Verified archive entry

Zone Out

Zone Out is a diss track by Nas targeting Jay-Z. The recording also credits Bravehearts. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

Released2002
Annotated3
ExplicitYes
Addressable transcript

Lyrics & breakdown

Demo lines only. Select a line number to copy a stable deep link.

  1. 01

    [Intro: Nas, (Wiz)]

    02

    Braveheart for life

    03

    Zone out, zo-zo-zo zone out

    04

    Uhh, Salaam Remi!

    05

    Yeah, zone out, zo-zo-zo zone out, what, yeah

  2. 06

    Zo-zo-zo zone out, zo-zo-zo zone out

    07

    (I want y'all to blast on these niggas, man)

    08

    Zo-zo-zo zone out

    09

    Zo-zo-zo zone out

  3. 10

    [Verse 1: Jungle]

    Multi-line diss block
    11

    Tuck in your chain, put your watch in your pocket

    12

    Here come the Bravehearts, straight out the projects

    13

    We live the life where the blood spills

    14

    Same thing that get you cash, nigga, get you killed

    Block noteUses a public loss to puncture the image

    TargetJay-Z

    MeaningWhat it means: In “Tuck in your chain, put your watch in your pocket,” Nas points to property being taken or another visible loss as evidence that Jay-Z's claimed security and power failed in practice. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The anecdote gives the audience a concrete event against which to test Jay-Z's persona, turning an abstract toughness debate into a remembered humiliation.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  4. 15

    Warning – Jungle always keep a gun on him

    16

    Pull out, brrrrrrrt, forehead yawning

    17

    Sloppy, dropping you birds

    18

    Close range so my bullets don't swerve, curve

  5. 19

    No bullshit, back in ya head, vomit, call Earl

    20

    Death is the ways of the world

    21

    Y'all made criminals tryin' to wild nowadays

    22

    I sold crack, bust guns at Bow Wow's age

  6. 23

    Fightin' in jail, lookin' for Heaven, livin' in Hell

    24

    Fuckin' 'em hoes, boilin' coke since I was 12

    25

    Way too foul, walk around all the time

    26

    With a gray MAC-10 and a pocket full o' dimes

  7. 27

    [Verse 2: Wiz, (Nas)]

    28

    Braveheart to the graveyard, let's go

    29

    Niggas is scared straight, but fuck them hoes

    30

    Keep it–dead serious

    31

    Believe or don't believe us

  8. 32

    Until you see me creepin', now you sleep with them fishes

    33

    G W-I-Z, that's so delicious

    34

    To all them ghetto and sober bitches in 'burban districts

    35

    I'm movin' on past you chumps

  9. 36

    And very thorough, promoted by God's Son

    37

    And this is the military, turn it up

    38

    My Uzi weighs a ton, yo, son – let's thump, nah

    39

    Heat talk, feet walk, you run, uh

  10. 40

    Rat-ta-tat – hear them shots come

    Multi-line diss block
    41

    Drop, son, pull out

    42

    You better send 'em back, son, or feel that casket

    43

    Your peeps be like, "One" (One)

    Block noteImagines the battle as physical destruction

    TargetJay-Z

    MeaningWhat it means: In “You better send 'em back, son, or feel that casket,” Nas converts lyrical defeat into death, shooting, burial, or bodily harm directed at Jay-Z. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Jay-Z as unable to return for another round.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  11. 44

    I'm movin' on past you chumps (What)

    45

    And very thorough, promoted by God's Son

  12. 46

    [Verse 3: Nas]

    47

    G-O-D S-O-N

    48

    I S-O-O-T-H-E a female's estrogen

    49

    With my testosterone, male hormone

    50

    Enough for a giant's body

  13. 51

    Science, S-C-I-E-N-C-E, don't tempt me

    52

    EMS against you; me, I'm just–invincible, like Mike Jack said

    53

    But me and Al Sharpton won't be broke in Harlem – that's dead

    54

    Who made this style, Solo or X?

  14. 55

    Or U.T.F.O.'s Doctor, or Moe Dee?

    56

    Whoever – I freaked it, yes, so meet ya death

    57

    I never wear Esco, I got a New Line comin' like Cinemas

    58

    Remember the–original, y'all still tryin' to show niggas ya rich

  15. 59

    Townhouse niggas, I'm six cribs deep

    60

    With six bank accounts in six countries

    61

    Nah, I'm lyin' – who gives a fuck, that's so tired

    62

    Well, picture us, Bravehearts just livin' it up

  16. 63

    A million of us, each nigga itchin' to bust

    Multi-line diss block
    64

    You got a 'House in Virginia', the only way you sicker than us

    65

    Gettin' bagged with .22's? Now you's a ridiculous fuck

    66

    No need for the gun play, it's okay, 'cause you're dyin' anyway

    Block noteImagines the battle as physical destruction

    TargetJay-Z

    MeaningWhat it means: In “No need for the gun play, it's okay, 'cause you're dyin' anyway,” Nas converts lyrical defeat into death, shooting, burial, or bodily harm directed at Jay-Z. Why it was said: The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.” The violent image makes the response sound final: instead of proposing an endless exchange, the artist depicts Jay-Z as unable to return for another round.

    ContextThe track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”

  17. 67

    [Verse 4: Jungle]

    68

    Yo, this is for them high school drop-outs

    69

    Niggas in court who copped out

    70

    If you prefer shots over knockouts

    71

    Sniffin' coke, smokin' weed, sellin' crack, sellin' smack

  18. 72

    You thuggin' and you ain't turnin' back

    73

    Bravehearts gettin' money ruthless 'til the world end

    74

    Gettin' high with my enemy's girlfriend

    75

    I used to have the bike on a bitch

  19. 76

    Now I got the Jeep on the strip

    77

    Coke in the pot, heat on my hip

  20. 78

    [Verse 5: Wiz]

    79

    Nigga, don't stop blazin' 'cause ya target's movin'

    80

    Shoot 'til the gun's empty, stupid

    81

    Queens niggas so ruthless

    82

    Really, excuses is useless to these swift executioners

  21. 83

    And that's Queensbridge, nigga, all day

    84

    Pump packs o' crack, smoke purple haze

    85

    Runnin' from D's, quick to knock out rookies

    86

    G Wiz – you know what I'm 'bout

  22. 87

    To all my real niggas

  23. 88

    [Chorus]

    89

    Zo-zo-zo zone out, zo-zo-zo zone out

    90

    Zo-zo-zo zone out, zo-zo-zo zone out

    91

    Zo-zo-zo zone out, zo-zo-zo zone out

    92

    Zo-zo-zo zone out, zo-zo-zo zone out