worst day

    24

    But you – wanna be me, I burn you and learn you a lesson

    25

    Concerning this mic profession, turn your direction

  7. 26

    [Verse 2]

    Multi-line diss block
    27

    You can't be me, not in your wildest fantasy

    28

    It's childish; should I have to resort to violence?

    29

    Pay me a half a million, I'll consult your album

    30

    And show you how to stay off my dick

    Block noteTurns money and possessions into leverage

    TargetJay-Z

    MeaningWhat it means: In “Pay me a half a million, I'll consult your album,” Nas contrasts financial power or possessions with Jay-Z's alleged lack of money, access, or control. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The comparison converts status into material evidence and is meant to make Jay-Z's success claims look hollow beside something listeners can picture and measure.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  8. 31

    That's the thing I hate the most, can't even call you a man

    Multi-line diss block
    32

    When you gotta call out my name to get you some fans

    33

    No talent, you need direction; you a pussy with a yeast infection

    34

    You unlucky, I'm your fucking C-section

    Block noteUses gendered or sexual humiliation

    TargetJay-Z

    MeaningWhat it means: In “No talent, you need direction; you a pussy with a yeast infection,” Nas uses gendered or sexual language to question Jay-Z's masculinity or humiliate the target in front of the audience. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The tactic tries to trigger an emotional reply and damage Jay-Z's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  9. 35

    Plus I'm the last real nigga alive

    36

    Toast glass, Ill Will, the label get high

    37

    Realize, how many classics I gave you

    38

    Perhaps if you think back you'll realize that I made you

  10. 39

    [Chorus]

    40

    Wanna be me, you can't, you faggot, you bitch

    41

    You coward, you clown, you just wanna be down

    42

    So you – wanna be me, you bitch, you phony

    43

    You clone me, you wanna be me, sorry, I'm the one and only

  11. 44

    But you – wanna be me, you suckers, you weak

    45

    You flunkies, you fake, you couldn't come close on my worst day

    46

    But you – wanna be me, I burn you and learn you a lesson

    47

    Concerning this mic profession, turn your direction

  12. 48

    [Verse 3]

    49

    You can't be me, I'm trying to walk a straight line

    50

    Why they trying to take mine? I'm past 8 Miles of every state line

    51

    Eating alligators, and hummingbird hearts

    52

    At the Player's Ball, Brioni suits, y'all birds watch

  13. 53

    As real millionaire shit'll take place

    54

    Evil as Hitler's hate-race people

    55

    This is God's Son, and I've come from the God under pure peace

    56

    To represent the streets, you'll see that my plan

  14. 57

    Is not to destroy your man

    58

    But to bring more to mankind and teach

    59

    Every MC, reach for your pens and papers

    60

    Lesson one – be creative; what you made of, junior?

  15. 61

    'Cause soon you'll be a grown man with the mic in your hand

    Multi-line diss block
    62

    And understand, to battle Nas not in your plan

    63

    I'm the last real nigga alive, understand that

    64

    And you my offspring, the boss sting

    Block noteForces the dispute into a direct contest

    TargetJay-Z

    MeaningWhat it means: In “And understand, to battle Nas not in your plan,” Nas addresses Jay-Z as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Jay-Z.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  16. 65

    A bulletproof Porsche things, hard for you to understand that

    Multi-line diss block
    66

    Nas the king, where my bricks, where my band at?

    67

    Play me a gangster's theme, while you entertain me

    68

    If I ain't crying laughing, to the lions, throw your ass in

    Block noteCalls the target's toughness an act

    TargetJay-Z

    MeaningWhat it means: In “If I ain't crying laughing, to the lions, throw your ass in,” Nas portrays Jay-Z as frightened or unwilling to stand behind the aggression shown in public. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” A diss threat depends on the audience believing the speaker will confront the opponent; calling Jay-Z afraid is designed to empty that threat of force.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  17. 69

    What the fuck was you niggas thinking?

    70

    Guns'll clutch if I get a inkling that you coming for the kingpin

    71

    But I laugh at you cowards, ha ha ha

    72

    Take me out – try, try, try, but you

  18. 73

    [Chorus]

    74

    Wanna be me, you can't, you faggot, you bitch

    75

    You coward, you clown, you just wanna be down

    76

    So you – wanna be me, you bitch, you phony

    77

    You clone me, you wanna be me, sorry, I'm the one and only

  19. 78

    But you – wanna be me, you suckers, you weak

    79

    You flunkies, you fake, you couldn't come close on my worst day

    80

    But you – wanna be me, I burn you and learn you a lesson

    81

    Concerning this mic profession, turn your direction