Verified archive entry

Wut Would You Do

Wut Would You Do is a diss track by Eazy-E targeting Suge Knight, Dr. Dre, Snoop Dogg, Tha Dogg Pound and Kurupt. The recording also credits Dirty Red. These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

Released1996
Annotated12
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Eazy-E]

    02

    Inside the minds of real G's

    03

    Death Row is looked upon as the studio gangstas of the 90's

    04

    A joke *laughing* in a game called 5 minutes of fame

    05

    You wasted 4 minutes

  2. 06

    Now you got seconds left, kick it

    07

    *laughing*

  3. 08

    [Verse 1: Eazy-E]

    09

    Come on, come all, and let me ride, nigga

    10

    Eazy-E, C-P-T, how the hell you figure

    11

    To be the best on the west, huh yeah

    12

    Fool, I doubt it, this is east side, nigga

  4. 13

    South Compton

    Multi-line diss block
    14

    And I put it on the map

    15

    So what up Dogg Pound Crip

    16

    You wanna scrap

    Block noteClaims geographic legitimacy

    TargetTha Dogg Pound

    MeaningWhat it means: In “South Compton,” Eazy-E uses place and local affiliation to decide who can credibly represent the scene challenged in the song. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. The feud is presented as larger than two individuals, so the line asks listeners to treat Tha Dogg Pound as an outsider or a poor representative of the claimed community.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  5. 17

    And that's comin' straight from the ruthless gangsta Eazy-E

    Multi-line diss block
    18

    Now what would I do, haha, let's see

    19

    Now I would take out Suge and stomp down the row

    20

    Since Dre is a bitch pimp slap the ho (ba-by)

    Block noteMakes physical domination the punchline

    TargetSuge Knight

    MeaningWhat it means: In “Now I would take out Suge and stomp down the row,” Eazy-E stages Suge Knight as the losing body in a physical scene, translating the musical contest into an image of being overpowered. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. That image is designed to make the hierarchy instantly legible: Suge Knight is not simply said to lose, but is pictured being handled and unable to control the encounter.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  6. 21

    Now I'm seein' doubles, aw man

    22

    Two dogs in a huddle, aw goddamn

    23

    Now, diggidi diggidi Daz I biggidi biggidi blast

    24

    Don’t run or I’ll smoke that ass

  7. 25

    Now Kurupt, don't even set trip

    Multi-line diss block
    26

    Yellin' Long Beach 6-0, blood, and puppy pound Crip

    27

    Really doe

    28

    Got my nuts on your chin

    Block noteTurns the target into a visual punchline

    TargetTha Dogg Pound

    MeaningWhat it means: In “Got my nuts on your chin,” Eazy-E reduces Tha Dogg Pound to an exaggerated physical caricature instead of engaging the target's preferred public image. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. A visual insult is easy for an audience to remember and repeat; the goal is to make ridicule of Tha Dogg Pound travel beyond the song itself.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  8. 29

    While I'm all in your filly ho

    Multi-line diss block
    30

    So come with it fool and test your luck and I'll beat that ass

    31

    Now call me Kurupt

    32

    Now I'm creepin' through the fog, yeah, big dog blue

    Block noteForces the dispute into a direct contest

    TargetKurupt

    MeaningWhat it means: In “So come with it fool and test your luck and I'll beat that ass,” Eazy-E addresses Kurupt as an opponent who must prove the claims being made rather than rely on reputation. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. The challenge narrows the argument to performance under pressure, where refusing or failing to answer can itself be presented as a loss for Kurupt.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  9. 33

    Got my 9 milla-killa huntin' dog named Snoop

    Multi-line diss block
    34

    You can run nigga but you can't hide

    35

    Eazy-E straight creepin' on the east side

    36

    710 Long Beach South

    Block noteCalls the target's toughness an act

    TargetSnoop Dogg

    MeaningWhat it means: In “You can run nigga but you can't hide,” Eazy-E portrays Snoop Dogg as frightened or unwilling to stand behind the aggression shown in public. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. A diss threat depends on the audience believing the speaker will confront the opponent; calling Snoop Dogg afraid is designed to empty that threat of force.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  10. 37

    Found Snoop freebasin' in a rock house

    Multi-line diss block
    38

    I kicks in the door, I said it before

    39

    I never let no bustas test me no more

    40

    (Murder was the case that they gave me)

    Block noteImagines the battle as physical destruction

    TargetSnoop Dogg

    MeaningWhat it means: In “(Murder was the case that they gave me),” Eazy-E converts lyrical defeat into death, shooting, burial, or bodily harm directed at Snoop Dogg. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Snoop Dogg as unable to return for another round.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  11. 41

    (Murder was the case that they gave me)

    Multi-line diss block
    42

    I'll smoke all you fools even you boo-boo and your baby

    43

    (Murder was the case that they gave me)

    44

    Watch out buddy boy

    Block noteMakes the feud personal through family

    TargetSnoop Dogg

    MeaningWhat it means: In “I'll smoke all you fools even you boo-boo and your baby,” Eazy-E brings a relative or family boundary into the exchange with Snoop Dogg, moving the dispute beyond music and into private life. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. Family references explain why the conflict feels personal: they raise the emotional cost for Snoop Dogg and make the line more consequential than a routine comparison of rap skill.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  12. 45

    Watch your back

    46

    Yeah, what would you do?

    47

    What would you do, if we rolled on you?

