DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target 50 Cent, Jay-Z, Suge Knight
My Bitch is a diss track by The Game targeting 50 Cent, Jay-Z and Suge Knight. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target The Game
Stop Crying is a diss track by 50 Cent targeting The Game. The song addresses the collapse of 50 Cent's alliance with The Game and the wider disputes surrounding G-Unit.
Target Jay-Z
The Message is a diss track by Nas targeting Jay-Z. Nas later identified the luxury comparison about a Lexus with television screens as a competitive jab at Jay-Z; other listeners, including 2Pac, interpreted separate lines more broadly, making the song's target history contested.
Target 50 Cent
My Turn is a diss track by The Game targeting 50 Cent. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target A$AP Rocky, Big K.R.I.T., Big Sean, Drake, J. Cole, Jay Electronica, Mac Miller, Meek Mill, Pusha T, Tyler, The Creator, Wale
Control is a track by Big Sean with a diss section by Kendrick Lamar targeting J. Cole, Big K.R.I.T., Wale, Pusha T, Meek Mill, A$AP Rocky, Drake, Big Sean, Jay Electronica, Tyler, the Creator and Mac Miller. The recording also credits Kendrick Lamar and Jay Electronica. The performance uses direct name-checks and competitive challenges that were widely treated as calls to other prominent rappers.
Target Shaniqua Tompkins, The Game, Young Buck
So Disrespectful is a diss track by 50 Cent targeting The Game, Young Buck and Shaniqua Tompkins. The song addresses the collapse of 50 Cent's alliance with The Game and the wider disputes surrounding G-Unit.
Target Cormega, MC Shan, Nature
Destroy & Rebuild is a diss track by Nas targeting Cormega, MC Shan and Nature. Nas addresses Queensbridge peers during a period of local disputes over loyalty, reputation, and the neighborhood's rap legacy.
Target Rival MCs
No One Told Us is a diss track by 50 Cent targeting Rival MCs. The recording also credits Leon Thomas. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target DJ Khaled, J. Cole, Kendrick Lamar, Pharrell Williams, Pusha T, Rick Ross
Make Them Pay is a diss track by Drake targeting Kendrick Lamar, J. Cole, Rick Ross, DJ Khaled, Pusha T and Pharrell Williams. The track revisits broken alliances and rivalries surrounding Drake's recent disputes, with targets identified from direct lyrics and contemporary reporting.
Target Benzino
Nail In The Coffin is a diss track by Eminem targeting Benzino. The song belongs to Eminem's public conflict with Benzino and The Source, which produced multiple response records in the early 2000s.
Target Nas
H.O.V.A is a diss track by DJ Envy targeting Nas. The recording also credits JAŸ-Z and Jay-Z. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”
Target Eazy-E, Luke, Tim Dog
Fuck Wit Dre Day (And Everybody’s Celebratin’) is a diss track by Dr. Dre targeting Eazy-E, Tim Dog and Luke. The recording also credits Snoop Dogg and Jewell. Dr. Dre and Snoop Dogg attacked former N.W.A. partner Eazy-E and other rivals during the early Death Row Records period.