Lyrics & breakdown
Demo lines only. Select a line number to copy a stable deep link.
- 02
Fugees! Fugees and Mobb Deep
03Tryin' to diss now too, huh?!
04Hahaha! Well, I ain't prejudiced
05I don't give a fuck
Block noteMakes the confrontation explicit
TargetMobb Deep
MeaningWhat it means: In “Fugees! Fugees and Mobb Deep,” 2Pac addresses Mobb Deep directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. Naming or plainly addressing Mobb Deep removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.
ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
- 19
Look, bitch, I'll cut your face, this ain't no motherfuckin' movie
20Then, we watch the other two die slow
21Castrated entertainin' at my motherfuckin' sideshow
Block noteImagines the battle as physical destruction
TargetThe Fugees
MeaningWhat it means: In “Look, bitch, I'll cut your face, this ain't no motherfuckin' movie,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Fugees. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Fugees as unable to return for another round.
ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
- 26
When we ride on our enemies
- 35
Come take a journey through my mind's eye
36You crossed the game, don't explain, nigga, time to die
37Say goodbye, watch my eyes when I pull the trigger
38So right before you die, you bow before a bigger nigga
Block noteImagines the battle as physical destruction
TargetThe Fugees
MeaningWhat it means: In “You crossed the game, don't explain, nigga, time to die,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Fugees. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Fugees as unable to return for another round.
ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
- 40
Niggas love to scream "peace" after they start some shit
41Pay attention, here's a word to those that robbed me
42I murder you, then I run a train on Mobb Deep!
Block noteImagines the battle as physical destruction
TargetMobb Deep
MeaningWhat it means: In “I murder you, then I run a train on Mobb Deep!,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at Mobb Deep. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Mobb Deep as unable to return for another round.
ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
- 44
See me have a seizure on stage, you ain't feelin' well
45Hell, how many niggas wanna be involved?
46See, I was only talkin' to Biggie, but I'll kill all of y'all, then ball
Block noteImagines the battle as physical destruction
TargetThe Notorious B.I.G.
MeaningWhat it means: In “See, I was only talkin' to Biggie, but I'll kill all of y'all, then ball,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Notorious B.I.G.. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Notorious B.I.G. as unable to return for another round.
ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
- 51
When we ride on our enemies