  13. 48

    [Hook]

    49

    (Yeah...)

    50

    What would you do

    51

    (...so don't even think about...)

    52

    What would you do, if we rolled on you

  14. 53

    (...stepping in the goddamn house)

    54

    What would you do

    55

    What would you do, if we rolled on you

    56

    (Yeah...)

  15. 57

    What would you do

    58

    (...so don't even think about...)

    59

    What would you do

    60

    (...stepping in the goddamn house)

  16. 61

    [Verse 2: Dirty Red]

    62

    Dirty Red, I comes on the sneak

    63

    Hittin' niggas low with the cappy ass flow

    64

    As I creep through the street, peepin' niggas from Death Row

    65

    Bet you I know, which one of y'all make the best ho

  17. 66

    So let me break it down as I'm lost in the mist

    67

    Take word of advice and don't come fuckin' with this

    68

    It ain't a joke niggas choke from the smoke that I blaze

    69

    Purple haze you be dazed in a stun

  18. 70

    I'll put you on your back nigga, what

    Multi-line diss block
    71

    I am the guts

    72

    In a Doggy Dogg World

    73

    I never run with mutts

    Block noteRewrites the target's success as a debt

    TargetSnoop Dogg

    MeaningWhat it means: In “I'll put you on your back nigga, what,” Eazy-E argues that Snoop Dogg benefited from somebody else's access, labor, or protection and now presents that borrowed opportunity as independent success. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. Credit is the pressure point: the line is meant to make Snoop Dogg's current status look ungrateful or incomplete unless the earlier help is acknowledged.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  19. 74

    Only nuts in their click

    Multi-line diss block
    75

    And dick in your mouth

    76

    The year is '95 and I'm runnin' the house

    77

    Now tell me, what can you do

    Block noteUses gendered or sexual humiliation

    TargetSnoop Dogg

    MeaningWhat it means: In “And dick in your mouth,” Eazy-E uses gendered or sexual language to question Snoop Dogg's masculinity or humiliate the target in front of the audience. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. The tactic tries to trigger an emotional reply and damage Snoop Dogg's public image, even though the framing itself can reproduce homophobic or sexist stereotypes.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  20. 78

    Nigga, what can you do

    Multi-line diss block
    79

    Nigga, what could you do

    80

    If me and a few of my homies came through

    81

    Dumpin' real on you trick made bitch-made niggas

    Block noteUses a degrading label to strip status

    TargetSuge Knight

    MeaningWhat it means: In “Dumpin' real on you trick made bitch-made niggas,” Eazy-E replaces Suge Knight's chosen public identity with the degrading label in the quoted bar, making contempt—not neutral description—the point of the line. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. The insult supplies listeners with a short rival definition of Suge Knight; repeating that definition is meant to damage the authority the target brings into the feud.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  21. 82

    Wut could you do

    83

    Wut could you do, if we rolled on you

  22. 84

    [Hook]

    85

    (Yeah...)

    86

    What would you do

    87

    (...so don't even think about...)

    88

    What would you do, if we rolled on you

  23. 89

    (...stepping in the goddamn house)

    90

    What would you do

    91

    What would you do, if we rolled on you

    92

    (Yeah...)

  24. 93

    What would you do

    94

    (...so don't even think about...)

    95

    What would you do, Dirty Red

    96

    (...stepping in the goddamn house)

  25. 97

    [Outro]

    Multi-line diss block
    98

    Dr. Dre

    99

    Straight busta

    100

    Never broke a law in his life

    101

    Besides beatin' up Ricky Harris' wife

    Block noteMakes the feud personal through family

    TargetDr. Dre

    MeaningWhat it means: In “Besides beatin' up Ricky Harris' wife,” Eazy-E brings a relative or family boundary into the exchange with Dr. Dre, moving the dispute beyond music and into private life. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. Family references explain why the conflict feels personal: they raise the emotional cost for Dr. Dre and make the line more consequential than a routine comparison of rap skill.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  26. 102

    Haha

    103

    Snoop Dogg

    104

    From a high top fade to sportin' braids

    105

    Now he's laid

  27. 106

    Fame no fortune

    107

    And gettin' played, not paid, played

    108

    Treated like a prostitute

    109

    And we all know who's doin' the pimpin'

  28. 110

    Daz, don't be a follower, be a leader

    Multi-line diss block
    111

    And stay off the next man's nuts

    112

    Kurupt, the Kingpin, stick with the 6-0's

    113

    Cause you don't need those other hoes

    Block noteChallenges the target's public standing

    TargetKurupt

    MeaningWhat it means: In “Daz, don't be a follower, be a leader,” Eazy-E questions whether Kurupt's attention, audience, or reputation reflects genuine respect. Why it was said: These records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control. Visibility can be mistaken for victory, so the artist recasts Kurupt's recognition as temporary, manufactured, or disconnected from credibility.

    ContextThese records belong to Eazy-E's answer to Dr. Dre, Snoop Dogg and the emerging Death Row camp after Dre left Ruthless Records and mocked Eazy on The Chronic and ‘Dre Day.’ The attacks repeatedly contrast Death Row's image with Eazy's ownership history, Compton identity and claims of financial control.

  29. 114

    Cause they about to go up in you

    115

    But only if you let 'em

    116

    *laughing*

    117

    Death Row, really doe, ba-by

  30. 118

    *bang*

    119

    *cries*