Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 01
[Intro: Kenny Powers]
02New Joe Budden!
03Good afternoon everyone. I'm Kenny Powers. If you're here and you're someone Shane cared about, or someone Shane loved. Or maybe you're just somebody who has no business being here at all who's just here because you think it's gonna make you more popular. You know, Shane and I used to fuck around big time. We fuckin' partied hard. We'd ride our vehicles around. Slay ass
- 26
Ratchet kids at your crib that can't even spell Calabasas bitch
27So I take all the guns, load half the clips
28I just notice you run, we mention half the Clipse
Block noteShrinks the target into a dependent
TargetDrake
MeaningWhat it means: In “Ratchet kids at your crib that can't even spell Calabasas bitch,” Joe Budden recasts Drake as a child, student, or minor-league figure who depends on a more powerful adult or senior artist. Why it was said: The 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name. The hierarchy denies equality before the battle is judged: if Drake is treated as a dependent, the target's challenge can be dismissed as imitation, immaturity, or ingratitude.
ContextThe 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name.
- 46
Now you sound like you use people and love things
47But later for how you use people and love things
48The entendres that upswing when I call you drug king
Block noteSays the target's identity is borrowed
TargetDrake
MeaningWhat it means: In “Now you sound like you use people and love things,” Joe Budden presents Drake's style or work as imitation rather than an original contribution. Why it was said: The 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name. The accusation strips Drake of artistic ownership: success looks less impressive when the sound, image, or idea is framed as somebody else's first.
ContextThe 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name.
- 77
We at the wake