Verified archive entry

When We Ride On Our Enemies (Briss Remix)

When We Ride On Our Enemies (Briss Remix) is a diss track by 2Pac targeting The Fugees, Mobb Deep and The Notorious B.I.G.. The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.

Released2002
Annotated5
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro]

    Multi-line diss block
    02

    Fugees! Fugees and Mobb Deep

    03

    Tryin' to diss now too, huh?!

    04

    Hahaha! Well, I ain't prejudiced

    05

    I don't give a fuck

    Block noteMakes the confrontation explicit

    TargetMobb Deep

    MeaningWhat it means: In “Fugees! Fugees and Mobb Deep,” 2Pac addresses Mobb Deep directly and makes the situation described in the quoted line the point of confrontation. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. Naming or plainly addressing Mobb Deep removes the safety of a subliminal and makes the quoted claim something the target can either answer or leave standing.

    ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.

  2. 06

    This is what it sounds like

    07

    When we ride on our enemies

    08

    Biatch! When we ride on our enemies

  3. 09

    [Verse 1]

    10

    Hey, got some static for some niggas on the other side of town

    11

    Let my little cousin K roll, he's a rider now

    12

    What they want from us motherfuckin' thug niggas?

    13

    Used to love niggas, now I plug niggas, and slug niggas

  4. 14

    Am I wrong? Niggas makin' songs, tryin' to get with us

    15

    Must be gone on stress weed, in the West we trust

    16

    To the chest I bust, then we ride 'til the sun come

    17

    Shinin' back to brighten up the sky; how many die?

  5. 18

    Heard the Fugees was tryin' to do me

    Multi-line diss block
    19

    Look, bitch, I'll cut your face, this ain't no motherfuckin' movie

    20

    Then, we watch the other two die slow

    21

    Castrated entertainin' at my motherfuckin' sideshow

    Block noteImagines the battle as physical destruction

    TargetThe Fugees

    MeaningWhat it means: In “Look, bitch, I'll cut your face, this ain't no motherfuckin' movie,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Fugees. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Fugees as unable to return for another round.

    ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.

  6. 22

    Bam! Set my plan in mo'

    23

    Time to exterminate my foes, I can't stand you hoes

    24

    Uh, now label this my fuckin' trick shot

    25

    My lyrics runnin' all you cowards out of hip-hop

  7. 26

    When we ride on our enemies

  8. 27

    [Chorus]

    28

    When we ride on our enemies

    29

    I bet you motherfuckers die

    30

    When we ride on our enemies

    31

    When we ride on our enemies

  9. 32

    Bet all you motherfuckers die

    33

    When we ride on our enemies

  10. 34

    [Verse 2]

    Multi-line diss block
    35

    Come take a journey through my mind's eye

    36

    You crossed the game, don't explain, nigga, time to die

    37

    Say goodbye, watch my eyes when I pull the trigger

    38

    So right before you die, you bow before a bigger nigga

    Block noteImagines the battle as physical destruction

    TargetThe Fugees

    MeaningWhat it means: In “You crossed the game, don't explain, nigga, time to die,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Fugees. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Fugees as unable to return for another round.

    ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.

  11. 39

    Now dry your eyes, you was heartless on your hits

    Multi-line diss block
    40

    Niggas love to scream "peace" after they start some shit

    41

    Pay attention, here's a word to those that robbed me

    42

    I murder you, then I run a train on Mobb Deep!

    Block noteImagines the battle as physical destruction

    TargetMobb Deep

    MeaningWhat it means: In “I murder you, then I run a train on Mobb Deep!,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at Mobb Deep. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Mobb Deep as unable to return for another round.

    ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.

  12. 43

    Don't fuck with me, nigga, you're barely livin'; don't you got sickle cell?

    Multi-line diss block
    44

    See me have a seizure on stage, you ain't feelin' well

    45

    Hell, how many niggas wanna be involved?

    46

    See, I was only talkin' to Biggie, but I'll kill all of y'all, then ball

    Block noteImagines the battle as physical destruction

    TargetThe Notorious B.I.G.

    MeaningWhat it means: In “See, I was only talkin' to Biggie, but I'll kill all of y'all, then ball,” 2Pac converts lyrical defeat into death, shooting, burial, or bodily harm directed at The Notorious B.I.G.. Why it was said: The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts The Notorious B.I.G. as unable to return for another round.

    ContextThe recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.

  13. 47

    Then tell Da Brat to keep her mouth closed

    48

    Fuck around and get tossed up by the fuckin' Outlawz

    49

    Before I leave, make sure everybody heard

    50

    Know I meant every motherfuckin' word

  14. 51

    When we ride on our enemies

  15. 52

    [Chorus]

    53

    When we ride on our enemies

    54

    Make sure everybody die

    55

    When we ride, on our enemies

    56

    When we ride on our enemies, hehe

  16. 57

    I make sure everybody die

    58

    When we ride, on our enemies